Trailer: Saved by the Bell Reboot
Posted on August 16, 2020 at 7:17 am
Did anyone need a reboot of “Saved by the Bell?” Pretty sure the answer is no, but I have to say, this looks better than the original. Coming to Peacock.
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Family Movies for the Homebound VI: Kids Playing Sports
Posted on April 13, 2020 at 12:34 pm
It’s tough for kids to be unable to play their favorite sports due to the restrictions from social distancing. It might help to watch some classic and beloved films about kids and teenagers playing sports.
Baseball
The Sandlot: In the 1960s, a boy whose mother has just remarried moves to a new town and begins to make friends when he joins in a sandlot baseball game. The boy’s challenges include developing some baseball skills, trying to achieve a comfortable relationship with his new stepfather (Denis Leary), and finding a way to triumph over “The Beast ” (a junkyard dog) and the bigger, tougher kids who challenge his friends to a game. All are well handled in this exceptionally perceptive story of growing up.
Rookie of the Year: In this fantasy film Thomas Ian Nicholas plays a so-so Little League player until he breaks his arm and finds that his “tendons have healed too tight” making him, suddenly, a Major League-level pitcher. As a hitter? Well, he benefits from a very small strike zone.
Basketball
Like Mike: The script is right out of the Hollywood formula box, with everything from two different “shoes not there at the crucial moment” scenes and important lessons about teamwork to the winning shot going into the basket just as the buzzer goes off., but it is sweet and fun.
The Mighty Macs: This uplifting film is based on the real-life story of Cathy Rush, a powerhouse basketball coach at a tiny Catholic women’s college who took her team all the way to the top.
Coach Carter: We all love movies about underdog teams that come from behind because they (1) learn the importance of teamwork, (2) learn the importance of discipline and of respect for themselves and each other, (3) are galvanized by an inspiring leader, or, even better, (4) all of the above. This movie, based on a true story, takes it a step further, with an emphasis on schoolwork as well.
Swimming
Pride: Like all sports stories, this is about teamwork, but the team that matters here is Terrence Howard and Bernie Mac who bring such conviction and authenticity to this story of an inner-city Pennsylvania 70’s swim team that you can smell the chlorine and half expect Fat Albert to wander in with Mushmouth.
Touch the Wall: The documentary about champion swimmer Missy Franklin is a candid portrayal of the hard work — and the conflicts of loyalty and friendship — that are a part of competitive sports.
Surfing
Soul Surfer: AnnaSophia Robb stars as Bethany Hamilton, a competitive surfer who came back better than ever after a shark attack.
Soccer
Believe: Brian Cox plays real-life superstar soccer (football) manager Sir Matt Busby, who survived the tragic plane crash when eight of his players did not. When he encounters a gifted young player from an unruly kids’ team, both he and the team have something to learn.
Hockey
The Mighty Ducks: A slick lawyer is caught driving drunk and ordered by the court to coach a rag-tag kids’ hockey team in this beloved Disney film starring Emilio Estavez.
Martial Arts
Three Ninjas: Three sons of an FBI agent are kidnapped and use their martial arts skills to defeat the bad guys.
The Karate Kid: The classic original and the 2010 remake are both terrific stories about boys who use the discipline and training of martial arts to triumph over an arrogant bully. Fans can also enjoy the sequels and the current Cobra Kai series.
Figure Skating
Ice Princess: A straight-A student brings math to ice skating in this charming Disney film.
Gymnastics
An American Girl: McKenna Shoots for the Stars: Real-life Olympics star Cathy Rigby stars as the coach in this heartwarming story about friendship, family, and gymnastics.
Stick It: This film about a girl forced to return to gymnastics after she gets into trouble is pure delight — smart, funny, gorgeously cinematic, and all about real girl power.
Blinded by the Light
Posted on August 15, 2019 at 5:35 pm
A-| Lowest Recommended Age: | Middle School |
| MPAA Rating: | Rated PG-13 for thematic material and language including some ethnic slurs |
| Profanity: | Some strong language including racist terms |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Some peril, racist attacks |
| Diversity Issues: | A theme of the movie |
| Date Released to Theaters: | August 16, 2019 |
| Date Released to DVD: | November 18, 2019 |
Around the same time, Gurinder Chadha, the daughter of Indian immigrants in England, was also listening to Springsteen. Manzoor became a journalist whose memoir about his love for Springsteen (Greetings from Bury Park) then inspired Chadha, the director of films like “Bend It Like Beckham,” to make it into a movie.
The character based on Manzoor is Javed (newcomer Viveik Kalra), who dreams of being a writer. He writes poems that he does not share with anyone, even his sympathetic teacher (Hayley Atwell). The world around him seems bleak, unforgiving, and uncaring. An anti-immigration white supremacist group called the National Front is organizing protests and Javed and his family are subjected to harassment and racist graffiti. Javed’s father is strict, holding on to traditions as he is anxious about a lack of control when he is unable to support the family. His son’s sensitivity and inclination to assimilate into English culture makes him even more anxious. Javed’s mother is sympathetic but she has to work around the clock as a seamstress to earn money and does not want to put more pressure on her husband by challenging him. Javed has one friend who shares his love of music, but his freedom and ease only sharpens Javed’s sense of himself as isolated and ineffectual.
