Telstar — 60th Anniversary of the Telecommunications Satellite Launched July 10, 1962

Telstar — 60th Anniversary of the Telecommunications Satellite Launched July 10, 1962

Posted on July 10, 2022 at 5:48 pm

From my father, Newton N. Minow, published today on Medium.

“Do you know anything about telecommunications satellites?” It was my first day at the Federal Communications Commission, where I had just been appointed Chairman by President John F. Kennedy. It was 1961 and I was 35 years old. The question came from one of the other Commissioners, T.A.M. Craven, originally a Franklin Roosevelt appointee, then re-named by Eisenhower. Craven had formerly been the Commission’s Chief Engineer.

I admitted I did not know anything about them. He groaned. “This is the one area where we are ahead of the space technology of the Russians,” he said. And he began to tell me that Bell Laboratories had developed a satellite that could be launched into space to bounce signals and open up endless new possibilities for broadcasts and telephones.
In 1961 we were just a few years from having to call the operator to place expensive long-distance calls. There were just two and a half national television commercial broadcast networks and many communities had no local station. Only a few cities had what would become nationwide public television. Today we take it for granted that we can watch world events from royal weddings to the Olympic games to the Oscars in real time, but that was a long way off in 1961. As Commissioner Craven explained to me what the satellite could do, it seemed like something out of Flash Gordon. And yet, we did not imagine a fraction of the changes that launch would bring.

The technology was there. But first, we needed a plan to take it to Congress. The Communications Satellite Act was complicated and controversial. It required coordination with American businesses and the government (we wanted to make sure that no one corporation would have control). Today it might be harder to imagine that we were able to get bi-partisan legislation passed within a year than it is to count up the monumental changes the satellite has brought, but it was one of three major pieces of legislation we got passed to make telecommunications more broadly accessible and expand the choices for viewers between 1961–63.

Courtesy JFK Library

I am the second from the right at the signing ceremony of the Communications Satellite Act in the Oval Office. See below for a full list of those in the photo.

When he signed the new law, President Kennedy said,

By enacting this legislation, Congress has taken a step of historic importance. It promises significant benefits to our own people and to the entire world. Its purpose is to establish a commercial communications system utilizing space satellites which will serve our needs and those of other countries and contribute to world peace and understanding.

The benefits which a satellite system should make possible within a few years will stem largely from a vastly increased capacity to exchange information cheaply and reliably with all parts of the world by telephone, telegraph, radio, and television. The ultimate result will be to encourage and facilitate world trade, education, entertainment, and many kinds of professional, political, and personal discourse which are essential to healthy human relationships and international understanding.

Better and less expensive communications, like better and less expensive transportation, are vital elements in the march of civilization. This legislation will, by advancing the peaceful and productive use of space, help to accelerate that march, and I extend appreciation to the Members of Congress who worked so hard to secure passage of a very effective piece of legislation.

The satellite was launched on July 10, 1962, 60 years ago today, the world’s first commercial payload of any kind in space. According to NASA, “Two days later, it relayed the world’s first transatlantic television signal, from Andover Earth Station, Maine, to the Pleumeur-Bodou Telecom Center, Brittany, France…. The first images, those of President John F. Kennedy and of singer Yves Montand from France, along with clips of sporting events, images of the American flag waving in the breeze and a still image of Mount Rushmore, were precursors of the global communications that today are mostly taken for granted.”

Last month, my family was in Europe, where they were able to use GPS to get around, send me photos by email and text, watch the January 6 hearing live on CNN, and call me for nominal cost, all made possible by telecommunications satellites that began with Telstar.

President Kennedy promised that America would put a man on the moon. I told him the telecommunication satellite was even more important because the satellite will launch ideas, and ideas last longer than people.

Copyright Nell Minow

Souvenir of the launch

In the Oval Office photo: President John F. Kennedy hands a pen to Representative Samuel N. Friedel of Maryland during a signing ceremony for HR 11040, the Communications Satellite Act of 1962. (L-R) Senator Everett Dirksen of Illinois; Representative J. Arthur Younger of California (turned away from camera); Representative John B. Bennett of Michigan; Representative Friedel (front, glasses); Representative Oren Harris of Arkansas (mostly hidden behind hand); Senator Warren G. Magnuson of Washington; Speaker of the House of Representatives John W. McCormack; Senator Robert S. Kerr of Oklahoma; Senator Richard B. Russell of Georgia; Senator Hubert Humphrey of Minnesota; Senator John Sparkman of Alabama; Joseph A. Beirne, Vice President of the American Federation of Labor and Congress of Industrial Organizations (AFL-CIO); Representative William L. Springer of Illinois; unidentified (partially hidden behind Representative Springer); Senator John O. Pastore of Rhode Island; Newton Minow, Chairman of the Federal Communications Commission (FCC); Executive Secretary of National Aeronautics and Space Council Edward C. Welsh. Oval Office, White House, Washington, D.C

