Toy Story 3 (Coming in 2010)
Posted on June 22, 2009 at 8:00 am
Oh, boy!
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Inkheart
Posted on June 16, 2009 at 8:00 am
Inkheart
Brendan Fraser plays Mortimer, who is not just a book doctor (restorer of old tomes) but something of a book whisperer. At least, books seem to whisper to him. And he is a “silvertongue,” which means that when he reads a book aloud he has the power to call its characters into being. But he has no control of this power. He is as likely to bring to life a wicked character as a good one. And in order to maintain balance, when he brings a character out of a book, a real-life character gets swooshed into the book. When he was reading a book called Inkheart, characters named Dustfinger (Paul Bettany) and Capricorn (Andy Serkis) came out and Mortimer’s wife Resa (Sienna Guillory) went in. Now she is stuck there until he can find the book again and try to bring her back. So, he and his daughter Maggie (Eliza Hope Bennett) are constantly on the road, searching bookstores and trying to stay away from Dustfinger, who wants to be read back into his book so he can be with his family, and Capricorn, who wants more characters read out of the book so they can help him to enjoy life in our world (he is very fond of duct tape) and create all kinds of misery and oppression (he was written as a bad guy, after all).
The story shimmers with imaginative details. A stuttering silvertongue produces incomplete real-world characters with book text on their faces. Mortimer’s aunt Elinor (Oscar-winner Helen Mirren) has a fabulous library and vastly prefers books to people. She has a sign with “Don’t Even Think of Wasting My Time!” in three languages on her front gate. And when it is time to search for the author of the book “Inkheart” (played by James Broadbent), there are some lovely and subtle variations on the theme of reality vs. fantasy. Fraser is as always an appealing leading man and the trio of British stars bring wit and conviction to their off-beat characters — so much conviction, in fact, that they throw things a little out of balance. The story itself makes an uneasy transition to screen, the very books-and-words premise of the story in effect undercutting its translation to film. The story’s silvertongue may bring books to life but the director and screenwriter are less effective.
Paperclips
Posted on June 15, 2009 at 8:00 am
A| Lowest Recommended Age: | 4th - 6th Grades |
| MPAA Rating: | G |
| Profanity: | None |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Discussion of Holocaust and some images of concentration camps |
| Diversity Issues: | A theme of the movie |
| Date Released to Theaters: | 2004 |
| Date Released to DVD: | 2005 |
| Amazon.com ASIN: | B000CMNJF4 |
The tragic shooting at the Holocaust Museum in Washington DC last week reminds us yet again of the importance of making sure that future generations do not just learn the statistics but truly understand the near-incomprehensible devastation of genocide and the toxic tragedy of bigotry.
The documentary Paper Clips is one every family should watch. It is the story of Whitwell, Tennessee, a small coal mining community (population 1600) outside of Chatanooga. The population is almost entirely white and entirely Christian. When the local school set out to teach children about tolerance and diversity, the teachers realized that most of the children had never seen a person from another country or faith. So the school decided to teach students about the Holocaust in Germany during World War II.
As the students tried to come to grips with the Nazi genocide, they had a hard time visualizing the magnitude of the loss of six million people. They wanted to collect six million of something to represent the people who were killed.
The students did some research and learned that the paperclip was invented in Norway and that Norwegians wore paperclips on their collars to demonstrate their sympathy for the Jews, gypsies, homosexuals, and other groups being persecuted by the Nazis. The students decided to collect six million paperclips and began writing letters to everyone they could think of to ask for help.
This documentary shows how the project grew from a classroom assignment to an event that transformed the entire community.
Silverdocs 2009
Posted on June 14, 2009 at 3:03 pm
Silverdocs is now the biggest documentary film festival in the United States. It opens tomorrow in Silver Spring, Maryland, with an outstanding line-up of documentaries — old, new, long, short, funny, sad, domestic and international. Some of the highlights include a tribute to Albert Maysles (of “Salesman,” “Grey Gardens,” and “Gimme Shelter”), opening night film “More than a Game” about an Akron, Ohio basketball team featuring future superstar LeBron James, and films about a facial hair competition, the Washington D.C. “mayor for life” Marion Berry, a prison rodeo, being struck by lightning, an environmental struggle between indigenous people and multi-national oil companies in Ecuador, Vogue’s monumental September issue, and the acknowledged worst movie ever made (followed by a screening of the film itself, “Troll 2”).
Crossing Over
Posted on June 9, 2009 at 8:01 am
A well-intentioned but ham-handed exploration of U.S. immigration policies, this movie’s message is undermined by its cardboard characters and clunky script. Like “Babel” and “Crash” it is a multi-story exploration of one theme, but it is formulaic and uninvolving.
It starts off badly as one character says to Max Brogan, the immigration cop played by Harrison Ford, “must you always be the humanitarian?” And just in case we don’t get it immediately that the immigration defense lawyer played by Ashley Judd is close to sainthood when she is introduced on screen hugging a little African girl and worrying that if she is not placed soon she will lose her native language, Judd wears a necklace with a charm in the shape of Africa to make it clear where her loyalties are.
The movie unspools as though it had been laid out on a grid. On one side, we have the worthy immigrants who want to stay in the United States. On the other we have the evil or unfeeling bureaucrats who want to send them home. Brogan’s partner is a naturalized citizen from Iran (New Zealand’s Cliff Curtis, in one of the film’s best performances) whose father is about to become the last member of the family to be naturalized. The two Immigration and Customs Enforcement officers (with huge ICE letters on their jackets) conduct raids on sweatshops to round up illegal immigrants. But the soft-hearted “humanitarian” Brogan cannot help getting involved. When one beautiful young woman pleads with him to make sure her son is all right, he literally cannot sleep until he tracks down the boy and delivers him to his grandparents in Tijuana.
The movie’s points are hit with a sledgehammer and the dialogue is almost as overweighted. Each character is a symbol with only one presenting characteristic. Slimy: predatory judge who insists on sexual favors in exchange for a green card. Misguided: Korean kid about to be naturalized who thinks that he has to be in a gang to get along in America. Even more tragically misguided: long, awkward conversations and confrontations in impossible circumstances, like a murder accusation in the middle of a naturalization ceremony. This is a serious and often tragic issue but the sincerity of the film’s good intentions cannot make it successful as a movie or as advocacy.