At school he meets a Sikh classmate named Roops (Aaron Phagura) who gives him a Springsteen CD. Chadha’s endearingly cinematic depiction of Javed’s reaction to the songs — the words as much as the music — beautifully conveys the jubilant, visceral reaction to truly connecting with another person, whether it is Gene Kelly splashing in puddles to celebrate falling in love or just knowing that somewhere in the world there is someone who has seen into your deepest secret heart and understands and accepts you. For Javed, who cannot fit into his father’s notion of who he should be but is not exactly sure who he will be instead, Bruce shows him the transformational power of putting feelings into words and music. A voice that means the world to him brings him closer to trusting his own voice.
As in “Bend it Like Beckham,” Chadha’s gift for kinetic storytelling reflects the turbulent emotion of the young protagonists. There are so many lovely details and moments — Rob Brydon (of “The Trip” movies) as the Springsteen-loving father of Javed’s friend, Javed’s discovery that his sister has found her own way to be herself, and of course a sweet romance, complete with a musical number that Gene Kelly himself would appreciate. Most important, the movie shows us that the feelings and the issues Bruce was singing about in the 70’s that spoke to Manzoor in the 80’s are still powerfully speaking to us today. Just as Springsteen let Manzoor know that his feelings were real and valid and understood and could be expressed, so Manzoor and Chadha tell us that with this lovely film.
Parents should know that this film includes racist language and attacks, some strong language, family tensions, mild sexual references, and kissing.
Family discussion: What was it about Springsteen’s music that made it so meaningful to Javed? How did listening to the music give him courage? What music is meaningful to you?
If you like this, try: “Bend it like Beckham” from the same director, and the music and autobiography of Bruce Springsteen
Dora and the Lost City of Gold
Posted on August 8, 2019 at 5:48 pm
B| Lowest Recommended Age: | Kindergarten - 3rd Grade |
| MPAA Rating: | Rated PG for action and some impolite humor |
| Profanity: | Some schoolyard language ("freakin' awesome") |
| Alcohol/ Drugs: | Hallucinogenic pollen |
| Violence/ Scariness: | Extended action-style peril and violence, no one hurt |
| Diversity Issues: | Diverse characters |
| Date Released to Theaters: | August 8, 2019 |
| Date Released to DVD: | November 18, 2019 |
This is how Dora and the Lost City of Gold, the new live-action movie inspired by the animated series “Dora the Explorer” lets us know that its Dora, is a bit more grown-up than the Dora the Explorer we know from Nickelodeon. Following the prologue, a farewell dinner with Diego as he leaves for the United States, Dora is a 16-year-old (wide-eyed Isabella Moner, still rocking Dora’s headband and backpack, still the cheerful, curious, adventuresome girl with the monkey sidekick and the handy backpack. Her parents send her to stay with Diego’s family while they search for a legendary lost city filled with gold called Parapata.
Like Cady in “Mean Girls” and Mimi-Siku in “Jungle 2 Jungle,” Dora approaches her first experience in what some people think of as civilization as an amateur anthropologist. For Diego (Jeff Wahlberg), like many teenagers, feels like high school is “a horrible nightmare” and “a matter of life or death,” death, in his view, being noticed or embarrassed in any way. He tells Dora to be cool” and “keep a low profile.” He pleads with her, “For one day, stop being you.” “Is this to fit in with the indigenous people?” she asks.
Dora is not cool and she is incapable of keeping a low profile. In fact, the opposite of a low profile. She is seen as a threat by the school’s ambitious top student, Sammie (Madeleine Madden), the kind of girl who comes to a “come as a star” costume party as Justice Ruth Bader Ginsburg. Dora also befriends a picked-on science buff named Randy (Nicholas Combe), and she happily does a dorky dance at a school party.
On a school field trip to a natural history museum, Diego, Randy, Sammie, and Dora are teamed up for a scavenger hunt. As they look through the museum’s basement, they are kidnapped and flown to the jungle, where a bunch of bad guys want to use Dora to find her parents, and, through them, find the lost city of gold. Dora’s parents explain in the first scene in the movie that they are explorers, not treasure hunters. The bad guys are not about hunting treasure; they want to steal it. They are looters, not explorers. For Dora’s parents, “the discovery of new places is the treasure.”
The teens are rescued by Alejandro (Eugenio Derbez), who explains that he is a professor friend of Dora’s parents. The teens and Alejandro race toward the lost city, trying to get there before the bad guys, with many challenges, adventures, and “jungle puzzles” — and a hallucinogenic pollen-induced cartoon sequence — along the way.
As a junior-sized “Indiana Jones,” this movie does pretty well, with adventures pitched at the right level for the 7-14 crowd. The script, co-written by Nicholas Stoller (“The Muppets,” “The Five Year Engagement”) and Matthew Robinson (“Monster Trucks”) has a buoyant sense of fun and a heroine whose greatest act of courage may be the way she accepts herself and those around her.
