Molly Moon and the Incredible Book of Hypnotism

Molly Moon and the Incredible Book of Hypnotism

Posted on August 13, 2015 at 3:43 pm

B
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for thematic elements and brief language
Profanity: Brieg language
Alcohol/ Drugs: None
Violence/ Scariness: Peril, issues of parental death and abandonment, mean adults
Diversity Issues: None
Date Released to Theaters: August 14, 2015

Copyright ARC Entertainment 2015
Copyright ARC Entertainment 2015
“Molly Moon and the Incredible Book of Hypnotism” is a cute family fantasy, based on the series of books about a spunky orphan by Georgia Byng. Raffey Cassidy, the enchanting young star who was the highlight of “Tomorrowland,” is perfectly cast as the determined Molly Moon, who learns from an old book how to use hypnotism to get people to do what she wants. Cassidy’s clear blue eyes are so mesmerizing that it is easy to believe they can bewitch anyone.

Molly lives in a Little Orphan Annie/Oliver Twist-style terrible orphanage, presided over by mean Mrs. Adderstone (Lesley Manville), with the disgusting food prepared by a cook named Edna (Celia Imrie). In this brutal environment, Molly’s only friend is Rocky (Jadon Carnelly Morris), a gifted singer. Molly promises to be there for his performance but lets him down twice because she is so captivated by an old book about hypnotism she found in the library. She tries out what she learned first on Mrs. Adderstone’s fierce dog Petula, who becomes friendly and devoted. And then she goes to work on Edna, who suddenly starts preparing delicious, wholesome meals for the children. She tries to work out some adoptions that would keep her with Rocky, but, angry and hurt because she broke her promise, he goes off with the wealthy Mr. and Mrs. Alabaster. Molly decides that what she needs is stardom. If she is rich and famous like pop star Davina (Tallulah Evans), she thinks she will be happy. She cannot sing or dance, but she does have the crucial skill — her ability to hypnotize extends not only to a television producer and a talk show host, but by the clever use of magnification, to almost everyone in the audience, not just in the theater where she is performing but those watching on television as well.

Meanwhile, someone else is trying to get the hypnotism book: a crook named Nockman (“Lord of the Rings'” Dominic Monaghan), spurred on by his crime queenpin mother (Joan Collins, as always, at her best playing bad). They want to use hypnotism for a big robbery. And if they can’t get there before a rival gang, maybe they can let them do the robbery and then rob them.

All of the performers, young and grown-up, are clearly enjoying themselves. Cassidy is one of the most appealing young actors in film, Emily Watson is very touching in a brief role as a sympathetic adult supervising the orphans, and Evans is excellent as a pint-sized diva. Director Christopher N. Rowley and director of photography Remi Adefarasin (“Match Point,” “Elizabeth”) keep the tone light and playful, enjoying the heightened fantasy elements of the story. It comes across like a fairy tale, with transformations and enchantments. And it is exceptionally understanding of the story’s villains. In order to hypnotize someone, Molly has to understand something about them. Even pretending to listen to them teaches her something about why acts that are inconsiderate or selfish are often based in hurt and fear. Molly herself is thoughtless and unfair at times. Like Spider-Man she has to learn that with great power comes great responsibility, and like Dorothy, she learns that there’s no place like home.

Parents should know that the film deals with parental loss and abandonment and with adults being cruel to children. They should also know that the film perpetuates inaccurate stereotypes of adoption, including the idea that prospective parents go to orphanages to pick out children as though they are buying groceries. There is some mild peril and brief language and crude humor.

Family discussion: Who would you like to hypnotize? Why didn’t Molly like being a pop star?

If you like this, try: the books by Georgia Byng

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Based on a book Fantasy Movies -- format Stories About Kids VOD and Streaming
New on Netflix: Dinotrux

New on Netflix: Dinotrux

Posted on August 8, 2015 at 8:00 am

New on Netflix: Dinotrux! It’s based on the books by Chris Gall.

Dinotrux are huge creatures are half dinosaur, half construction vehicle. Ty Rux is a Tyrannosaurus Trux, and his best friend Revvit is a razor-sharp Reptool. Together they fight to protect their community from the wrecker D-Structs. Episodes will be available on Netflix August 14, 2015.

