Champions

Posted on March 9, 2023 at 5:30 pm

B-
Lowest Recommended Age: High School
MPAA Rating: Champions is rated PG-13 by the MPAA for strong language and crude/sexual references
Profanity: Very strong language for a PG-13
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Some peril
Diversity Issues: A theme of the movie
Date Released to Theaters: March 10, 2023

(L to R) Alex Hintz as Arthur, Casey Metcalfe as Marlon, Matthew von der Ahe as Craig, Ashton Gunning as Cody, Tom Sinclair as Blair, Joshua Felder as Darius, James Day Keith as Benny, Madison Tevlin as Cosentino, Kevin Iannucci as Johnathan, and Bradley Edens as Showtime in director Bobby Farrelly’s CHAMPIONS, a Focus Features release. Credit : Courtesy of Focus Features
I have always been impressed by the commitment of the writer/director Farrelly brothers to including performers with disabilities in their movies — and for giving their characters great roles, sometimes funny or raunchy but never treated with anything but respect. Those who skip the credits at the end of “Stuck on You” will miss a very touching speech at the wrap party from Ray ‘Rocket’ Valliere. In “Champions,” Bobby Farrelly’s film, Woody Harrelson plays Marcus, a hot-headed college basketball coach sentenced to community service, coaching a team of people with disabilities. While it has all the expected underdog team with a coach who needs redemption beats, it is done with a good heart and a sense of humor.

Marcus understands the game of basketball very well. He knows the strategy and the skills it takes to win. People, life, basic requirements of being an adult, not so much. We see him being extremely rude to a woman he clearly does not know but has just had, apparently satisfying sex with. Her name is Alex (Kaitlin Olson), and while Marcus is happy to see her go, flipping the bird on the way out, we are already looking forward to seeing her again.

Marcus loses his job as an assistant coach, gets drunk, and drives into a police car. See what I meant about missing the basic skills of adulting? That’s how he ends up sentenced to 90 days of coaching the Friends, a team of young people with disabilities, including Johnny (gracefully played by Kevin Iannucci, who has Down syndrome). If you think that this is one of those movies where the people who are seen as less capable end up teaching the “normie” some important lessons, you’ve got that right. That doesn’t make it unsatisfying, though, because it all plays out with sincerity. It does not condescend to the characters with disabilities or try to make them saintly, giving them most of the one-up-ing punchlines and showing us their confidence. It gives at least one of them a bit of a character arc. But some viewers may find the portrayals reductionist and overly cute-sy.

But they’ve got Cheech running the community center where the Friends play, and it’s always good to have Cheech on board. Second, Harrelson is quite good at all of the frustration, and Olson gets to play a character who is not a hot mess, like the ones she plays on “Hacks” and “It’s Always Sunny in Philadelphia.” Her warmth and strong presence, and her excellent chemistry with Iannucci are the heart of the film.

Parents should know that this movie has some mature material, beginning with a frank if not explicit description of a one-night stand via an app, strong language for a PG-13, some mild peril and tense confrontations, drinking and drunkenness. The theme of inclusion is worth discussing.

Family discussion: Why didn’t Johnny want to tell Alex about his plans? Does this make you think differently about people with disabilities in your life?

If you like this, try: “The Ringer,” also from Farrelly

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Magic Mike’s Last Dance

Posted on February 10, 2023 at 10:03 am

B
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for sexual material and language
Profanity: Strong language
Alcohol/ Drugs: Alcohol
Violence/ Scariness: None
Diversity Issues: None
Date Released to Theaters: February 10, 2023
Date Released to DVD: April 24, 2023

Copyright 2023 Warner Brothers
Like the first “Magic Mike” movie, inspired by star Channing Tatum’s experiences as a male stripper (his term), this third in the trilogy begins with his character in financial straits. Mike’s dream in the original was to have a furniture store. With the help of his fellow stripper friends, he achieved that dream. But, we’re told by a narrator who will not be identified until later, the pandemic and economic setbacks have forced him to close down and he is working as a catering bartender. The narrator also provides some history and science about the importance of dance.