There has been a bit of controversy about this film following a review that seemed confused about the idea of aging up the cartoon character, suggesting there was something wrong about her portrayal. But this Dora, charmingly played by Moner, is not supposed to be a hormonal teenager. She is a child’s aspirational vision of an older child, someone who has more knowledge, ability, independence, and strength. And it is great to have a movie about a teenager where the resolution does not depend on her being attractive to a boy. Which is not to say that there is no boy-girl emotion in the film; it just isn’t the point, which is just right for its audience. “Dora and the Lost City of Gold” is an exciting adventure with a boots-wearing monkey, a thief of a fox (watch for a funny PSA-style disclaimer at the beginning), and a heroine whose integrity, spirit, kindness, and curiosity about the world should inspire people of all ages.
Parents should know that this movie includes extended peril and mild action and violence (no one hurt), some potty humor, and some schoolyard language. The characters inhale some hallucinogenic pollen and there is a teen kiss.
Family discussion: Why doesn’t Dora follow Diego’s advice in school? Why does Sammie change her mind about Dora? What would you like to explore?
If you like this, try: the “Dora the Explorer” series and “Gold Diggers: The Secret of Bear Mountain”
Spider-Man: Far From Home
Posted on June 28, 2019 at 7:32 am
B +| Lowest Recommended Age: | Middle School |
| MPAA Rating: | Rated PG-13 for sci-fi action violence, some language and brief suggestive comments |
| Profanity: | Some strong language |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Extended comic book/action-style peril and violence, mayhem, destruction, characters injured and killed |
| Diversity Issues: | None |
| Date Released to Theaters: | July 3, 2019 |
| Date Released to DVD: | September 23, 2019 |
Just a reminder, as we’ve had a variety of Spider-Men on film, including Tobey Maguire, Andrew Garfield, and a whole bunch of Spideys including a pig and an anime girl in the Oscar-winning “Spider-Man: Into the Spider-Verse.” In this version of the Spider-verse, Tom Holland has played high school student Peter Parker in “Spider-Man: Homecoming” and in two Avengers movies. Tony Stark (Robert Downey, Jr.) took a special interest in Peter, and had his aide Happy (Jon Favreau) act as messenger and mentor.
Now that that is all out of the way, let’s get into it, unless you have not seen “Avengers: Endgame,” in which case stop reading now as there will be spoilers. The movie begins with an in memoriam tribute to the characters who died in that film, as Whitney Houston sings “I Will Always Love You.” It’s touching but it’s cheesy and sappy and we find out why: it’s on a high school closed-circuit news program with student announcers who help bring us up to date. The people who turned to dust when Thanos snapped his fingers have been returned and their absence is called The Blip. But the returnees are five years older, while for the people who were not dusted no time had passed. Everyone is still getting used to the idea that the world has been saved and beginning to get back to normal or get used to the new normal.
Peter thinks he deserves time time off, so when Nick Fury calls, he does not answer his phone. Even though Tony Stark left him in charge of the Avengers, his priority is to go on the class trip to Europe and let Mary Jane (Zendaya) know that he likes her. As in “Spider-Man: Homecoming,” this film combines adolescent angst and romance with special effects superhero extravaganza fights (remember what I said about the big, big screen), with a skillful blend of humor, action, and growing up. Sometimes that combination creates a problem for Peter, as when he gets jealous of a rival for MJ’s affection and accidentally calls a drone strike on the tour bus.
The school trip provides lots of picturesque (before they get trashed) European locations, including Venice and Prague, as Nick Fury keeps “upgrading” the trip to reroute Peter to where the action is.
I know I always say that the make or break for superhero movies is the villain, but I don’t want to tell you too much about the villain here because the details should be a surprise. So I will just say that the surprises are great and this one is a lot of fun, with a very clever updating of the comic book version of the character that create an opportunity for some trippy and mind-bending visual effects. And Peter gets a great gift from Tony Stark — be sure to listen carefully to what the acronym EDITH stands for.
The settings, fight scenes, and special effects are all top-notch, but it is the cast that really brings this story to life. Holland is a little less soulful than Maguire or Garfield (or Shameik Moore), a little more heart-on-his-sleeve energetic, with a natural athleticism that lends a gymnastic, almost balletic grace to his web-swinging and slinging. Zendaya’s MJ is smart, edgy and vulnerable. The villain is…surprising, and a welcome relief after the stentorian-voiced blowhards we have too often seen in superhero movies. Plus, Led Zep, Samuel L. Jackson gets to say, “Bitch, please,” and we get to see London Bridge (or the equivalent) falling down. This is just what a summer movie is supposed to be — fresh, fun, exciting, and with a wow of a post-credit scene to shake things up for the next installment. This one made my spidey-sense tingle.
Parents should know that this film includes intense comic-book/action-style peril and violence with massive destruction and mayhem, with characters injured and killed. The movie also includes teen kissing, some strong language, a crotch hit, someone giving the finger, and mild sexual references.
Family discussion: Should Peter have answered Nick Fury’s call? Why did Tony Stark pick him? What does it mean to say “Uneasy lies the head that wears the crown” and where does that expression come from?
If you like this, try: the other Marvel movies and “Spider-Man: Into the Spider-Verse”