This rousing musical about the Declaration of Independence makes the Founding Fathers vivid, human, and interesting characters, and is so involving that you almost forget that you already know how it all turned out. William Daniels is the “obnoxious and disliked” John Adams, Ken Howard is Thomas Jefferson, who would rather be with his wife than work on the Declaration, and Howard da Silva is a wry and witty Benjamin Franklin. As they debate independence, we see the courage that went into the birth of the United States, and as they compromise with the South to permit slavery in the brand-new country we see the tragedy. Outstanding family entertainment.
Characters in peril, scary monster, dinosaurs die out
Diversity Issues:
None
Date Released to Theaters:
1940
Date Released to DVD:
2010
Amazon.com ASIN:
B0040QTNSK
Disney’s glorious “Fantasia” and its sequel, “Fantasia 2000” are out for a limited time in a spectacular 4-DVD blu-ray package.
Considered a failure on its original release, “Fantasia’s” eight-part combination of images and music is now indisputably a classic. Musicologist Deems Taylor explains that there are three kinds of music: music that paints a picture, music that tells a story, and “absolute music,” or music for music’s sake, and then shows us all three. Highlights include Mickey Mouse as The Sorcerer’s Apprentice, whose plan to save himself from a little work by enchanting a broom to carry the buckets of water gets out of control, the Nutcracker Suite’s forest moving from fall into winter (with the adorable mushroom doing the Chinese Dance), Beethoven’s Pastoral Symphony, with characters from Greek mythology celebrating at a festival and seeking shelter from a storm, and the Dance of the Hours, with ostrich and hippo ballerinas dancing with gallant (if overburdened) crocodiles.
It concludes with the scary Night on Bald Mountain followed by the dawn’s Ave Maria. The movie is perfect for blu-ray — it’s as though we can finally see the colors the way the artists could only dream of. The flying Pegasus family soars through the sky, the thistles kick like Cossacks to the Russian dance, the dinosaurs lumber to the Rite of Spring. This is one of the greatest movies in cinematic history, groundbreaking and timeless.
And there’s more. Disney planned another musical segment designed by famous surrealist artist Salvador Dali, who came out to the Disney studio for eight months to work on it. But it was canceled due to financial setbacks at the company at the time, and Disney always regretted that it was not completed. It has become a legend, much speculated about and sought after. This splendid set includes Destino, with Roy Disney at long last completing Dali’s original vision, 58 years after he began it.
Roy Disney also supervised “Fantasia 2000,” the sequel, which includes a charming Al Hirschfeld-inspired Manhattan saga set to George Gershwin’s “Rhapsody in Blue” and a wildly funny flamingo/yo-yo mix-up (more like a pile-up) to the music of Saint-Seans.
Fantasia/Fantasia 2000 is a genuine family treasure, guaranteed to inspire and entertain all ages. Grab it while you can.
Celebrate the release of “Toy Story 3” with another look at the original — Pixar’s first feature release was the first theatrical released animated entirely by computer. It is now available in a pristine Blu-Ray version that pops off the screen. Although the dazzling technology is especially well suited to a story in which the major characters are made out of plastic, it is the unpretentious imagination and energy of the people behind the story and the outstanding vocal performances that make the movie an enduring classic.
The story is about the toys belonging to a boy named Andy. His favorite is a sheriff from the old west named Woody (with the voice of Tom Hanks). He acts as the leader of the rest of Andy’s toys, including a Tyrannosaurus Rex (voice of Wallace Shawn) and Mr. Potatohead (voice of Don Rickles). All is going well until Andy receives for his birthday an astronaut named Buzz Lightyear (Tim Allen of “Home Improvement”). Woody becomes jealous, and in an effort to keep Andy from taking Buzz with him on an excursion, Andy accidentally knocks Buzz out the window. Woody follows, and the rest of the movie consists of their efforts to return home before the family moves away.
Children may relate to the idea of the sibling rivalry between Woody and Buzz, and the movie may provide a good starting point for a discussion of jealous feelings. It may also be fun for parents to point out some favorites from their own childhoods, including Mr. and Mrs. Potatohead, Etch-a-Sketch, Slinky Dog and Barrel Of Monkeys.