But after that, it’s basically a “Step Up”-style fairy tale (the ones after Tatum’s break-through in the grittier, more grounded original). That is probably a more appropriate response to the pandemic and the economic setbacks. None of it makes any sense, but there’s a 15-minute dance number at the end, and guys with their shirts off making a lot of ladies very happy, and there’s nothing wrong with that.

At a fancy fund-raiser, a guest recognizes Mike. “Weren’t you a cop?” she asks, and they both smile remembering that ten years before, he danced at her bachelorette party. She mentions his entertaining “silly dance” to the gala’s host, the about-to-be-divorced and fabulously wealthy Maxandra Medoza (Salma Hayek Pinault), who asks him to stay after the party and give her a dance. “Why are you moving my flowers?” she asks as he moves things around and tests the furniture for its capacity to support what he has in mind. He tests her as well; this movie is very clear about consent, about how important it is and also how erotic.

That “unexpected magical moment” inspires her to bring him to London, where she cancels the successful but old-fashioned play in her theater and tells Mike he is now choreographer of a new strip show. As befits a Cinderella story where she plays both fairy godmother and romantic interest, there is a makeover moment at Liberty of London, arriving in a pumpkin coach, I mean a Rolls. Thankfully, when she brings him to meet her friends, there is no silliness about his not knowing which fork to use or recognize their cultural references. This is not that kind of fairy tale. This is about a realizing a bigger dream than he ever dared to imagine. And that’s a pretty magical moment to enjoy.

Fans of the previous films will enjoy Mike’s Zoom call with some of most beloved characters and a throwback to Mike’s signature song, “Pony.” But you do not need any familiarity with the story to, like the female characters in the film, just sit back and enjoy the show.

Parents should know that this movie is about male strippers and there is a lot of suggestive dancing and some strong language, sexual references and non-explicit situations.

Family discussion: Why was having someone believe in him so important to Mike? What decision would you have made if you were Max?

If you like this, try: the other “Magic Mike” movies and “Mrs. Henderson Presents,” with Dame Judi Dench, based on the true story of a nude show in London.

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You People

Posted on January 26, 2023 at 5:33 pm

B +
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language throughout, some sexual material and drug content.
Profanity: Very strong and crude language
Alcohol/ Drugs: Drinking and drugs including cocaine
Violence/ Scariness: Comic peril, no one hurt
Diversity Issues: A theme of the movie
Date Released to Theaters: January 27, 2023

Copyright 2023 Netflix
Amira, a Muslim Black stylist and costume designer (Lauren London) and Ezra, a Jewish white guy with a boring job in finance who would rather be a podcaster (Jonah Hill) fall in love in “You People,” a comic contest between two equally offensive sets of parents. Her parents (Nia Long and Eddie Murphy as Fatima and Akbar) disapprove and try to undermine the relationship. His parents (Julia Louis-Dreyfuss and David Duchovny ask Shelly and Arnold) are clueless about the cringe-inducing, reductionist racism of their attempts to welcome Amira. Falling somewhere down the spectrum from the tragedy of “Romeo and Juliet” and the sincere if stilted drama of “Guess Who’s Coming to Dinner,” this film, co-written by star Hill and director Kenya Barrios (“Black-ish”) plays it for comedy, with an exceptionally strong supporting cast. And it is not afraid to include some stinging commentary amid the romance and the laughs.

It gets off to a strong start with Ezra and his podcast co-host Mo (Sam Jay) laughing about their fantasy versions of Barack Obama, clearly improvised. The jokes are more outrageous than funny, but it is a delight to hear the two riff off of each other with witty affection. We then see Ezra at Yom Kippur services with his parents, who gently disapprove of what he is wearing (casual kicks) and not wearing (a kipper head covering). The meet-cute is when he gets into what he thinks is his Uber, but what turns out to be Amira, who has gotten lost. After a moment of panic, they hit it off and soon they are dating. They share the same shoe game and commitment to supporting one another. And they just enjoy spending time together. And then it becomes time to to meet the parents.

The surprise in the film is Eddie Murphy, who plays it absolutely straight as Amira’s dignified father and makes Akbar into one of the movie’s highlights. There’s no winking at the audience, no wild exaggeration, and the more serious he is, the funnier he is, especially when one of his ploys backfires. He leaves the goofiness in the more than capable hands of Mike Epps (as Akbar’s brother), “Black-ish” star Anthony Anderson, the always terrific Sam Jay, and more. Murphy, the real-life father of 10 children, knows all too well what it is to measure a suitor against his expectations, and this is one of his best roles.

