Snow Day

Posted on March 2, 2009 at 7:16 am

B
Lowest Recommended Age: Preschool
Profanity: Mild playground language and potty humor
Alcohol/ Drugs: None
Violence/ Scariness: Mild comic peril
Diversity Issues: Diverse cast
Date Released to Theaters: 2000

This engaging kid-eye view of “the real winter miracle” is good family fun. It has something for both littler and bigger kids and is very endurable for parents.

The theme of the movie is that “anything can happen on a snowday,” and it does a good job of evoking the magic of waking up to find the world soft, white, and new, and all normal rules and obligations suspended.

One snowday in particular changes the lives of all five members of the Brandston family. The father (Chevy Chase) is a TV weatherman who is humiliated because he has to dress in silly outfits to try to get better ratings than his handsome but unethical rival. The mother (Jean Smart) loves her family, but is preoccupied with an important project at work. Teenage son Hal is in love with the most beautiful girl in school. His sister Nat has a dream — defeating the enemy of the snow day, Snowplow Man (Chris Elliot), so the kids can stay home an extra day. And their little brother Randy just wants to have some fun with his mom.

One nice thing about the movie is that it shows us a believably harried but genuinely kind and loving family. Nat and Hal have a real sense of commitment and teamwork and the mother may be caught up in her big project, but it is clear that she loves her family very much. And it is very nice to see Chevy Chase in a more low-key and genuine role.

Another nice thing is that it shows us that sometimes what we think we want isn’t what we want after all, and that something better might be right in front of us.

Parents should know that there is some potty humor and some mild schoolyard language. Kids do some unwise and even dangerous things, like confronting an adult, pelting the principal with snowballs, rigging a show shelter with electricity, and driving a snowplow. But it is clear that the movie is a fantasy, and it can give families a good opportunity to talk about taking risks and setting priorities — and about what kind of music is best for ice skating and what kinds of snowballs are the best for a snowball fight!

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Father Does Know Best

Posted on February 27, 2009 at 8:00 am

This is what television used to look like. Watch this beguiling episode of “Father Knows Best” where Bud gets into trouble for shirking his chores to play a baseball game. It is impossible not to charmed by the innocent wholesomeness of the story and by the matter-of-fact portrayal of the role that the church and the clergy plays in the life of the family.

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Christian Film-makers Find Their Audience

Posted on February 26, 2009 at 8:00 am

NPR has an excellent column by Barbara Bradley Hagerty about the increasing success of faith-inspired films. The San Antonio (Texas) Independent Christian Film Festival in January attracted more than 2000 audience members. And “Fireproof” has made more money than “Slumdog Millionaire,” produced for $500,000 and earning $33 million.

Instead of just complaining about sex and violence, Phillips says, Christians must make films that reflect their own values. He says he started the film festival five years ago when he realized that Christians were losing the hearts and minds of the young.

“What is the single biggest influence on our families?” he asks. “I wish I could tell you the biggest single influence were churches, but that regretfully is not the case. The truth of the matter is, it is the media the people take in which are shaping and forming ideas.”

If Christians want to compete in the world of ideas, he says, they have to make great movies. This festival is putting up a $101,000 top prize — the largest in the United States, and larger than Cannes or Sundance — to help them get there. Phillips says this is only the beginning.

The winner of that award is a movie called “The Widow’s Might,” a timely story about a community support for a woman who lost her home to a foreclosure. It was written and directed by its star, 19-year-old John Robert Moore.
This is all enormously encouraging. I hope that the combination of spiritual and financial returns from producing films with messages of faith, hope, compassion, and integrity will inspire the production of more films for people of faith.

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