NOTE: This movie may be too scary for very young children. The three- year-old with me insisted on leaving less than halfway through, and it got scarier after that. Andy’s next-door neighbor is a vicious and destructive boy named Sid, who mutilates and tortures toys. His room is filled with genuinely grotesque creations made from bits and pieces of toys — sort of Geppeto’s workshop as seen by Stephen King. Sid gets a relatively mild comeuppance as the toys “break the rules” to scare him into being kind to all toys in the future.
Children may also be troubled by the notion that the toys are “real” whenever the humans are out of the room. This is even more confusing because one of the cleverest aspects of the movie’s plot is that Buzz does not know he is a toy, and thinks he really is a space explorer on his way “to infinity and beyond.” Note also that Andy does not have a father, although it is presented so subtly that most kids will miss it.
The two toys have special appeal not only for Andy to use to imagine himself as the fantasy male archetypes of cowboy and astronaut, but also perhaps as father substitutes. Meanwhile, there are no strong female toys, only a simpering Bo Peep who flirts with Woody.
Swordfights and other violence, characters injured and killed
Diversity Issues:
A theme of the movie
Date Released to Theaters:
1938
Date Released to DVD:
2002
Amazon.com ASIN:
B00005JKEZ
Errol Flynn is the definitive Robin Hood in this glorious Technicolor version of the classic story, one of the most thrillingly entertaining films of all time.
King Richard the Lion-Hearted, off fighting in the Crusades, has been captured and held for ransom. His unscrupulous brother John (Claude Rains) schemes to make sure Richard never returns, so he can take over as king. All of the knights offer their support but one, Sir Robin of Locksley (Flynn), who vows to raise the ransom money himself. He and his followers use Sherwood Forest as cover so they can steal from the rich and powerful to help the poor and raise the ransom money. They capture a group of travelers that includes the Sheriff of Nottingham (Melville Cooper), Sir Guy of Gisboume (Basil Rathbone), and the lovely Maid Marian (Olivia de Havilland), the King’s ward. Marian is at first scornful, but when she learns that Robin and his men are loyal to Richard, and sees how the Normans have abused the Saxons, she becomes sympathetic. In order to capture Robin, the Sheriff plans an archery contest, with the prize to be awarded by Marian. They know Robin will not be able to resist. He enters in disguise, but his superb skill reveals his identity, and he is caught and put in the dungeon. With the help of his men and Marian, however, he is rescued in time to help save Richard from John’s plot to have him assassinated.
In this story, Robin is the only one of the knights to stay loyal to Richard. Though he is a Norman, he is willing to lose everything he has to protect the poor Saxons. His loyalty is not limited to his own people; rather, he sees everyone who behaves justly as his people. “It’s injustice I hate, not the Normans,” he tells Marian.
Robin is not only the world’s greatest archer and a master swashbuckler. He has a complex and multi-layered character, revealed in his interactions with Marian and with his men. He has a strong and clear sense of fairness and honor. He is always respectful of those who deserve it, including the peasants. He is confident and direct, but also unpretentious and even irreverent. When he tells Marian that her manners are not as pretty as her looks, Prince John laughs that this is quite a contrast to Sir Guy, whose feelings for Marian leave him tongue-tied. In the scene where he meets Little John, Robin fights him for the right to cross the river first, just for the fun of it. When Little John wins, tossing him into the water, Robin is delighted. “I love a man that can best me!”
Robin is not especially concerned with goodness or piety; he even steals food from Friar Tuck. But with the poor and weak, he is gentle and considerate and he is, above all, loyal. When he finds that the people who appear to be traveling monks are loyal to Richard, he
says he will only take half of what they have. At the end, when the king asks him what he wants as a reward, all he asks for is amnesty for his men.
This is also a good movie to use for a discussion of what makes a leader. Robin’s confidence in himself inspires the confidence of others. In one of history’s finest pairings of actor and role, Errol Flynn brings his own assurance, grace, and passionate enjoyment to a part that added courage, integrity, and lively dialogue, creating one of the screen’s greatest heroes.
Happy Thanksgiving, everyone! Best wishes to you and your families, and please know how grateful I am for the chance to be here on Beliefnet and for every one of your comments.
is a genuine family treasure, guaranteed to inspire and entertain all ages. Grab it while you can.