Julia Louis-Dreyfus has a lot of fun with the role of Ezra’s mother, who tries so hard to show she is an ally that she over-corrects, while her husband tries to show how hip he is by talking about how much he likes rapper Xzibit. Instead of getting to know Amira by, for example, asking her about her work, she chatters about looking forward to brown grandchildren and goes woke Karen on a spa attendant she mistakenly thinks was racist. The white side of the cast also has an exceptionally strong group in supporting and cameo roles, from legends Hal Linden, Richard Benjamin, Rhea Perlman, and Elliott Gould to younger familiar faces Rob Huebel and Bryan Greenburg. Look for Romy Reiner (daughter of Rob, granddaughter of Carl) on a date with Ezra, director Barris as an airplane passenger, and a sign advertising London’s late activist/rapper romantic partner, Nipsey Hustle, who also has a song on the soundtrack.

The script is uneven at times. The bachelor party in Las Vegas and bachelorette party at a spa do not work as well as the sections at home. But as the characters discover, good will and a sharp sense of humor can overcome a lot of obstacles.

Parents should know that this film includes very strong and crude language, sexual references and non-explicit situations, drinking and drugs, and a visit to a strip club in Las Vegas.

Family discussion: How would your family react to a new boyfriend or girlfriend? How would you have handled the meeting of the parents? What made them change their minds?

If you like this, try: “This Christmas” with Lauren London and “Superbad” with Jonah Hill

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Shotgun Wedding

Posted on January 26, 2023 at 5:13 pm

B-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language and some violence/bloody images
Profanity: Very strong language
Alcohol/ Drugs: Alcohol
Violence/ Scariness: Extended terrorism peril and violence, guns, knives, grenades, characters injured and killed, some graphic images
Diversity Issues: None
Date Released to Theaters: January 27, 2023

Copyright 2023 Amazon
Keep this in mind as you evaluate my comments — I do not even try to resist the allure of Jennifer Lopez. So if you can, you may not be willing to surrender to the ridiculousness of this action romantic comedy about a destination wedding interrupted by violent pirates. Let me put it this way: you will probably enjoy the film if you’re okay with the fact that over the course of the film, as lawyer and bride-to-be Darcy (Lopez) is being chased by masked bad guys with military-style weapons, her pouffy bridal gown is ever-so-fetchingly shredded, her hair adorably tousled, and her maquillage (the word “make-up” cannot adequately convey the perfection) is perpetually exquisite, even has she and the groom are chased through the jungle, handcuffed, and clutching a live grenade.

Darcy and her fiancé Tom (Josh Duhamel) have brought their families and friends to a Philippene island for their wedding. (With this film and January 13’s “Plane,” the Philippines should probably consult a tourism marketing firm.) This has put a lot of stress on everyone, especially because Tom, a minor league baseball designated hitter recently released at age 40, is overly fixated on making every detail perfect and neglecting his bride. Darcy’s wealthy father, Robert (Cheech Marin), has brought his woo-woo vibes and auras girlfriend, Harriet (D’Arcy Carden of “The Good Place”). His elegant ex-wife, Darcy’s mother, Renata (Sonia Braga) wants to stay as far away from them as possible. Tom’s parents are the unfiltered, boundary-trespassing Carol (Jennifer Coolidge) and the perpetually videoing every minute Larry (Steve Coulter).

Ramping up the stress level is the surprise arrival of Darcy’s former fiancé, Sean (Lenny Kravitz), who now works for Darcy’s father and is something of a surrogate son. He arrives by helicopter and insists on giving a toast at the rehearsal dinner. The next morning, as the guests are in their chairs on the beach waiting for the ceremony to begin, Tom and Darcy are on another part of the island breaking up.

This is why they are not there when the pirates arrive and take everyone else hostage, making them gather in the infinity pool while they send a search party to kidnap the bride and groom. They tell Robert they will not release them until he transfers $45 million to them. He says he will not to anything until they prove that Darcy is safe. Tom and Darcy have to find a way to take on heavily armed, trained group with no weapons, training, protective gear, or idea what they’re doing.

