The Lion King 3D

Posted on September 15, 2011 at 11:16 pm

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Disturbing death of a parent and family betrayal, scary stampede and mean hyenas, characters in peril
Diversity Issues:	Diverse animal characters
Date Released to Theaters:	1994
Amazon.com ASIN:	B001AQR3JY

One of Disney’s most popular animated features (and the inspiration for one of Broadway’s biggest blockbuster) has been re-issued in 3D. “The Lion King” is sort of a cross between “Richard III” and “Hamlet,” the story of Simba (voice of Jonathan Taylor Thomas as a child, Matthew Broderick as an adult), the cub of Mufasa (James Earl Jones), the king of the jungle. Simba “just can’t wait to be king.” But his evil Uncle Scar (Jeremy Irons), bitterly jealous of Mufasa, wants to be king, so he arranges for Mufasa to be killed in a stampede and to have Simba think he is responsible.

Simba runs away, and finds friends in Pumbaa the warthog (Ernie Sabella) and Timon the meerkat (Nathan Lane), who advise him that the best philosophy is “hakuna matata” (no worries). Simba grows up thinking he has escaped from his past, but his childhood friend, Nala finds him, and tells him that under Scar’s leadership, the tribe has suffered badly. She persuades him to return to take on his responsibilities as King of the Pridelands. He learns that it was Scar who caused Mufasa’s death, and he vanquishes Scar to become King.

http://www.youtube.com/watch?v=nCKCSBpfL0M

Not just a movie, but a marketing phenomenon, this blockbuster was the highest grossing film of 1994. Amazingly, it made even more money in merchandise than it did at the box office, a fact for which audiences have been paying ever since, as each subsequent Disney animated movie seems to be designed primarily as a commercial for teeshirts, lunch boxes and action figures. The score, and the song “Circle of Life,” with authentic African rhythms and instruments, won Oscars for Elton John and Tim Rice.

Parents should know that the death of Mufasa is genuinely scary and young and sensitive children may be frightened of the stampede, the hyenas, and the family betrayal. More troubling is the arrogance of the “Circle of Life” explanation, which is mighty reassuring as long as you are the one on top of the food chain. And worse than that is the whole “hakuna matata” idea, which is genuinely irresponsible. Make sure that kids realize that even Simba finds out that he cannot run away from his problems.

Family discussion: How was being king different from what Simba thought? What does your family do to welcome new babies?

If you like this, try: the stage production, with its extraordinary puppets, “The Lion King 1 1/2,” a much better-than-average sequel, and other Disney animated classics like “Aladdin” and “The Little Mermaid.”

Drive

Posted on September 15, 2011 at 6:40 pm

Danish director Nicholas Winding Refn said that “Drive” is his vision of a contemporary fairy tale about a princess who has to be rescued from a dragon. It is a highly stylized, brilliantly acted, and brutally violent story about a man we know only as “the Driver” (Ryan Gosling), a mechanic, sometime movie stunt driver, and occasional getaway driver. He befriends a young mother named Irene (Carey Mulligan) and her son while her husband is in prison.

“You put this kid behind a wheel and there’s nothing he can’t do,” says a gimpy guy named Shannon (“Breaking Bad’s” Bryan Cranston), who runs the garage where the Driver works. “How’s the leg?” asks Nino (Ron Perlman). “I paid my debt,” says Shannon, acknowledging the real question. This is a world where debts must be paid and reminders of that fact can be painful.

And this is a world where the Driver is not the only one who has a range of roles that include both sides of the law. And there are bad guys and really bad guys and really, really bad guys. Irene’s husband Standard (a superb Oscar Isaac) gets out of prison. When he is sucked into one more robbery, the Driver goes along to make sure nothing bad happens. And then a lot of very bad stuff happens, and that makes him a target. Irene and her son are at risk and so is a woman named Blanche (“Mad Men’s” Christina Hendricks, looking great in tight jeans, even when she’s terrified). Behind much of what goes on are the deceptively genial Bernie Rose (look for a Supporting Actor nomination for Albert Brooks) and the hot-tempered and impetuous Nino.

It is a volatile situation, and Refn plays that off the minimalist storyline, stripped-down dialog, retro electronic soundtrack, and cool compositions, with each frame as perfectly laid out as a still life waiting to be painted, each movement as swoon-worthily choreographed as a ballet.

(more…)

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Great Movie Moments: ‘The Apostle’ — Billy Bob Thornton Wants to Bulldoze a Church

Posted on September 15, 2011 at 8:00 am

As I wrote earlier, my new book, which should be out by the end of the year, is about some of my favorite movie moments. I’m having a lot of fun writing about them but one thing I can’t do in a book is post the clips, so I’m going to post some of them here. This is from “The Apostle.” Robert Duvall wrote, directed, and stars in the story of a flawed man of faith who starts a church in a poor community. In this scene, Billy Bob Thornton’s character, who is offended by a church with both black and white worshippers, arrives with a bulldozer to knock the church down.

http://www.youtube.com/watch?v=BadaTb1qhZI

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Contest: Zin! Zin! Zin! a Violin and More

Posted on September 13, 2011 at 3:58 pm

I’m very excited to have a gorgeous DVD box set from the Scholastic Storybook series, my very favorite family DVDs to give away. And this one is really special, with three different collections that will inspire children to use their imaginations and explore the world of artistic expression through music, painting, sculpture, dance, and theater.