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The Sea Beast

The Sea Beast

Posted on July 7, 2022 at 4:24 pm

B +
Lowest Recommended Age: 4th - 6th Grade
MPAA Rating: Rated PG for action
Profanity: None
Alcohol/ Drugs: Scenes in pub, alcohol
Violence/ Scariness: Extended peril and action, references to sad deaths and injuries
Diversity Issues: Diverse characters
Date Released to Theaters: July 8, 2022

Copyright Netflix 2022
The Sea Beast” is a rollicking yarn, stunningly designed and dynamically animated, with superbly cinematic editing, pacing, and framing, appealing characters, and a thoughtful conclusion. Watch it on the biggest screen you have.

It takes place in a fantasy world somewhere between “Pirates of the Caribbean” and “Moby Dick.” The King and Queen have placed a bounty on sea monsters, enormous creatures that seem to be part whale, part octopus, part shark, and all scary. The kingdom’s most admired heroes are the hunters who kill the beasts and bring back proof to present to the royals.

Their adventures are legends. They and their fans believe that “Every hunter dies a great death because every hunter lives a great life!” A feisty young girl named Maisie Bramble (Zaris-Angel Hator) regales the other children at the orphanage by reading them exciting stories from old books (with engraving-style images evoking the classic era of illustration). She is determined to follow in the tradition of her parents, who died heroically on a ship called The Monarch. It is called The Inevitable, led by Captain Crow (Jared Harris), with his fearless second-in-command, Jacob (Karl Urban)

When Crow presents their latest trophy to the King and Queen, they are told their services are no longer required. The Navy will be taking over hunting duties. But Jacob persuades the King and Queen to give them one last chance. If they cannot kill the most feared beast of all, the Red Bluster, their ship will be decommissioned and they will no longer be able to pursue the sea beast, the central focus of their identity.

Maisie stows away on the Inevitable. She is not welcome. Jacob says, “The monsters I can handle. But that one will be the death of me.” Characters who are initially antagonistic will learn to understand and appreciate each other.

I liked “The Sea Beast” a lot and was never less than enthralled by the world it created. The animation and design are stunning, though there are a few disconnects in style. The ultra-reality of the water the ships are sailing on is so tactile you almost reach for a towel. The intricacy of the literally hundreds of ropes in the boat riggings are almost unfathomably complicated as they swing independently and get pulled, yanked, and unraveled. The kingdom and castle are brilliantly designed, both real and enchanting, with nautical touches emphasizing the connection to the water. The sense of space is exceptional, especially in the very dynamic action scenes. Jacob and the other hunters climb the masts as the boat is rocked by the waves and the monsters and every bit of it feels completely real. The movement of the human characters is not always as authentic and there is a character Maisie befriends who could be from a different, more stylized world.

“The Sea Beast,” like “Encanto” and “Frozen 2,” admirably grapples with themes of generational trauma and the stories we tell ourselves. When Jacob reads the book that has meant everything to Maisie, he is surprised to find the narrative inconsistent with his own experiences, amped up and one-sided and with characters saying “yar” much more often than happened in real life. It’s an ambitious film that almost completely lives up to its ambitions.

Parents should know that this movie has extended peril and action-style fantasy violence with characters injured and references to sad deaths. Characters drink alcohol.

Family discussion: How do you know whether to believe what you read or hear? Do you agree with the code? How did the characters decide who to trust? What do we learn from the name of the ship?

If you like this, try: “Pirates of the Caribbean” and “How to Train Your Dragon”

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Thor: Love and Thunder

Thor: Love and Thunder

Posted on July 7, 2022 at 8:10 am

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sci-fi violence, action, language, partial nudity and some suggestive material
Profanity: S-words, mild language
Alcohol/ Drugs: Some alcohol
Violence/ Scariness: Extended comic book/action-style peril and violence, characters injured, sad death
Diversity Issues: None
Date Released to Theaters: July 8, 2022
Date Released to DVD: September 26, 2022

Copyright 2022 Disney
Taika Watiti’s sly, understated. offbeat humor is a great match for Thor, a superhero who is literally a god with a post British accent. Thor could come across as stiff and stuffy if not for the combination of Watiti and Chris Hemsworth, who has the rare ability to be effortlessly hilarious while still being a completely believable superhero god. I’ve often said that superhero movies are made or lost based on the villains, not the heroes. On that basis, “Thor: Love and Thunder” is less successful. But it is so much fun along the way, and often genially goofy, two words that don’t usually apply to superhero movies, that it is satisfyingly entertaining.

The last time we saw Thor he was looking more like The Big Lebowski than a god of Asgard and his planet had been destroyed. He pulled himself together for “Avengers: Endgame” and New Asgard is now up and running under the rule of King Valkyrie (Tessa Thompson). Thor spends his days in quiet contemplation until he is called upon to save the world again, which he does with brio and then returns to his solitude. Asgard is a quaint little town by the water and has become a favorite tourist destination. One popular attraction is the re-enactment of some of the highlights of Asgardian history, with performers played by Matt Damon and Luke Hemsworth plus two I won’t spoil).

Meanwhile, Thor’s ex, Jane Foster (Natalie Portman), has Stage 4 cancer. And somehow she is called to or by the legendary Mjolnir, the once-shattered hammer that has re-assembled itself like the silvery guy in “Terminator 2.” This makes her into Thor, apparently in addition to, not instead of the Thor who was named by his father, Odin. One of the most endearingly goofy elements of the film is the way original Thor’s new weapon, the axe called Stormbreaker, is sensitive and a bit worried about its predecessor returning. Original Thor is better at sharing his feelings with his weapons than he is with human beings. I predict that Brene Brown will be using clips from this movie to illustrate future lectures about the importance of vulnerability.

And then, the bad guy. Christian Bale plays Gorr, who we first see as a devoted acolyte in a destroyed world. He has lost everything, including his daughter, but believes in the salvation and afterlife his religion has promised. When he learns that his god cares nothing for humans and there is no eternal life he grabs the Necrosword and the combination of grief, anger, betrayal, and the sword’s magic turns him into something of a Terminator of his own (though looking more like zombie Voldemort), with just one imperative — killing all the gods.

The action scenes are great fun and there are a lot of delightful small details you might miss the first time through, but is it the humor, the characters, and the warmth of their connection that stand out. Watiti returns as Thor’s sidekick Korg, his quiet, tentative voice an amusing counterpart to his enormous rock body. In the vast assemblage of gods, Russell Crowe appears as a lightning bolt-throwing Zeus. Thompson and Portman have great chemistry and Hemsworth is as good at comedy as he is at looking like a Norse god, which is as good as it gets. Korg tells us that coming out of his depression, Thor went from dad bod to god bod. It is good to see him here going from sad guy to, well, you’ll see.

NOTE: Stay through the end of the credits to see two extra scenes.

Parents should know that this movie has many s-words and extended peril and comic-book style action violence with many characters injured, cancer treatment, and a sad death. There is also a brief flash of rear nudity.

Family questions: What would you choose for your catch phrase? How do you make sure you don’t wall off your feelings after being hurt?

If you like this, try: the other “Thor” movies and Watiti’s “What We Do in the Shadows” film and television series

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Tonight on PBS: the 42nd Anniversary Concert A Capitol Fourth

Tonight on PBS: the 42nd Anniversary Concert A Capitol Fourth

Posted on July 4, 2022 at 8:00 am

Music and fireworks!  Country superstar Mickey Guyton hosts the 42nd anniversary Capitol 4th on PBS.  She’s joined by Darrin Criss, Cynthia Erivo, Yolanda Adams, Andy Grammar, Chita Rivera, Gloria Gaynor, Rachel Platten, Keb Mo, Emily Bear, Jake Owen, Loren Allred, Jack Everly, and more.

Get ready with their pre-show playlist.

 

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Movies to celebrate Independence Day

Movies to celebrate Independence Day

Posted on July 3, 2022 at 9:16 am

Happy 4th! Enjoy the parades, picnics, and fireworks, but make time to remember the courage of the the brave men who had a vision of a country based on equality and freedom. They failed in many important ways, but they knew that they could not envision all that the country would need and so they built in two great ideas: the checks and balances of the government and the ability to amend what would become the founding document.

Here are some movies to celebrate our country’s birthday.

Independence Day Will Smith, Bill Pullman, and Jeff Goldblum star in one of the all-time great popcorn pleasures. Aliens attack the earth and it takes a quirky engineer, a plucky President, and a heroic military pilot to save the day. What does that have to do with the 4th of July? Listen to the President’s stirring pep talk. (And skip the sequel)

The Patriot There are many films about the Civil War, but not many about the Revolutionary War. Mel Gibson stars in this uneven but stirring film about a farmer pulled into the rebellion.

1776 I love this film, based on the Broadway musical about the signing of the Declaration of Independence, with almost all of the stars from the acclaimed stage production, including William Daniels as the “obnoxious and disliked” John Adams, Ken Howard as a dashing Thomas Jefferson, and Howard Da Silva as Benjamin Franklin. It is frank about the devastating compromise made on enslavement.

Learn more about the Founding Fathers. The most acclaimed musical of the last 20 years is “Hamilton.”

Ken Burns’ new series about Benjamin Franklin is one of his best.

Paul Giamatti is outstanding as John Adams in the HBO miniseries.

And don’t forget Schoolhouse Rock!

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Holidays
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