The balance of humor and action is uneven, and it does not even try to make sense. But the overall tone is lighthearted, and, as I said, Lopez is, as always, hard to resist.

Parents should know that this film includes terrorist-style peril and violence with military-grade weapons, chases, and explosions. Chaacters are injured and killed, in light-hearted fashion when they are bad guys, and there are some grisly images. Chacters uses strong and crude language with sexual references and a non-explicit sexual situation.

Family discussion: Whose family was more difficult? Was the twist a surprise? What did the attack reveal to Darcy and Tom about themselves and each other?

If you like this, try: “Wedding Season

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Empire of Light

Posted on December 8, 2022 at 5:38 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for sexual content, language and brief violence
Profanity: Very strong language
Alcohol/ Drugs: Alcohol, smoking, medication
Violence/ Scariness: Racist mob violence
Diversity Issues: A theme of the movie
Date Released to Theaters: December 9, 2022

Copyright 2022 Searchlight
“Empire of Light” has such enticing visuals and such thoughtful performances it can almost lull audiences into forgetting that the storyline and characters are like pieces from different jigsaw puzzles. They never come together. And, more problematic, they are two-dimensional cardboard depictions, not the real thing or even a worthy substitute.

The title refers to the setting, a once-grand movie theater called Empire across from the beach along England’s south coast. It is 1980, near the end of the year.

Hilary (Olivia Colman) is the manager, taking care of just about everything from sweeping up spilled popcorn to placing the boss’s slippers in front of the space heater to matching up the ticket stubs to make sure every customer is accounted for. It also includes sexually servicing the boss, Donald Ellis, who murmurs tender nothings like “You’re so helpful.”

Hilary has recently returned to the theater after a stint in a mental hospital. She takes medication for bipolar disorder and has regular check-ins with a doctor. That may be why she is tamped down, or it just may be English reserve. Or both. She admits to him that she feels a bit numb. Colman, never less than superb, is the best part of the film, showing us how Hilary’s smile and her eyes communicate opposite emotions.

The other staff includes Norman, the projectionist, who is proud of his understanding of optical physics (Toby Jones), Janine, with wild hair and punk-black lipstick (Hannah Onslow), and quiet but observant Neil (Tom Brooke). One day, Ellis introduces a new employee, Stephen (Micheal Ward), the son of an African immigrant, who is a nurse at the local hospital. Hilary is drawn to him, his gentle care for a bird with a broken wing and his good humor. She stops taking her medication and begins to feel less numb. Some feelings are welcome, some not, as when she snaps at Stephen for trying to amuse Janine by imitating an elderly customer. The same goes for an underused Jones, who is stuck with explaining the magic of the stories projected on a beam of light. Hilary’s recognition of the abuse Stephen suffers because he is Black seems like it is from another movie. A better one, as the issue is more about her reaction than about his experience.

The cinematography by all-time great Roger Deakins is enticing and production designer Mark Tildesley, who gives the Empire theater just the right amount of faded glory, especially in the top floor, once additional theaters with a gracious lounge, now abandoned by everyone but pigeons.

It is a joy to see Colman as Hilary. She shows us the pain and isolation Hilary is experiencing and handles the various stages of bipolar disorder without losing sight of the feelings of anger, jealousy, and longing that are about being human, not about being mentally ill. Ward has enormous appeal. But neither can overcome the underwritten characters created by writer/director Sam Mendes. Small moments engage us, especially those with Tanya Moodie as Stephen’s mother and Crystal Clarke as his love interest. but it never comes together. By the time Hilary finally decides to actually watch a movie and not just supervise the operations of the theater, the message is unforgivably heavy-handed, with the selection, a movie about someone who is removed from what is going on around him, just in case we did not get the message. Movies can be magical. They can bring us together. As Roger Ebert liked to say, they can be empathy machines. But not this one.

Parents should know that this film includes brief violence from a racist mob. Characters use strong language and they smoke and drink. Hilary takes (and does not take) psychotropic medication. There are sexual references and explicit situations.

Family discussion: What did Hilary learn about Stephen when he rescued the bird? Why didn’t she watch the movies? What movies feel magical to you?

If you like this, try: “Blinded by the Light,” set in the same era, and “The Fabelmans”

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