Paddington 2

Paddington 2

Posted on January 11, 2018 at 5:04 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some action and mild rude humor
Profanity: Some mild language
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril, no one hurt, reference to sad death
Diversity Issues: None
Date Released to Theaters: January 12, 2018
Date Released to DVD: April 22, 2018
Copyright Warner Brothers 2017

You know what we don’t see enough of in movies?  Whimsy.  Movies, especially movies for families, don’t trust the audience enough to step away from the dazzle and the pratfall.  As entertaining as that can be, it is a relief to see Paddington 2, a movie that trusts us enough to keep its tone gentle and, yes, whimsical.  And that makes it utterly beguiling.

There is a very brief refresher to introduce us to the backstory of the marmalade-loving Peruvian bear.  An Anglophile bear couple rescues a little cub and cancels their planned trip to London to raise him.  And then we catch up to Paddington.  His adoptive father has died and his adoptive mother, Aunt Lucy (voice of Imelda Staunton) has moved to an assisted living home in Peru.  Paddington, now living with the Brown family, is a cherished part of the neighborhood, always looking out for the members of the community.  Just one neighbor, cranky Mr. Curry (Peter Capaldi), a nosy self-appointed community watchman, keeps insisting that Paddington should not be there.

When the local antique shop receives a one-of-a-kind pop-up book showing London’s most iconic locations, Paddington realizes that it is the perfect gift for Aunt Lucy, who always dreamed of London but never been able to visit.  We go inside the book in an enchanting animated sequence, moving in and out of the beautifully crafted pop-ups.  Paddington takes jobs as a barber’s assistant and a window washer to earn the money to buy the book for his aunt, but things do not go very well and there are some mild slapstick catastrophes.

And then Paddington catches a thief stealing the pop-up book and in trying to catch him appears to be the culprit himself.  He is sentenced to prison, where things do not go well until his optimism and generosity — and recipe for marmalade, endear him to everyone, even the hot-tempered chef (Brendan Gleeson).  Paddington likes to quote Aunt Lucy, who said, “If you’re kind and polite, the world will be right.”

Hugh Grant has found his very best role as Phoenix Buchanan, a formerly successful actor with a plummy accent reduced to dog food commercials (wearing a dog suit), and a master of disguise who knows that the pop-up-book has a secret message leading to a cache of jewels.  It is impossible to imagine whether he or costume designer Lindy Hemming had more fun with the sheer preposterousness of Buchanan’s pretensions and wildness of his various get-ups, even when he is not in costume.  There’s a Da Vinci code-like treasure hunt as Buchanan tries to solve the puzzle before the Browns can track down the real thief and exonerate Paddington.  Oh, and Mr. Brown needs to resolve a bit of a mid-life crisis, Mrs. Brown wants to swim the Channel, the Brown children need to learn a couple of lessons, and there’s even a bit of a romance.  Plus, Aunt Lucy’s birthday is coming!

The movie follows its own advice, with kindness and courtesy in its story and story-telling, and the result is as irresistible as a marmalade sandwich proffered by a bear in a red hat.

NOTE: Stay for the credits and a delightful musical number

Parents should know that there is some mild gross-out humor and some peril and violence (no one badly hurt).

Family discussion: How can you follow Aunt Lucy’s advice to look for the good in people, and to be kind and polite?  Who do you know who follows those rules?

If you like this, try: the first “Paddington” movie and the books

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DVD/Blu-Ray Pick of the Week Scene After the Credits
The Commuter

The Commuter

Posted on January 11, 2018 at 1:56 pm

C
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some intense action/violence, and language
Profanity: Brief language
Alcohol/ Drugs: Drinking, including drinking to deal with stress
Violence/ Scariness: Extended peril and violence, guns, knife, fights, explosions, characters injured and killed, some disturbing images
Diversity Issues: None
Date Released to Theaters: January 12, 2018
Date Released to DVD: April 16, 2018

Copyright LionsGate 2017
Sigh. Another January, another dumb Liam Neeson action movie. This one is on a train.

Liam Neeson is The Commuter, a devoted husband and father named Michael who reads every book his teenage son is assigned in school. Every day he wakes up at 6, cuddles with his wife (Elizabeth McGovern), and gets on the same train at the same time to go to his job selling insurance. Until one day is different.

First, he gets laid off with no notice and no cash severance. He has a few drinks with his former partner from the days when he was a cop, and then gets on his usual commuter train for the ride home. After ten years, he is very familiar with the routine, the conductors, and the passengers, greeting many of them by name. But this time, something is different. A woman named Joanna (Vera Farmiga, magnetic and disturbing) offers him a hypothetical proposition that quickly turns real: for $100,000. Michael needs money badly. And Joanna says all he has to do is “one small thing” — identify a passenger on the train carrying a bag and known only as “Prynne.”

This isn’t one of those “it makes no sense but it doesn’t matter” movies. This is one of those, “it makes no sense and that is really annoying” movies. The twist/revelation of the bad guy is ridiculously obvious. The premise that a commuter on a New York train, no matter how regular, would be on a first-name basis with the other passengers is more ridiculous. The premise that someone like “Joanna” would be able to exert complete control over every element of the situation and yet still need Michael to figure out which passenger is Prynne, much less that he would have the capacity to do so based on the limited information he has is even more ridiculous. And then we get to the really “you’ve got to be kidding” section, basically the whole last half hour.

Remember “Non-Stop?” Same director. It’s pretty much the same movie, and it wasn’t so good the first time out. Both puts Neeson in what is essentially a locked room in motion and force him to solve a puzzle from an omniscient villain while also risking his life a dozen times in crazy fights and stunts. The fights are okay, the stunts are pretty good, the camera work makes good use of the claustrophobic setting, with only one gratuitous Speilbergian dolly zoom. But if Michael was as observant as he is supposed to be, he would have noticed right away that this script goes off the rails long before the train does.

Parents should know that this film includes extensive peril and violence, with many characters injured and killed including murders, fights, knives, guns, some disturbing images, corruption, some strong language, and alcohol, including drinking to deal with stress.

Family discussion: What would you want to know before accepting Joanna’s offer? Would you claim to be Prynne?

If you like this, try: “The Taking of Pelham 1-2-3” (original version), “Speed,” “Source Code,” and “Runaway Train”

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Action/Adventure DVD/Blu-Ray movie review

Jon Hamm in “Stinker Lets Loose!”

Posted on January 9, 2018 at 3:58 pm

It almost seems like there really was a movie back in 1977 called “Stinker Lets Loose,” part of those affectionately remembered cornpone road films like “Every Which Way But Loose,” “Cannonball Run,” and “Smokey and the Bandit.” There should have been, anyway. And now there sort of is, with the novel and audiobook (exclusively from Audible) starring Jon Hamm.

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Author Mike Sacks and director Eric Martin have created a fully immersive cinematic audio experience with an all-star cast. Stinker teams up with old pals Boner and Jumbo, plus new friends Buck and Rascal the Chimp, for a crazy ride across the highways and byways of Bicentennial America and meets scores of beautiful Southern gals, reams of treacherous villains, and even the Big Man!
Jon Hamm as Stinker
Rhea Seehorn as Gwyneth
Andy Daly as Boner
John DiMaggio as Jumbo and Sheriff Sledge
Paul F. Tompkins as Clarence Macleod and Mr. Walsh
Jessica McKenna as Buck
Kimmy Gatewood as Betty
Mark Gagliardi as Big Red
Justin Michael as Pip
With James Urbaniak as President Jimmy Carter and Jeremiah King
Guest starring Andy Richter as Orville Max and Phillip Baker Hall as the Big Man!
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Books Books Comedy

PBS Tonight: Unrest, about Chronic Fatigue

Posted on January 8, 2018 at 8:00 am

“Unrest” is a very personal story of the misunderstood and underestimated disease of Chronic Fatigue Syndrome.  Filmmaker Jennifer Brea was a Harvard PhD student soon to be engaged when she was struck down by a mysterious fever that left her bedridden. As her illness progressed she lost even the ability to sit in a wheelchair, yet doctors insisted it was “all in her head.” Unable to convey the seriousness and depth of her symptoms to her doctor, Jennifer began a video diary on her phone that eventually became the powerful and intimate documentary. Once Jennifer was diagnosed with myalgic encephalomyelitis (ME), commonly known as chronic fatigue syndrome (CFS), she and her new husband, Omar, were left to grapple with how to shape a future together in the face of a lifelong illness.

 

Follow the hashtag #UnrestPBS and add your own story.

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Documentary Illness, Medicine, and Health Care Television
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