Movies for Families about the Reverend Dr. Martin Luther King, Jr.

Posted on January 13, 2013 at 8:00 am

As we celebrate the birthday of Martin Luther King, every family should take time to talk about this great American leader and hero of the Civil Rights Movement. There are outstanding films and other resources for all ages.

I highly recommend the magnificent movie Boycott, starring Jeffrey Wright as Dr. King. And every family should study the history of the Montgomery bus boycott that changed the world.

http://www.youtube.com/watch?v=DemvZzUAAyU

It is humbling to remember that the boycotters never demanded complete desegregation of the public transit; that seemed too unrealistic a goal. This website has video interviews with the people who were there. This newspaper article describes Dr. King’s meeting with the bus line officials. And excellent teaching materials about the Montgomery bus boycott are available, including the modest and deeply moving reminder to the boycotters once segregation had been ruled unconstitutional that they should “demonstrate calm dignity,” “pray for guidance,” and refrain from boasting or bragging.

Families should also read They Walked To Freedom 1955-1956: The Story of the Montgomery Bus Boycott. Paul Winfield has the lead in King, a brilliant and meticulously researched NBC miniseries co-starring Cecily Tyson that covers Dr. King’s entire career.

The Long Walk Home, starring Whoopi Goldberg and Sissy Spacek, makes clear that the boycott was a reminder to black and white women of their rights and opportunities — and risk of change.

Citizen King is a PBS documentary with archival footage of Dr. King and his colleagues. Martin Luther King Jr. – I Have a Dream has his famous speech in full, still one of the most powerful moments in the history of oratory and one of the most meaningful moments in the history of freedom.

For children, Our Friend, Martin and Martin’s Big Words are a good introduction to Dr. King and the Civil Rights movement.

Related Tags:

 

Biography Holidays Movie Mom’s Top Picks for Families

Hyde Park on Hudson

Posted on December 13, 2012 at 5:50 pm

When Franklin Roosevelt’s sixth cousin Margaret “Daisy” Suckley (pronounced “sook-lee”) died at age 99, a cache of letters was found in a suitcase under her bed.  Everyone knew she had spent years working near Roosevelt, and most thought he had kindly provided for her by allowing her to act as his cataloger and librarian.  But the letters revealed a close and tender friendship and implied that there was more.  And so, in this fact-based story of the first visit to the United States by a British monarch, Franklin and Eleanor Roosevelt (and Franklin’s redoutable mother) welcomed King George V (that’s “The King’s Speech” king, no longer looking like Colin Firth but recognizable by his stutter) and his wife, Queen Elizabeth, the parents of the current about-to-become-a-great-grandmother Queen Elizabeth II to the Roosevelt’s summer home in New York State.  And fed them hot dogs.

So there are really two movies here.  Bill Murray is superb as Roosevelt, famously described by Oliver Wendell Holmes as having “a second-class intellect, but a first-class temperament.”  Murray gives a beautifully subtle, complex and fully immersed performance as the patrician President whose polio-induced paralysis gave him a deeper understanding and sense of purpose.  The scene where he has an impromptu late-night meeting with the young king is one of the best of the year.

But the movie gets soapy and uncomfortably speculative when it focuses on the relationship between Daisy and the President.  Is it a romance?  Is it a story about Daisy’s spirit enlarging as she goes from adolescent crush to a sort of sister-wife support group with the other women in FDR’s harem, including his secretary and, of course, his wife Eleanor, beautifully played with asperity and an endearing sense of rebellion by Murray’s “Rushmore” co-star Olivia Williams. But the film wavers uncertainly between geopolitics illuminated by personality (well handled) and the schoolgirl longings and skeezy predation of his relationship with Daisy.

Parents should know that this film has frank sexual references and situations (one briefly explicit) including approving depiction of adultery, some strong language, and social drinking as well as a positive portrayal of characters with disabilities.

Family discussion:  Why do the women forgive Roosevelt?  What did the King learn from his conversation with Roosevelt?  What did they have in common?

If you like this, try: “The King’s Speech,” “Sunrise at Campobello,” and the book Closest Companion: The Unknown Story of the Intimate Friendship Between Franklin Roosevelt and Margaret Suckley by historian Geoffrey Ward

Related Tags:

 

Based on a true story Biography Drama Politics

A Liar’s Autobiography

Posted on November 10, 2012 at 10:50 pm

C
Lowest Recommended Age: Adult
MPAA Rating: Rated R for strong and crude sexual content including graphic animated sequences, strong language and some violent images
Profanity: Strong language
Alcohol/ Drugs: Drinking and alcoholism
Violence/ Scariness: Violent images including severed limbs, sad death
Diversity Issues: Diverse characters
Date Released to Theaters: November 9, 2012
Amazon.com ASIN: B00A3A3SRE

Graham Chapman was the Monty Python troupe member most often referred to by the others as “the dead one.”  This affectionate tribute, narrated by Chapman himself in excerpts from the audio version of the memoir he wrote before he died of throat cancer in 1989.  Like the Python movies, it is is made up of skit-like segments, but it only briefly reaches anywhere near their level of sublime comic anarchy.  Even with a quick moment of lunacy with Cameron Diaz providing the voice of Sigmund Freud.

The segments are animated by a widely varied group of  artists, occasionally recalling Terry Gilliam’s inspired paper cut-out interstitials but more often just needlessly crude and sometimes downright dull.   But the real problem is that Chapman may have been an interesting person and certainly led an interesting live but he clearly had neither the interest nor the ability to share very much with anyone.  Instead we get a tedious litany of too much sex, too much alcohol, and the emptiness of the life of a celebrity.  He comes across as superficial, bitter, selfish, and dull.

