ReFrame’s Stamp of Gender Equality and the Movies that Qualify
Posted on May 24, 2020 at 3:23 pm
Copyright 2018 Warner BrothersYou know how movies credits include an assurance that no animals were hurt in the making of the film? That is a certification that is independently verified and taken very seriously. If a bug is discovered in the studio, okay to kill it. If a bug is on screen, someone will be there to make sure it is alive and healthy when filming is over.
And now ReFrame has adopted that model to ensure that films are made with gender parity on and off screen. Watch for their new “stamp” in the credits, from “Bumblebee” to “Crazy Rich Asians” and “A Simple Favor,” Films already showing the stamp of gender equality are listed here.
Copyright 1989 TriStarIt’s a very different Memorial Day this year, much quieter, with no parades or community picnics. But now more than ever we have reason to show our appreciation for those who made the ultimate sacrifice. Some movies to help us pay our respects:
Black Hawk Down: Elite U.S. soldiers drop into Somalia to capture two top lieutenants of a renegade warlord and find themselves in a desperate battle with a large force of heavily-armed Somalis.
Glory: The story of the first black regiment to fight in the Civil War, with an Oscar-winning performance by Denzel Washington.
American Sniper Bradley Cooper plays real-life army sniper Chris Kyle, who found his return home a different kind of challenge.
We Were Soldiers: The earliest US involvement in the Vietnam War has Lt. Col. Hal Moore (Mel Gibson) preparing for one of the most violent battles in U.S. history, making a promise to his soldiers and their families: “I will leave no man behind dead or alive. We will all come home together.”
Red Tails: George Lucas directed this story of the multiple medal-awarded Tuskegee Airmen.
Midway: The story of the first major Allied victory of WWII.
The Longest Day: An all-star cast tells the story of the Normandy landing that changed the course of WWII.
Every family is familiar with the Disney and Pixar classics, which are ideal for families who are looking for something to watch at home. Here are some outstanding animated films from other studios to add to your viewing list.
The Thief and the Cobbler There’s a bit of controversy about this wonderful movie due to creative clashes, which you can learn more about in the behind-the-scenes documentary and “recobbled” version. But the theatrical release, with voice talent by Jonathan Winters, Matthew Broderick, Vincent Price and Jennifer Beals is a visually dazzling fairy tale that is genuinely enchanting.
Copyright 2016 FocusKubo and the Two Strings I am the biggest fan of LAIKA Studios and their exquisite stop-motion films, and it is hard to pick a favorite. “Coraline,” “Paranorman,” “The Box Trolls,” and “The Missing Link” are all beautifully designed with wonderful stories that don’t shrink back from exploring the dark and scary. “Kubo and the Two Strings” is about the son of a depressed mother who sets off with Monkey (Charlize Theron) to find the three pieces of Hanzo’s armor that he will need to fight the evil sisters and their father, who wants Kubo’s eye. Along the way they meet a samurai who has been cursed and turned into a giant beetle (Matthew McConaughey). And they meet and fight three different monsters, a giant skeleton, an underwater garden of eyes, and an enormous, floating, reticulated moon serpent, each giving Kubo a chance to discover his courage and power.mThis is a gorgeous, epic adventure with grandeur, scope, and spectacular settings, every bit of it wonderfully imaginative.
Kung Fu Panda: Jack Black provides the voice for Po, a panda with an unlikely ambition — he wants to be a kung fu master. But he is rejected by the teacher, Shifu (Dustin Hoffman), and the Furious Five; Tigress (Angelina Jolie), Crane (David Cross), Monkey (Jackie Chan), Viper (Lucy Liu), and Mantis (Seth Rogen). Po is not a natural. He says dejectedly, “I probably sucked more than anyone in the history of kung fu…more than anyone in the history of sucking.” He admits to Shifu that he only stayed “because I thought if anyone could change me, make me not me, it was you.” But Po will learn that the source of his strength is what no one can teach him — his sincerity and humility. Po will find within himself the strength, focus, and resolve to face Tai Lung. Followed by two sequels.
Surf’s Up: This story about a penguin (think very cold weather) who wants to surf (think very warm weather) is beguiling, thanks to vibrant visuals, superb voice talent, wit without ironic air quotes or snark, a sweet storyline, and a brisk running time. Like the sport it salutes and the island where it takes place, the movie has a laid-back vibe, taking its story, its humor, and itself lightly.
Spirited Away: Studio Ghibli’s Hayao Miyazaki makes wildly imaginative, almost dreamlike films. Do not try to find a linear narrative, just enjoy the magic. A girl named Chihiro is on her way to move to a new city with her parents when they take a detour to what seems to be an abandoned amusement park. However, the park is filled with magical creatures and her parents are turned into pigs. Chihiro must grow up quickly in this exotic world not only to save her parents, but to survive. Other Studio Ghibli films to try: “Ponyo,” “Kiki’s Delivery Service,” “Princess Mononoke”
Wallace & Gromit Nick Parks’ stop-motion films are delightfully — and literally — hands-on. You can see fingerprints on the charming characters, the dim human Wallace and his ever-patient dog Gromit. All of their adventures are delightful in a slyly low-key manner, but I suggest starting with the first. Wallace is a fan of cheese, so why not go to the moon to find some?
Yellow Submarine: The Beatles have to save Pepperland from the Blue Meanies in this gorgeous musical adventure with some of the world’s best music (“Lucy in the Sky with Diamonds,” “Eleonor Rigby,” “Nowhere Man,” “All You Need is Love,” “When I’m 64”) and some of the world’s most glorious animation.
Pandemic Watching: The Washington Post’s 25 Comfort Movies
Posted on May 17, 2020 at 8:00 am
Copyright 1953 ParamountThe Washington Post has a new list of “comfort movies,” just right to cuddle up with while we wait out the virus. You know what that means: a lot of romantic comedies including Nancy Meyers’ “The Holiday” and “It’s Complicated.” Plus “Notting Hill,” “Roman Holiday,” and “That Thing You Do” (those last two really are classics everyone needs to see). But don’t think too hard; just watch.
Copyright 1959 MGMDirector Steve McQueen (“12 Years a Slave”): I must also mention a matinee reissue of North by Northwest 20 years ago at the Lumiere in St Martin’s Lane, an underground cinema in the centre of London that is now a gym. You would go down three or four flights of stairs, shedding the reality of life in London, and find yourself in this gorgeous oval space, like being inside a whale’s ribcage.
Alfred Hitchcock created that film for an audience. He orchestrated their oohs and aahs, when they would lean forward and when they would sit back. This wasn’t about someone on the sofa at home getting distracted by their phone or the doorbell or going to get a drink. The place was full of energy and at the end everyone stood and applauded; just as they did when I saw Slumdog Millionaire at the ArcLight in Los Angeles.
Double Oscar winner Emma Thompson: Superman, 1978. Huge cinema. We were 17. It was exciting, funny and dramatic but, rarest of all, the female lead was as interesting and inspiring as the male even though she couldn’t fly on her own. When I exited the cinema I wanted to feel the way I was feeling at that moment for ever.
Edgar Wright (“Baby Driver”): My whole career has been spent trying to replicate the various highs I have had in a cinema. One memorable screening at my local cinema in Somerset was the afternoon I happened to see the 15-certificate Gremlins at the age of 10. My brother and I approached the manager with the novelisation of Gremlins in hand, explaining that, as we had read it, we couldn’t possibly be scared by the actual film. Amazingly, he let us in and the thrill of watching the film, while also thinking I could be thrown out at any moment, was off the charts. I am still chasing that buzz.