An Oscar-Winning Animated ‘Christmas Carol’

Posted on December 23, 2011 at 9:52 am

I thought I knew of — and loved — every film version of Dickens’ “A Christmas Carol.”  But what a delight to discover a new one, and an Oscar-winning animated version by one of my favorite artists, Richard Williams (of “The Thief the the Cobbler”) and narrated by Michael Redgrave!  And Alistair Sim, my favorite Scrooge, reprises his role from the 1951 classic version.  Many thanks to Spencer Kornhaber of the Atlantic for this fascinating post, which includes the half-hour long movie in full.

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Animation Based on a book Holidays Shorts
The Adventures of Tintin

The Adventures of Tintin

Posted on December 21, 2011 at 8:00 am

Two box office champion directors and a cult favorite joined forces for a film that was a first for all of them, a 3D motion capture animated story.  It is clear that director Steven Spielberg, producer Peter Jackson (“The Lord of the Rings”) and co-screenwriter Edgar Wright (“Shaun of the Dead”) were thrilled at the total freedom of animation, bringing storyboards to life without any pesky problems posed by weather, local ordinances, camera placement, safety, or the laws of gravity.  And so they have created a film that is non-stop, brilliantly staged action, with every mode of transport and obstacle, half Indiana Jones, half M. Hulot, with a touch of Buster Keaton and Harold Lloyd, turning the entire material world into a giant Rube Goldberg contraption.  Wonderfully cinematic shots and transitions show us how the masters have fun with pure, unleashed movie story-telling.

The comic book stories of the boy reporter Tintin created by an artist/writer known as Hergé  (Georges Remi) are wildly popular in Europe but not well known in the US.  Tintin is brave, capable, inquisitive boy of indeterminate age, probably somewhere around 14.  His excuse for getting involved in all kinds of adventures is that he is a reporter though neither the books nor the movie waste any time on the details of actually writing or filing stories, or, indeed, on any facts about Tintin’s origins or family.  He has a dog, Snowy, who is as intrepid as he is, and their journeys give them many chances to rescue one another in many exotic locations.

Spielberg and Jackson (whose WETA firm did the animation) did not try to copy the iconic linge claire style pioneered by Hergé, though there is a sly nod to it in the delightful opening credits and in a street artist’s sketch of Tintin at the beginning.  Instead it is an intensely detailed motion and performance capture with hyper-real textures and 3D effects that make the vertiginous chase scenes feel very visceral.  Tintin (voice of Jamie Bell) buys a model ship that turns out to be of great interest to a mysterious man named Ivanovich Sakharine (voice of Daniel Craig).  That leads Tintin to an adventure that involves cities, a desert, an opera singer, a potentate, pirates, dim policemen (Simon Pegg and Nick Frost as Thompson and Thomson), as he is drawn into a multi-generational saga involving lost treasure.  Along the way he meets up with Captain Haddock (Andy Serkis), a drunken sailor who is part sidekick, part clue.

It has a lot of alcohol for a PG movie and some parents may be uncomfortable with the repeated references, some intended to be humorous, to drinking and drunkenness.  And some will find the non-stop action overwhelming and just too much to process, even in these frenzied movie-as-video-game days.  Even the exacting eye of Spielberg and the prodigious talent of WETA have not quite mastered the physics of movement with motion capture technology.  The textures are wonderfully vivid and tactile and the angles and velocity are superb and the seas and ships toss convincingly.  But the weight of the bodies when characters leap or fall or objects crash feels strange and somehow off and the faces never find the right spot between the realism of the textures and a more stylized or cartoony look.  This is one element where they should have been more true to the original.

 

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3D Action/Adventure Animation Based on a book Comic book/Comic Strip/Graphic Novel Mystery

The Snowman: Walking in the Air

Posted on December 18, 2011 at 3:58 pm

If you are feeling frazzled with holiday preparations, take a moment to enjoy the pure magic of this excerpt from one of the finest animated films ever made:

http://www.youtube.com/watch?v=ubeVUnGQOIk&feature=related
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Animation Based on a book For the Whole Family Movie Mom’s Top Picks for Families Music Shorts

Alvin and the Chipmunks: Chipwrecked

Posted on December 15, 2011 at 6:30 pm

The third in the series about the singing chipmunks and their exasperated but perpetually forgiving human father is a little brighter and sweeter than its predecessors. It tones down the slapstick and potty humor, meriting a family-friendly G rating.

