New on DVD — The Land Before Time: Journey of the Brave
Posted on January 31, 2016 at 8:00 am
Five best friends set out on a courageous rescue packed with laughter, thrills and music in the all-new animated movie, The Land Before Time: Journey of the Brave coming to DVD and Digital HD on February 2, 2016, from Universal 1440 Entertainment, a production entity of Universal Pictures Home Entertainment. In this exciting and heartwarming adventure, young Apatosaurus Littlefoot and his four dinosaur pals, Cera, Ducky, Petrie and Spike, embark on an ambitious quest to find Littlefoot’s missing dad, making new friends and learning valuable life lessons along the way. New to the hugely popular franchise is the Queen of Country Music, Reba McEntire as the voice of Etta. The Golden Globe and Grammy nominee also performs 1 of the 4 all-new songs in the movie, “Look for the Light.” “New Girl” and “Happy Endings” star Damon Wayans Jr. provides the voice for Wild Arms.
Our exclusive clip is here.
Inspired by the 1988 classic feature film produced by Steven Spielberg, George Lucas, Kathleen Kennedy and Frank Marshall, The Land Before Time: Journey of the Brave DVD will be available only at Walmart and walmart.com. In conjunction with this release, comes The Land Before Time compilation album. The album features some of the best-loved songs from all of the previous Land Before Time films and will be available digitally January 29, 2016, on Back Lot Music.
I have a copy to give away! Send me an email at moviemom@moviemom.com with Land Before Time in the subject line and tell me your favorite prehistoric creature. Don’t forget your address! (U.S. addresses only). I’ll pick a winner at random on February 8, 2016. Good luck!
The only panda more “aw-worthy” than Po (Jack Black), is the National Zoo’s Tian Tian rolling in the snow. In this third outing, the roly poly martial arts hero is still kind, humble, brave, and wiser than he knows. And, once again, the film’s gorgeous visuals lend a touch of epic grandeur to the story that provides a nice balance, as the Furious Five do for Po.
Two important characters join the story. The first is a more powerful foe than any we have seen before. His name is Kai and he has the deep growl of J.K. Simmons and the deep animosity of someone who has been waiting centuries in the Spirit Realm for revenge. He has supernatural powers and it is genuinely shocking to see him quickly overcome a character we thought was the most powerful of all dragon warriors. Kai has the ability to steal the “chi” (life force) of his opponents. And he is determined to defeat the Furious Five, their teacher, Shifu (Dustin Hoffman), and Po as well.
The second new character is Li (warmly voiced by Bryan Cranston), Po’s long-lost biological father. Po loves his adoptive father Mr. Ping (James Hong), proprietor of a small noodle restaurant. But he is very different from everyone around him. That is one reason for his compassion and ability to appreciate the difference in others. He longs to learn more about where he comes from.
As Kai comes closer, Li brings Po to the Panda community, where he is delighted to find out how quickly he feels at home. Mr. Ping has come along, and does his best to hide his jealousy, but he is worried about losing Po.
Fathers are the theme of the film, as Po in a sense loses his spiritual fathers Shifu (who tells Po he must now take over as teacher) and Oogway (Randall Duk Kim) and has to figure out what his new relationship with Li will be and how that will affect Mr. Ping. Po also loses the support of some of the characters he has always depended on when their chi is stolen by Kai. At the same time he is gaining new friends and a community he has always somehow missed, he realizes how much of a family his old friends have been for him.
Kai is coming for the pandas, and so Po must train them to protect themselves. The ultimate battle, though, will be left to the dragon warrior, and even though Po is now a teacher, he still has to discover some new techniques to fight a foe who holds the chi of so many valiant warriors. “There is always something more to learn, even for a master.”
Jennifer Yuh, whose last film in this series is the highest-grossing ever by a woman director, returns with co-director Alessandro Carloni, who worked as as artist on both the previous films. Yuh also began as an artist and the visuals are imaginative and gorgeous, inspired by Chinese paintings and landscapes. Po’s early encounters with his new extended family are endearing. While some families, especially adoptive families, may be uncomfortable with Po’s eagerness to rejoin a group he can barely remember, the issues of abandonment and strain between the biological and adoptive fathers are handled with sensitivity.
Like the martial arts masters themselves, the film achieves a seemingly effortless balance, with a light, graceful touch. It that encompasses silly comedy (mostly delightfully so, though making fun of a character with bad teeth is questionable). And it has some sophisticated, self-aware humor (beginning with a joke on the studio logo and continuing with commentary on “the power of a dramatic entrance”), along with warm-hearted lessons learned, and skillfully-orchestrated action.
Parents should know that this film includes action-style violence, some characters (temporarily) transformed and turned into enemy operatives, themes of adoption and identity with jealousy between adoptive and biological parents, and some potty humor.
Family discussion: How does Po feel differently about PIng and Li? Why did Shifu want Po to teach the others? What is the wrong thing for the right reasons?
