A Grammy Winner’s Dream of Protecting Animals: Diane Warren and the Dian Fossey Gorilla Fund
Posted on November 30, 2020 at 8:00 am
Diane Warren has won Grammy, Golden Globe, and Emmy awards. She has received eleven Oscar nominations and three consecutive Songwriter of the Year Billboard awards, and is in the Songwriters Hall of Fame. Her songs have been sung by Celine Dion, Barbra Streisand, Cher, Beyonce, and Lady Gaga.
Equal to her passion for music is her passion for animals. And both come together in her beautiful new song from “The One and Only Ivan,” which she has donated for Giving Tuesday to the Dian Fossey Gorilla Fund International. In addition, Ms. Warren is matching funds raised during the Giving Tuesday campaign, up to a total of $20,000.
GivingTuesday is a global generosity movement, held annually the Tuesday after Thanksgiving, falling this year on December 1.
“Free” was performed by Charlie Puth for Disney’s 2020 film, “The One and Only Ivan.”
“We are thrilled to work with Diane Warren to help spread awareness about the plight facing gorillas,” says Stoinski. “There are just over 1,000 mountain gorillas left, and we are working to bring them and their close cousins, the critically endangered Grauer’s gorillas, back from the brink of extinction.”
“The Fossey Fund is doing amazing work to protect these important species,” says Warren. “Mountain gorillas are one of the world’s few conservation success stories, and I am honored to be part of the Fossey Fund’s work to protect the gorillas and their habitat and to help the people who share their forest home.”
A Charlie Brown Thanksgiving This is the one with the famous episode about Charlie Brown trying to kick the football Lucy keeps snatching away from him. And Peppermint Patty invites herself to Charlie Brown’s house for Thanksgiving and he is too kind-hearted to tell her that he won’t be there because his family is going to his grandmother’s. When the Peanuts gang comes over for a feast prepared by Charlie Brown himself, Patty gets angry at being served toast and jelly beans. But when she realizes how hard her friend tried to be hospitable, she learns what gratitude really means.
Squanto and the First Thanksgiving , Native American actor Graham Greene and musician Paul McCandless tell the story of Squanto’s extraordinary generosity and leadership in reaching out to the Pilgrims after he had been sold into slavery by earlier European arrivals in the New World.
Animal abuse, sad deaths of humans and animals, fire
Date Released to Theaters:
November 27, 2020
The latest “Black Beauty” is the sixth film adaptation of the classic Victorian novel by Anna Sewell, told by a horse who goes from owner to owner, some kind, some cruel. This latest version, streaming on Disney+, updates and relocates the story, set in contemporary United States (but filmed in South Africa). And this time, the two main characters are female.
Kate Winslet provides the narration, and we first meet the black horse with a white star on her forehead living wild in “an endless golden meadow,” taught by her mother that “a mustang’s spirit can never be broken.” She promises to tell us the secret to this inner strength by the end of the story. It will be tested, though, as she is caught by cowboys, who sell the horses they capture to riders if they can be tamed and to be killed if they cannot. The black horse is about to be relegated to that second category as untamable. But a kind-hearted trainer says that she is just frightened and angry. “Wouldn’t you be if a UFO came down and stole you from your family?”
He is John Manly (“Game of Thrones'” Iain Glen), something of a horse whisperer, and a scout and trainer for a rescue ranch in New York. He buys the horse, but even his patience and gentleness do not make much progress and the owner of the ranch says the horse will have to go. But then John learns that his sister and brother-in-law have been killed in a car accident and he is now guardian for their teenaged daughter Jo (Makenzie Foy of “Intersteller”). She, too, is frightened and angry. “Now I have two girls who want nothing to do with me,” he sighs.
Those two girls, Jo and the horse, are too sad to develop a relationship with anyone. But they immediately recognize the sadness in each other. Jo, who has had no experience with horses, is able to calm the horse she names Beauty. And Beauty calms her, too.
Jo tries to keep Beauty, but when that is impossible she promises to find her and get her back. Beauty is sold to one owner after another, some kind, some cruel.
The theme of the film is empathy, and as Beauty tells her story is is clear she knows the difference between those who do not intend to inflict damage and those who do not care. Her travels take her from a wealthy family with a snobbish mother whose daughter is incapable of understanding the Robert Smith quote John shares with Jo: “There is no secret so close as that between a rider and his horse,” to a mountain rescuer and a New York horse-drawn carriage driver. And the end will make you cry.
The biggest problem is that the screenplay tells us what it has already shown us and then tells us again. We get the message from the performances and from David Procter’s beautiful cinematography, which surrounds the story in golden light and makes us feel the danger of treacherous mountain rapids. The love story between Jo and Beauty is told with sincerity and affection. There is not much new here, but the message of courage, kindness, and loyalty is always worthwhile.
Parents should know that while the bad behavior and cruel treatment is mostly off-camera, described rather than shown, both humans and horses are injured and there are sad deaths.
Family discussion: Why did Jo and Beauty understand each other so well? Why does Jo want to use the word “partner” instead of “break?”
If you like this, try: “The Black Stallion,” “National Velvet,” and “Emma’s Chance” as well as “A Dog’s Journey” and “A Dog’s Way Home”
The Croods: A New Age is the sequel to the animated film about the prehistoric family is sharply funny, exciting, warm-hearted, and a great watch for the whole family.
We left the Croods at the end of the first film with Grug (Nicolas Cage) finally welcoming in a new family member, Guy (Ryan Reynolds). The family, which sleeps in a pile every night and can form a kill circle in an instant is, Grug thinks, situated as well as possible to find food and to avoid becoming food. But then the climate changes and they have to find another place to live. On the other side of a wall, they discover a kind of paradise, with plenty of food conveniently growing in rows. It is the home of the Betterman family (“emphasis on the Better“), Hope (Leslie Mann), Phil (Peter Dinklage), and their daughter Dawn (Kelly Marie Tran).
The Bettermans, who have discovered tools and simple machines, have an elaborate tree-house, cultivated crops, and the wall, which keeps them safe. They have the concept of “privacy,” sleeping in separate rooms. They also have the concept of “rooms.” Also “windows,” and an amusing running joke is the way Grug’s son Thunk (Clark Duke) is mesmerized by the “screen” that’s just a hole in the wall.
The Bettermans are aghast at the lack of refinement of the primitive Croods and gently try to urge them to move on. Except for Guy, who they knew when he was a child. Guy is happy to be reunited with them, especially his childhood friend Dawn. He starts dressing like Phil Betterman.
We might expect Grug’s daughter Eep (Emma Stone) to be jealous of Dawn. But this movie wisely makes Eep and Dawn instant best friends in a funny and sweet scene where they discover what it means to know another girl. It also wisely does not make the Bettermans or the Croods all right or all wrong. Balancing the wish to protect your children from any possible harm with the importance of their learning to be independent and developing a sense of curiosity and adventure.
Basically, there are just two jokes here, but they are funny every time. It is funny when we see that the Croods are just like us (parents want to take care of children and children want to try new things, teenagers have a lot to say to each other but do not always have the words, girlfriends’ voices sometimes get a little screechy when they’re excited), and it is funny to see them discover for the first time in human history what we take for granted (privacy, screens). But what makes this movie worth a rewatch is the constant invention of its visuals, the exceptional detail in the characters, animals, and landscapes, its superb voice talent, and its touching depiction of the foundational ties of family and community.
Parents should know that this film includes some peril and mild injuries and some potty humor.
Family discussion: Is your family more like the Croods or The Bettermans? What would you pick for your tribal name? What is your family’s motto? Ask family members for the stories behind their scars.