The Grinch

The Grinch

Posted on February 3, 2019 at 4:18 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for brief rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril
Diversity Issues: None
Date Released to Theaters: November 9, 2018
Date Released to DVD: February 4, 2019

Copyright Illumination 2018
My DVD pick of the week is “The Grinch,” which I reviewed for rogerebert.com.

An excerpt:

The visuals are delightfully Seussian, all curves and slants. I loved the mitten-shaped windows on one of the houses and the way that Whoville’s Christmas decorations make it look like a captivatingly intricate gingerbread village. In contrast, the Grinch’s mountain top lair is bare and cavernous, empty and solitary, far from the warmth of the Whovian homes.

While this is not especially inventive, there are some clever parallels as the Grinch and Cindy Lou each have to come up with a plan for Christmas Eve. They write out their schemes with the same two words alone on a huge surface: “Santa Claus.” And both must assemble helpers and equipment without anyone finding out.

The smaller details are the most fun, especially when the Grinch brings on an enormous, yak-looking reindeer named Fred to pull his fake Santa sleigh. Or when a relentlessly cheery Whovian (Kenan Thompson) with the fanciest Christmas decorations in town keeps insisting that he and the Grinch are best friends.

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Animation Based on a book DVD/Blu-Ray Fantasy For the Whole Family Holidays Remake
Mowgli: Legend of the Jungle

Mowgli: Legend of the Jungle

Posted on November 29, 2018 at 5:25 pm

B-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sequences of action violence including bloody images, and some thematic elements
Profanity: None
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Intense peril from animals and human hunter, characters injured and killed, some graphic and disturbing images
Diversity Issues: None
Date Released to Theaters: November 30, 2018
Copyright Netflix 2018

“Mowgli: Legend of the Jungle” is not the “Bear Necessities” Disney version of Rudyard Kipling’s story about the boy raised by wolves and befriended by a cuddly bear and an elegant panther. This is more like Tennyson’s vision of nature as red in tooth and claw. Andy Serkis, master of the art of motion capture acting, has directed this much darker version of the story, with simultaneous release this week in theaters and on Netflix. The motion capture performances are striking. Parents need to know, however, although this is the story of a young boy befriended by talking animals, this is not for young children or for the faint of heart of any age.

Serkis brought along some of his “Hobbit” co-stars, and the movie opens with an introduction from Kaa the snake, voiced by Cate Blanchett telling us that the jungle traditions are being challenged, presumably from the incursion of humans. When a couple are killed by the tiger Shere Kahn (Benedict Cumberbatch), a baby is abandoned. The death of the parents is off-camera, discreetly shown by an overturned, single shoe. But the baby is smeared with blood. Like Harry Potter, he is the Boy Who Lived, and he is special.

A wolf pack wants to adopt the boy they call Mowgli, and that means a meeting of the council of animals. It is agreed that he can stay and we will learn that is only in part because it is in the nature of the wolf mother to feel tenderness toward a helpless baby of any species. While some of the animals fear that keeping Mowgli will bring man into the jungle looking for him, others think that he will help keep them safe from humans. And all of them know that Shere Kahn will be back for Mowgli, and that it will take the full force of the pack to keep him safe.

Mowgli grows up (Rohan Chan), very much at home in the jungle, though painfully aware that he does not have the natural abilities of his wolf brothers. They are being coached by Baloo the bear (Serkis) to pass a racing test to qualify them to become full members of the pack. Mowgli cannot keep up with them if he races on all fours, as they do.

The motion capture work is excellent, as expected from Serkis and the images and camera work are striking, worth seeing on a big screen. But the storyline never fully escapes its colonialist origins. There’s a reason we refer to “the law of the jungle” and no simple way to make that into a workable metaphor about the human world. Think of “The Lion King,” for example (with a live-action version coming next year). It’s fine to sing about the circle of life if you’re at the top of the food chain. Bagheera the panther (Christian Bale) explains to Mowgli that animals who kill must look their prey in the eye as they are dying “so that the soul does not depart alone.” Not much comfort to the departing soul. Mowgli finds appropriate ambivalence in the human world, where the native community has brought in a white hunter (Matthew Rhys) who is kind to Mowgli but will never appreciate the animals like the boy who lived with them. Like the boy himself, the movie is not able to resolve its conflicting dualities.