If you like this, try: the first two “Kung Fu Panda” movies
“Norm of the North” is not awful, but it is also not special, not new, not funny, and not that interesting. The script is over-plotted but under-written, with confusing detours and uneven tone. It’s as though instead of coming up with an actual story the writers tried to assemble a formula from successful animated films — Cute sidekicks! Potty humor! Evil developers who want to despoil pristine environments! Random musical number! Wise advisor! A hero who is a clumsy outsider with a lot of heart! And a rescue! However, it also includes weirdly off-key or unresolved elements. There are actual stories to be told about the damage to the arctic environment and the potential for kids to make a difference in real life, but we’re going with condo developers and corrupt officials as the bad guys? And the issue of hunting other animal characters for food is clumsily handled. Kids may be reassured that Norm does not kill the sea lions, but he is not a vegetarian.
There are a couple of funny lines, but most of the wit of the movie is at the level of “I put the soul in winter soulstice!” “Who needs a bear with too much care and not enough scare?” Plus macho posturing, extended peeing into a fish tank, and a Nancy Pelosi “joke.”
Norm (Rob Schneider, who is quite good in his best-ever movie role) is a kind-hearted polar bear from the arctic who does not fit in because he is a poor hunter and not like the others. Both of these qualities relate to his ability to understand and speak “human” — meaning English. His wise and loving grandfather (Colm Meaney) has the same gift.
Norm’s arctic home is a popular site for tourists, and the animals appreciate tourism as it helps keep their home safe. If tourists want to come see the natural environment, then it will have to be kept as it is. But there is a developer named Mr. Greene (Ken Jeong) and we know he’s a bad guy because he has a dinky ponytail and yells a lot — and, of course, because he is a developer, who wants to build luxury homes for one-percenters on the polar icecap. Norm stows away on Mr. Greene’s company plane to come to the big city and stop the development. Accompanying him are three little arctic lemmings, whose primary characteristics are un-crushable resilience and public bodily functions.
Mr. Greene has a head of marketing, a single mom named Vera (Heather Graham). She is not entirely sure that the development is a good idea, but she desperately wants her daughter to get into a private school for gifted children, and Mr. Greene, as a graduate of the school, has promised an all-important recommendation if the development deal goes through. (The fact that the school produced a nutty crook like Mr. Greene does not cause her to question the school’s indispensability for her daughter.) It is a shame to hear the wonderful actress Salome Jens very briefly as a corrupt official, just there to look witchy and be bribed into approving the development.
It does not make much sense to try to explain the concept of distracting the populace with entertainment “bread and circuses” to children when the movie is a poor example of exactly that idea.
Parents should know that this film includes action-style violence and peril, a character captured and caged, chase scenes, theme of environmental destruction, corruption, mild language, and extended bodily function humor.
Family discussion: Why did Vera go along with Mr. Greene’s plan? What is the best way to protect the Arctic? How did the lemmings help Norm?
If you like this, try: the “Madagascar” movies and “Surf’s Up”
About five minutes after it began, the long-suffering Dave (Jason Lee, looking tired and oh so over this) comes home to find that the irrepressable little singing chipmunks in the midst of a wild party with a half-pipe set up in the back-yard and LMFAO’s Redfoo working the turntables as DJ. Two-thirds of the dear little creatures experience flatulence, which middle chipmunk Theodore (the hungry, chunky one) describes as “pizza toots.” Sigh. Later on, when one of the chipmunks is hiding inside a character’s clothes as he goes through TSA, pee and poop come out the character’s pant leg. And another character gets pooped on by a bird. Yes, this is that movie. It’s so proud of its potty humor that most of it is featured in the trailer.
Once again our little scamps create chaos and destruction wherever they go. Dave wails, “AAAAAAAAlvin!” Then he scolds them. Then he forgives them. Rinse and repeat.
Dave has two developments in his life, and it is the task of the Chipmunks to create as many complications and catastrophes as possible to impede both of them. First, there is the release of a new album he produced from Taylor Swift-style pop artist Ashley (Bella Thorne), at a big, splashy event in Miami. Second, there is a new woman in Dave’s life. Her name is Shira (Kimberly Williams-Paisley), she is a heart surgeon (but so adorably ditzy that she keeps forgetting that her stethoscope is still around her neck), and she has a son named Miles (Josh Green, a welcome bright spot we hope to see in a better movie soon). When the chipmunks discover an engagement ring just before Dave and Shira are about to leave for Miami, they decide to hide the ring and, when that doesn’t work, they decide to go to Miami to prevent Dave and Shira from getting engaged. At this point, their relationship with Miles is one of outright hostility, but he shares the goal of keeping Dave and Shira apart, so they set off for Miami together.
After various hijinks, they are put on the no-fly list by air marshall Benson (Tony Hale, slumming and looking glum about it) who makes it his personal vendetta to hunt them down as they make their way to Miami, finding (duh) that they and Miles kinda like each other. This road trip, I mean road chip, provides opportunities for musical numbers. The choreography by Richmond and Anthony Talauega is joyously inventive. Unfortunately, the “singing” is just the same sped-up buzzy drone sound that Dave Seville (Ross Bagdasarian) came up with for a novelty Christmas record back in 1958.
Parents should know that this movie includes potty humor and slapstick peril and violence. There are some issues of fears of parental abandonment and actual parental abandonment.
Family discussion: Why did Miles lie about his father? Why didn’t Miles want to like Dave and the chipmunks? Which is your favorite chipmunk and why?
If you like this, try: the earlier chipmunk movies and the “Garfield” movies
Puss in Boots is bringing the charm in an all-new season of The Adventures of Puss in Boots from Dreamworks Animation only on Netflix, available December 11, 2015.