It includes: Zin! Zin! Zin! A Violin and more stories for young musicians.

ZIN! ZIN! ZIN! A VIOLIN (Written by Lloyd Moss, illustrated by Marjorie Priceman, music by Marvin Hamlisch) A lonesome trombone is joined by various instruments, one by one, to form a chamber group of ten.

MUSICAL MAX (Written by Robert Kraus, illustrated by Jose Aruego & Ariane Dewey, narrated by Mary Beth Hurt) Max stops playing music when his neighbors complain about the noise. What will he do instead?

THE STAR-SPANGLED BANNER (Illustrated by Peter Spier, sung by Aretha Franklin) Aretha Franklin lends her soulful voice to this moving rendition of our national anthem.

KEEPING HOUSE (Written by Margaret Mahy, illustrated by Wendy Smith) Songwriter Lizzie Firkin would rather sing and dance than do chores. What if people think she s lazy or sloppy?

PATRICK (Written and illustrated by Quentin Blake) When Patrick plays his violin, the most unusual things start to happen; fish can fly, cows can dance, and trees grow cakes!

APT. 3 (Written and illustrated by Ezra Jack Keats, narrated by Charles Turner) Intrigued by the sounds of a harmonica, two brothers set off on a search to find the musician in an old tenement building.

And The Dot and more stories for young artists, with:

THE DOT (Written and illustrated by Peter H. Reynolds, narrated by Thora Birch) A mark can change everything. Vashti thinks she can’t draw, but when she explores her imagination she discovers her own creativity.

ART (Written and illustrated by Patrick McDonnell, narrated b Bobby McFerrin) Words are at the tip of a paintbrush. A picture can really be worth a thousand words.

ISH (Written and illustrated by Peter H. Reynolds, narrated by Chester Gregory) Ramon is discouraged when his older brother makes fun of his drawings. How will he get his confidence back?

NORMAN THE DOORMAN (Written and illustrated by Don Freeman, narrated by Katherine Kellgren) Norman the Door Mouse secretly enters a sculpture competition at the art museum. Will he win?

WALLACE’S LISTS (Written by Barbara Bottner and Gerald Kruglik, illustrated by Olof Landstrom, narrated by Zach Braff) Wallace, a mouse who loves life by lists, meets a spontaneous, artistic new neighbor named Albert. He soon discovers how enchanting life can be without his lists.

And it has Shrinking Violet and more stories for young performers, which includes:

SHRINKING VIOLET (Written by Cari Best, illustrated by Giselle Potter, narrated by Calista Flockhart) This beautiful story about self-confidence shows us what happens when the shyest girl in school gets the lead part in the play.

THREE CHEERS FOR CATHERINE THE GREAT! (Written by Cari Best, illustrated by Giselle Potter, narrated by Ekaterina Gordeeva) This is the tale of Sara s feisty Russian grandmother and her birthday celebration with no presents from everyone. What will the no presents be?

GIRAFFES CAN’T DANCE (Written by Giles Andreae, illustrated by Guy Parker-Rees, narrated by Billy Dee Williams) Gerald the Giraffe just wants to dance! Everyone else at the Jungle Dance seems to be a better dancer. Maybe with a little encouragement he ll be the best of all!

AMAZING GRACE (Written by Mary Hoffman, illustrated by Caroline Binch, narrated by Alfre Woodard) Her classmates discourage Grace from trying out for the part of Peter Pan because she’s black and a girl. She tries out anyway and wins the part! This is one of my very favorite books, read by one of my very favorite actresses.

Send me an email at moviemom@moviemom.com with “Zin!” in the subject line and tell me your favorite form of artistic expression. Don’t forget to include your address. I’ll pick one winner at random on September 18. Good luck!

A Controversial Choice for a Judah Maccabee Film

Posted on September 12, 2011 at 8:00 am

The story of Judah Maccabee, one of the greatest warrior heroes in Jewish history, could make a great movie. He led the first revolt against religious oppression in 167 BCE. His victory is celebrated by Jews around the world each year at Hannukah.

One of the most successful directors in Hollywood is behind the project, someone whose previous film about a rebellion was an Oscar-winner. But that director is Mel Gibson, whose anti-Semitic tirade when he was arrested for drunk driving and portrayal of the ancient Jews in his controversial “The Passion of the Christ” suggests that he may not be the person to tell this story. Gibson has said repeatedly that this is a movie he wants to make. But his choice of screenwriter is also sure to raise concerns. It is Joe Eszterhas of “Basic Instinct,” “Flashdance,” and “Showgirls.”

Abraham Foxman, national director of the Anti-Defamation League, released a statement: “We would have hoped that Warner Bros. could have found someone better than Mel Gibson to direct or perhaps even star in a film on the life of the Jewish historical icon Judah Maccabee. As a hero of the Jewish people and a universal hero in the struggle for religious liberty, Judah Maccabee deserves better.” They have asked Warner Brothers to “reconsider” Gibson’s involvement.

I am skeptical about Gibson’s ability to tell this story, not because I think he will promote stereotypes or bigotry but because I think his increasing fascination with anger and violence will give the story the wrong focus. I hope I’m wrong.

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