The mischievous chipmunk trio singing pop songs in high, squeaky voices have been enduringly popular since their Grammy-winning 1958 single “Christmas Don’t Be Late,” the one where Alvin wants a huuuula hoooooooop. Songwriter Ross Bagdasarian used early audiotape technology to find the right speed – slow enough to be intelligible but fast enough for a helium-like sound to give the harmonies some buoyancy. Many recordings and an animated television series later, Ross Bagdasarian, Jr. has continued the saga of the chipmunks with live action movies starring Jason Lee as their long-suffering human father, Dave Seville.

Like the previous films, the third in the series relies primarily on recycled pop songs, Alvin’s naughtiness, Dave’s frustration, a silly bad guy (David Cross as Ian), and a couple of grown-up jokes (James Bond and the double rainbow YouTube hit) to keep the parents awake. It benefits from the welcome addition of former “Saturday Night Live” cast member Jenny Slate, best known for her viral video and book, “Marcel the Shell with Shoes On.”

It begins as Dave, the three original chipmunks, and their female counterparts, the Chipettes, board a cruise ship (intrusive product placement alert) for a much-needed vacation (cue the Go-Go’s). As usual, Alvin keeps getting into trouble and Dave keeps apologizing for the chaos Alvin leaves behind. Their old nemesis Ian shows up on the ship, too, in a pelican costume. There’s an amusing nightclub scene on the ship when the Chipettes are challenged to a dance-off to the inescapable earworm “Party Rock.”

When a kite mishap carries the chipmunks out to sea, Dave and Ian go after them via parasail and everyone ends up cast away on a remote island with only one inhabitant, the stranded Zoe (Slate). Yes, time for Destiny’s Child’s “Survivor.”

This is the best part of the movie as the chipmunks are pushed outside of their usual personas. When the cautious, bookish Simon is bit by a toxic insect, he has a temporary personality change, announcing he is now a dashing French-accented daredevil. Without Simon to act as leader, Alvin has to stop being “the fun one” and be responsible for taking care of the others. Chipette Jeanette learns that she can be more than “the pretty one” and rely on her intelligence and resourcefulness, especially after they discover hidden treasure, another Chipette is chip-napped, and a volcano starts to erupt.

Top voice talents Justin Long, Jesse McCarthy, Amy Poehler, Anna Faris, and Christina Applegate are wasted as the chipmunks, their sped-up voices unrecognizable. The same could be said for musical numbers. Upbeat tunes by edgy performers like LMFAO, Lady Gaga, and Pink are homogenized into indistinguishable rhythmic buzz. For kids, the familiarity, the silliness, and Dave’s unconditional love even when the chipmunks get into trouble make it appealing. For adults, the best it has to offer are nostalgia and a running time under 90 minutes.

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Animation Based on a television show Comedy Fantasy Musical Series/Sequel Talking animals

Simon, Theodore, and….Alvin: “Christmas Don’t Be Late”

Posted on December 13, 2011 at 8:00 am

As the latest Chipmunks movie opens up this week, we remember how it all got started, with the Grammy-winning 1958 song, “Christmas Don’t Be Late:”

http://www.youtube.com/watch?v=917SpFHHUU0&feature=related

The singing chipmunks were created by songwriter Ross Bagdasarian, who had appeared in the Alfred Hitchcock movie, “Rear Window” (as the piano player across the courtyard, playing one of his own compositions) and had some success as the co-writer of the Rosemary Clooney hit, “Come On-a My House” and writer/performer of the novelty song, “The Witch Doctor.”  He came up with the idea of recording songs at high speeds to make the voices sound amusingly squeaky.  The 1958 song “Christmas Don’t Be Late” was his first chipmunks recording and he played Dave and did all the voices, naming the three chipmunks after record executives.  Later recordings used women’s voices.  His son, Ross Bagdasarian Jr., is now responsible for bringing Alvin, Simon, Theodore and their long-suffering manager Dave to a new generation.

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Animation For the Whole Family Holidays Music Shorts
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