Chapman tells us he was born during a German bombing attack and we see a possibly fictitious incident where he was traumatized by the severed limbs of the people who were injured and killed.  Then he goes to school and his parents don’t understand or fully appreciate him and he has sex with women but really wants to have sex with men, and then he has sex with men, and then some sex with women again but mostly with men.  In one of the segments we get to see from his perspective as he continues to smoke his pipe through some joyless sexual encounters.  He has contempt for just about everyone, especially those who are overly impressed with celebrities (including himself).

The movie comes to life only at the very end, when we see footage from Chapman’s funeral, with the eulogy from John Cleese.  As the other Pythonites look on, Cleese says, “I guess that we’re all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only 48, before he’d achieved many of the things of which he was capable, and before he’d had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn’t, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him, but mindless good taste.”  I’d add, anything for him but this dull and sour tribute.  Much better to watch the parrot sketch again.

Related Tags:

 

Animation Biography Movies -- format

Lincoln

Posted on November 8, 2012 at 6:00 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for an intense scene of war violence, some images of carnage, and brief strong language
Profanity: Some strong language, one f-word
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Battle violence with some graphic images, sad deaths, assassination
Diversity Issues: A theme of the movie
Date Released to Theaters: November 9, 2012
Date Released to DVD: March 25, 2013
Amazon.com ASIN: B009AMANH4

The first question about big, prestige films like “Lincoln” is always where it falls on what I call the spinach scale.  Will I tell people to see it because it is entertaining or because it is good for them.  For all its meticulous attention to historical verisimilitude and its extended depiction of people in rooms talking about a Constitutional amendment, “Lincoln” is not an eat-your-spinach-because-it’s-good-for-you movie.  It is a robust, engrossing story that illuminates our own time as well as the era of the 16th and arguably greatest President.

Task number one for director Steven Spielberg, screenwriter Tony Kushner (Angels in America), and star Daniel Day-Lewis is to make the icon into a human being, to show us his greatness but also his humanity.  In our hearts, this almost-literally larger than life man sounds like James Earl Jones — we can almost hear that deep voice reciting the Gettysburg address.  But those who actually heard Lincoln speak described his voice as high, thin, and reedy-sounding.  It may be jarring at first, but in an exceptionally well-designed introductory scene Day-Lewis deploys that timbre with such gentleness and modesty that it quickly becomes an asset not just to his performance but to our understanding of this man.

Lincoln is sitting quietly, talking to a small group of Union soldiers, two black and two white.  We see immediately that the soldiers respect him greatly — they can recite the Gettysburg address from memory — but that they feel completely comfortable being honest with him about their experiences and their recommendations.  What we feel immediately is that he is both respected and trusted, and that he has a rare ability to listen.  He may not be a modest man — at one point he thunders, “I am the President of the United States and clothed in immense power!”  But he is a humble man, who understands that he can best lead by allowing others to move forward with him.  He loves to share stories, more than others love to hear them.  But like a great preacher, he knows that it is the stories that persuade people.  Everyone softens a little for a story, especially one with a punchline.  And a story helps the listener toward the conclusion without feeling pushed.

A century and a half later, audiences may be surprised to see how little has changed.  Indeed, even the vilest insults of the Twitterverse and the shrillest complaints of Super-PAC ads do not touch the comments made by Members of Congress, who do not hesitate to question each other’s integrity or sanity.  “Fatuous nincompoop,” for example.

Audiences may be more surprised to find that “Democrat” and “Republican” seem to have switched places.  What has not changed is the way that politics attracts people of great cowardice and even greater courage, of people who hold on and people who reach forward, of people who want to help themselves and people who want to help others at great cost to themselves, including those who can never thank them.

When Lincoln decides that his most important priority is eradicating slavery through approval of the 13th Amendment to the Constitution, his team brings in a trio of lobbyists (John Hawkes, Tim Blake Nelson, and a wonderfully puckish James Spader) who are as cheerfully cynical as anyone on K Street today.  Through a combination of bribes and threats, they work to get the votes they need.  It is clear the Civil War is about to end, and if the South is readmitted to the Union, it will never pass.  Lincoln understood that the only way to keep the country together was to take its most divisive issue off the table.  He also understood that doing so would have its own terrible costs.  Even those who supported the Amendment had to make compromises, including its most ardent defender (a scene-stealing performance by Tommy Lee Jones as Pennsylvania’s Thaddeus Stevens).

Kushner and Spielberg, like their main character, recognize the power of story-telling, and this illuminating tale would make its subject proud and perhaps to inspire all of us to aspire to that as well.

Parents should know that this film has some battle scenes, graphic images in hospital including amputated limbs, some strong language including one f-word, sad losses, drinking, and smoking.

Family discussion: There are a lot of compromises in this movie and a lot of shading of the truth – which were the most difficult?  Why was the passage of the 13th amendment so important?  What moments in the film reminded you of today’s political debates and strategies?

If you like this, try: some of the other portrayals of Lincoln on film, including “Young Mr. Lincoln” and “Abe Lincoln of Illinois” and the musical about the Declaration of Independence, “1776”

Related Tags:

 

Based on a true story Biography Drama DVD/Blu-Ray Pick of the Week Epic/Historical Politics War
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2026, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik