Interview: Nancy Stafford of ‘Christmas with a Capital C’

Interview: Nancy Stafford of ‘Christmas with a Capital C’

Posted on December 15, 2011 at 8:00 am

The beautiful and talented Nancy Stafford (“Matlock”) stars in the heartwarming Christmas with a Capital C, now available on DVD.  She spoke to me about the movie and about the way her faith leads her to projects that share her message of faith and God’s love for each of us.

Tell me about the character you play in this movie.

I love this movie and I love my character!  I play the heart and soul of the film, all due to the fabulous work of Andrea Gyertson Nasfell, who wrote the movie.  I play the wife of the mayor of a small town in Alaska, played by Ted McGinley.  We’re the kind of town where everyone gathers together at Christmas big time and we have a tradition of putting the nativity scene in the city park.  And then a long-time childhood friend comes back to town and challenges us with a legal battle to remove the religious display from city property and gets an injunction, the town is split.  Some people think we ought to make it more inclusive and get rid of the name “Christmas” but others say “we can’t let these folks to roll all over us.”  My character is the one who brings some reason and some heart.  She says instead of being combative and argue our way into agreement, why don’t we put our feet to faith and allow our actions instead of argument be the thing that is louder?  Why can’t we be Jesus with skin on and do what Jesus said He had come to do, to be Emmanuel, the God with us, and be the heart and soul and mind of Christ for the people around us.  The whole city launches a Christmas with a Capital C campaign of acts of kindness and service.  We give away hot chocolate and wash people’s windows and do things for the homeless and those who have a little less.  It changes the heart of the Grinch character but it also changes the whole town.  I love the film because it makes the world recognize how ridiculous it is to try to take Christ out of Christmas but it is also a message to the church.  It’s not to say we should not stand up for truth and righteousness but it is to say that our positive actions, our loving response to the people around us, even those who don’t agree with us, that changes people’s hearts.

Your character really tells people to start with themselves and that will change people more than arguing with them.

I got to say the best speeches in the film!

Tell me about your “Grinch” character.

Daniel Baldwin, one of the bad Baldwin boys.  He’s a lovely guy, but plays a hardened character who grew up in the town but has gone off and seen the world and has had some unfortunate run-ins with Christians who have turned him off big-time.  I can relate to that.  I grew up in the church myself but when I went to college and didn’t have to go to church I chose not to.  I had some issues with what I saw as hypocrisy in the church.  So I get it!  I was a prodigal for 15 years before I darkened the door of a church again.  So I know there are a lot of people who don’t have a problem with Jesus but they have a problem with the church.  So this guy comes back and he is hurt and disappointed and he does not want to participate or have it in his face.  But he is a hurting and broken man.  He has some vulnerability.  So in the story when our daughter gives him cookies and it’s such a literal picture of her peeking in the window and seeing what was really happening in his house, like peeking into his soul and seeing that he is destitute on the inside.

Is it important to you that the projects you work on reflect your faith?

Yes, it is terribly important to me.  I have been blessed to do two faith-based projects.  For a lot of years I did not want to do them.  I have been lucky enough to have some success in secular marketplace and only in the past few years I have seen Christian films that can hold up in the marketplace of films, that are looking better and better.  But even though I have done secular work my faith has still been the driving force on what I choose to do.  It dictates everything I do in life.  I am not going to do anything that is counter with a Kingdom value. Over the years, as a result, I’ve worked less and less, but God is gracious and won’t let me leave the business.  Part of it is the projects I turn down and part is just the roles for women over 50 in Hollywood.  But I am speaking a lot and doing conferences and retreats and writing books and ministering to women, so my world is more spread out.

Do you have a favorite Bible verse?

There are so many!  But I love Isaiah 61.  They are life verses for me.  They resonate to my heart and have been transforming for me.  When the old prophet Isaiah is telling of Jesus coming, the pre-incarnate Christ talking through this prophet saying. “I’ve come to preach the good news, bind up the broken-hearted…oil of gladness instead of despair.”  The great exchange we get when we have a life in Christ continues to touch me.

I’d love to hear about your new book.

I love this book! It’s called The Wonder of His Love: A Journey to the Heart of God.  It’s a 30-day devotional that invites the reader to dive into the heart of God and discover 30 aspects of His love we might not always see or understand.  Each one is on 30 different ways that God loves us.  It’s really personal but people really seem to respond to it.  I love women and I minister to women and my first book was for women but this one is for everyone, men and women, not a chick book.  I write what I need.  When I started writing Beauty by the Book: Seeing Yourself as God Sees You it was because I desperately needed to be reminded of who I am in Christ.  I needed to assured and reminded of my value and my true worth, not based on what I look like or what I have or how I perform but on how He says about me me.  The same thing with this book.  I needed in my own life to be reminded of God’s actual, unshaking, immeasurable love for me.  As I pored over scripture, I just saw it flying off the page.  I started writing down a list of the aspects, the qualities of God’s love, His nature.  I thought, if I need this, maybe someone else needs encouragement.  When I’m walking through shadow times and in heartache or pain or disappointment, when it seems He cannot see me, when I can’t see His love at all, it is steadfast and always there.

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Simon, Theodore, and….Alvin: “Christmas Don’t Be Late”

Posted on December 13, 2011 at 8:00 am

As the latest Chipmunks movie opens up this week, we remember how it all got started, with the Grammy-winning 1958 song, “Christmas Don’t Be Late:”

http://www.youtube.com/watch?v=917SpFHHUU0&feature=related

The singing chipmunks were created by songwriter Ross Bagdasarian, who had appeared in the Alfred Hitchcock movie, “Rear Window” (as the piano player across the courtyard, playing one of his own compositions) and had some success as the co-writer of the Rosemary Clooney hit, “Come On-a My House” and writer/performer of the novelty song, “The Witch Doctor.”  He came up with the idea of recording songs at high speeds to make the voices sound amusingly squeaky.  The 1958 song “Christmas Don’t Be Late” was his first chipmunks recording and he played Dave and did all the voices, naming the three chipmunks after record executives.  Later recordings used women’s voices.  His son, Ross Bagdasarian Jr., is now responsible for bringing Alvin, Simon, Theodore and their long-suffering manager Dave to a new generation.

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Twelve Christmas Movies That Don’t Feature Tiny Tim, Linus, Bing Crosby, the Grinch, Clarence the Angel, or a Leg Lamp

Twelve Christmas Movies That Don’t Feature Tiny Tim, Linus, Bing Crosby, the Grinch, Clarence the Angel, or a Leg Lamp

Posted on December 12, 2011 at 3:58 pm

I love the Christmas classic movies and watch as many as I can every year.  But there are many great Christmas films that don’t get mentioned as often and I like to remind families that these are worth making time for as well.

1.  The Nativity Story  This sincere and respectful story is a good way to remember that Christmas is about more than presents and parties.  “Whale Rider’s” Keisha Castle-Hughes has a shy but dignified and resolute air and she glows believably as the very young woman who is selected as the mother of Jesus. And “Drive’s” Oliver Isaac effectively conveys tenderness, doubt, courage, and transcendence as Joseph.

2. A Christmas Memory Truman Capote’s bittersweet memory of his childhood Christmas making fruitcakes with his elderly cousin, the only relative who cared about him is beautifully filmed with the magnificent Geraldine Page and Capote himself reading the narration.

3. Will Vinton’s Claymation Christmas The California Raisins guys put together this Christmas special, with the highlight the funniest-ever performance of “Carol of the Bells.”

4. Come to the Stable Loretta Young and Celeste Holm are French nuns trying to raise money to build a hospital.  Their faith and goodness transforms those they meet.

5. Little Women “Christmas won’t be Christmas without any presents” is the first line of this classic novel based on the loving if sometimes tumultuous family of author Louisa May Alcott.  The movie opens with an important Christmas lesson about the joy of giving.

6. The Best Christmas Pageant Ever Based on the classic book, this stars Loretta Swit as the mother of six rambunctious kids who insist on playing roles in the church pageant.

7. This Christmas I love this movie about a family with five adult children who return home to celebrate Christmas with their mother and youngest brother.  The outstanding cast includes Regina King, Idris Elba, Loretta Devine, and Chris Brown.  Be sure to watch through the credits to see a great dance number.

8. Desk Set Before Google, companies had human beings to track down information. Katherine Hepburn plays the head of the all-female research department for a television network and Spencer Tracy is the engineer who is installing the company’s first computer, which takes up a whole wall and uses punch cards and vacuum tubes. Sparks fly — and not just in the equipment.

9. Die Hard Bruce Willis plays a cop visiting his estranged wife at her office Christmas party when the building is taken over by bad guys led by Alan Rickman in this action-movie classic.

10. The Polar Express Tom Hanks stars in this animated story based on the book by Chris Van Allsburg about a magical train ride to the North Pole.

11. Home Alone This comedy smash hit stars Macauley Culkin as a little boy who is accidentally left home when his family goes away for the holidays and has to take care of himself and guard the house from a couple of inept thieves.  The slapstick is a bit over the top but the message of Christmas is surprisingly touching.

12. Annie The story of the plucky orphan from the comic pages became one of the biggest Broadway musicals of all time and one of its highlights is Christmas with Daddy Warbucks.

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Thomas the Tank Engine: Rescue on the Rails

Thomas the Tank Engine: Rescue on the Rails

Posted on December 9, 2011 at 3:57 pm

Rescue on the Rails is the new adventure from Thomas the Tank Engine and his friends.  When Bertie gets stuck on Shake Shake Bridge, Gordon is derailed, and Thomas’ firebox is on fire, who will come to the rescue?  Being heroic is more than speed and strength — it is about courage, heart, and teamwork, as every Really Useful Engine knows.

I have one copy to give away.  Send me an email at moviemom@moviemom.com with Thomas in the subject line and don’t forget your address.  Tell me which engine is your favorite and I will pick a winner on December 16.  Good luck!

 

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Animation Based on a television show Contests and Giveaways Fantasy For the Whole Family Series/Sequel

New Year’s Eve

Posted on December 8, 2011 at 6:41 pm

Something seemed familiar to me as I watched Garry Marshall’s New York-based follow-up to his multi-star, multi-story LA-set romantic comedy, Valentine’s Day.  It was something that went beyond the predictability of its sitcom-ish formulas and check-list of romantic comedy conventions, and it finally hit me when the wonderful Sofía Vergara appeared on screen.  Part of what makes “Modern Family” so delightful is the way its characters address, tweak, and transcend the usual comedic stereotypes.  But it became sadly clear that all Marshall and screenwriter Katherine Fugate can think of to do with this beautiful and talented actress is make her into a caricatured Latina hot mama.  And that was when I figured it out.  She was Charo and we were on a big budget version of The Love Boat.  Like the television series that ran from the late 1970’s to the mid 1980’s, “New Year’s Eve” is an assortment of stories about love featuring a lot of big stars and with depth and imagination and sincerity that can only be measured with micrometers.

But that doesn’t mean that it is not entertaining, first for the fun of seeing so many stars cross the screen and second because so much is going on that the weakest parts are over before you realize how weak they are.  It would be quicker to list the stars who are not in this movie than those who are.  Oscar-winners Robert De Niro (as a terminally ill patient in the hospital), Halle Berry (as his nurse), and Hillary Swank (as the person in charge of the ball-dropping, Ryan Seacrest-led festivities in Times Square) are joined by Tony-winner Cherry Jones as owner of a music company, plus television luminaries Seth Meyers of “SNL” as an expectant father, Sarah Jessica Parker (as a wardrober who works with the Rockettes), and “Glee’s” Lea Michelle.  Then there’s “Little Miss Sunshine’s” Abigail Breslin in way too much mascara as a young teen who rebels when her mother says she cannot go to Times Square, rom-com princess Katherine Heigel as a caterer at a fancy party, rocker-turned-actor John Bon Jovi as a rock star, rapper-turned actor Common, and “High School Musical’s” Zac Efron as a delivery guy who delivers more than the mousy secretary played by Michelle Pfeiffer expects.  Returning “Valentine’s Day” stars (playing new characters) Ashton Kutcher is a guy who hates New Year’s Eve and gets stuck in an elevator and Jessica Biel is a woman who wants to have the first baby born in 2012 so she can win some money.  And Josh Duhamel is the guy who is trying to get back to Manhattan to find the mystery woman he kissed at midnight a year ago.  And we also get Hector Elizondo, of course, who is for Marshall what John Ratzenberger is to Pixar, a lucky charm who appears in every film and is always welcome.

It benefits from dropping some of the cruder elements that marred “Valentine’s Day” but even as a fairy tale it goes over the top with not one but two characters called on for impromptu televised appearances that has a tired, crowded, over-excited and tipsy New York audience aww-ing and applauding like parents at a kindergarten Christmas pageant.  All these people and situations leave no room for stories or characters, just snippets that barely have time to make an impression and the casting itself becomes a distraction with meaningless “wait, wasn’t that…?” appearances in the briefest of roles.  That’s just as well, as the stalled elevator and race to give birth at 12:01 do not have much to offer and the dialog has some syrupy lines about forgiveness and second chances that got unintended laughs from the audience.  Even at just a few moments, Duhamel’s efforts to get back into the city drag on too long with a pointless segment about an RV ride with a preacher’s family.  But by the time he makes it to his mystery date, though, we are on his side.  (Am I the only one who thought it was not a great match, though?)  As in the last film, there is poignant scene involving military fighting overseas.  Pfeiffer, Berry, and De Niro manage to create some genuinely touching moments out of sheer star power.  The outtakes over the credit sequence at the end are the best part, though they remind us how much more these stars are capable of.  A better title might be “Groundhog Day” because it sure feels like we’ve seen it all before.

(more…)

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