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Animation Based on a book Early Readers Fantasy Preschoolers VOD and Streaming

Sneak Preview of “The Descendants,” the New Disney Film About the Next Generation of Villains

Posted on July 23, 2015 at 9:55 pm

Dove Cameron, Cameron Boyce, Booboo Stewart and Sofia Carson star as the teenage sons and daughters of Disney’s most infamous villains in Disney’s “Descendants,” a live-action movie premiering July 31, 2015 on the Disney Channel.

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Fantasy Television
Pixels

Pixels

Posted on July 23, 2015 at 5:37 pm

C-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some language and suggestive comments
Profanity: A few bad words
Alcohol/ Drugs: Drinking, including drinking to deal with stress and alcohol humor
Violence/ Scariness: Sci-fi action-style violence, no one permanently injured
Diversity Issues: Some sexist and homophobic "humor"
Date Released to Theaters: July 24, 2015
Date Released to DVD: October 26, 2015
Copyright Sony 2015

I never thought I’d see Max Headroom or “Fantasy Island” again, much less have to explain them to someone sitting next to me who was a toddler when they were on television, but Adam Sandler is still relentlessly working his slacker way through every pop culture meme of the decade where he spent his late teens and early 20’s, and apparently the last decade he was willing to pay attention to. He’s used up most of the good ones. That means that this is another film that was pieced together from the cutting room floors of his previous movies plus VH1’s “I Love the 80’s” series. Yes, I know that it is impossible to believe that there was anything worth remembering that happened in the 80’s that they did not cover. And yet, here we are, with a movie about 1980’s arcade games that have become real-life alien invaders. If you remember and retain some affection for games like Frogger, Pac-Man, Tetris, and Q*bert, or if you like Sandler and are relieved he is not making “Grown-Ups 3,” then you might get a few smiles out of “Pixels.”

Grading on a curve, it is tempting to provide some positive reinforcement for Sandler, who in the hands of director Chris Columbus, is better than some of his recent films. But just because it is safe to say he probably will not be a winner at the Razzies this year does not merit him an endorsement. This movie is less predictable and less entertaining than the charmingly retro 8 bit games to which it pays tribute. And unfortunately, one more element carried over from the 80’s is the idea that homophobic and sexist jokes are funny and permissible. Having a female character be a capable military officer does not mean that it is okay to have the other female characters be one-dimensional (literally, one one case).

Sandler, looking puffy and bored, plays Sam, a Geek Squad-style technician who installs fancy television and gaming equipment in people’s homes. In a flashback, we see that as a kid, he had a natural facility to recognize the patterns in arcade games and made it to second in a national competition. The winner was Eddie (Peter Dinklage from “Game of Thrones”), a mullet-coiffed braggart who triumphed over him in the final round. Another competitor was a whiz kid named Ludlow (Josh Gad, “Frozen’s” Olaf) with poor social skills, conspiracy theories, and a pretty pervy obsession with a video game avatar. And Sam’s loyal friend and supporter was Cooper (Kevin James).

Footage of the competition was sent into space to introduce the galactic community to life on Earth. But it was misinterpreted as a declaration of war, and now the aliens have arrived. Just as in the era of arcade games, they wreak destruction by dissolving everything around them into pixels, according to the same rules and patterns of the original games. Fortunately, if improbably, Cooper is now the President of the United States. So he is able to call on Sam, Eddie (who has to be sprung from prison), and Ludlow to save the day. Helping to coordinate the defense is Violet (Michelle Monaghan), first met by Sam when he is installing a television/game system in her home and finds her sobbing in the closet over her husband leaving her for a Pilates instructor named Sinnamon (with an S) and he comforts and then hits on her. But it turns out that she is actually a top military officer who can muster whole new categories of weapons, train the SEALS, and engage in sizzle-free romantic banter at the same time.

The effects in the battle scenes are fun, turning these very rudimentary characters into real space invaders without losing their iconic 8 bit design. Centipede in particular is impressive, glowing like a Chinese New Year Parade dragon made from Lite-Brite as he slithers through the mushrooms. Like some of the other arcade characters, he is far more vivid and has more personality than the humans in the story.

Parents should know that this film has a handful of bad words, potty humor, sci-fi/action violence with peril and apparent injuries, brief comic view of a portion of a bare butt, and comic but crude sexual references including a threesome. There are alcohol jokes and alcohol is used to deal with stress.

Family discussion: Why did coming in second change Sam’s life? Is Violet a snob? How could the skills you have help save the planet?

If you like this, try: “The King of Kong,” “Wreck-It Ralph,” and “Galaxy Quest”

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Comedy DVD/Blu-Ray Fantasy movie review Movies -- format Science-Fiction
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