Parents should know that this film includes animal and human peril and violence, with characters injured and killed, some disturbing and graphic images, guns, fire, animal attacks, sad death of parents (off-screen), drinking and drunkenness.

Family discussion: How are the wolves different from the other animals? What kinds of tests do humans try to pass? Do you agree with Mowgli’s choice about where to live?

If you like this, try: Disney’s animated and live-action “Jungle Book” movies

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Action/Adventure Based on a book movie review Movies -- format Movies -- Reviews Remake Stories About Kids Talking animals VOD and Streaming
Doctor Strange

Doctor Strange

Posted on November 3, 2016 at 5:42 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sci-fi violence and action throughout, and an intense crash sequence
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Prolonged fantasy/superhero peril and violence, serious car accident, characters injured and killed, some disturbing images
Diversity Issues: Diverse characters (Asian male character in the comics portrayed by a white actress)
Date Released to Theaters: November 4, 2016

Doctor_Strange_posterIf they ever give a Best Supporting Prop Oscar, it should go to Doctor Strange’s Cape of Levitation, the most endearing magical implement/sidekick since Sorceror Mickey’s brooms in “Fantasia.” And if they ever give out a Best Superhero Movie Producer and Sustainer of the MCU, the lifetime achievement version should go to Kevin Feige, who has once again figured out just the right balance between consistency and distinctiveness, between action and wit, and, perhaps the most difficult hurdle, between magic and superpowers. “Doctor Strange” has a superb cast, a witty script, and some knockout special effects.

Doctor (not Dr.) Strange is a brilliant neurosurgeon. He is also arrogant and obsessed with work with a biting, acerbic wit. If this sounds a bit Tony Stark-ish, you’re on the right track.

He is severely injured in a car accident.  (Distracted driving, kids, wait to send that text or review that CAT scan image until you have safely parked the car.)  His hands are shattered, with nerve damage and tremors, which will end his career as a surgeon.  The man who prided himself on being able to diagnose and cure the most hopeless cases cannot find a way to heal himself.

And then the man of rationality and science, with nothing more to lose, has to try something new. He hears of a man who found a miraculous cure in Nepal, so, despite his skepticism about “alternative” medicine, he goes there only to find that what is involved is an entirely “alternative” way of thinking about the world, the universe, and, perhaps most difficult, himself.

His sensei is known as The Ancient One (the white female Tilda Swinton as a character portrayed as an Asian male in the comics), an ageless and endlessly wise and powerful teacher who shows Strange that the reality he believes he understands and can control is one of many.  The Avengers protect the material world from threats, but The Ancient One and her accolytes protect us from magical threats. Is it indelicate to point out that the most severe threats are all coming from former students, a la Darth Vader and Kylo Ren, and Professor X’s former students, so maybe the best course is for The Ancient One to shut down the school entirely?  And follow her own advice that if you silence your ego your power will rise?

Oh, who cares. This is when we start to get the very cool special effects, with “Inception”-style planes folding over each other and M.C. Escher-style chases.  And you gotta love a neuro-surgeon turned wizard who throws down references to Bob Seger and Beyoncé and, in the big, big moment, finds a solution that is as clever as it is magical.

NOTE: Stay through the credits for TWO extra scenes, one at the very end.

Parents should know that this film includes intense fantasy and superhero action, peril, and violence, car accident, disturbing and graphic images, characters injured and killed, and brief strong language.

Family discussion: Why does Strange insist on being called “Doctor?” Why does The Ancient One first turn him down?

If you like this, try: the Steve Ditko-era comics, “Inception,” Cumberbatch’s “Sherlock” series, and the “Avengers” films

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Comic book/Comic Strip/Graphic Novel Fantasy Movies -- format Scene After the Credits Superhero

Audio Book: Moby Dick Read By Actors, Writers, and a Prime Minister

Posted on August 16, 2016 at 3:31 pm

Herman Melville’s classic Moby Dick is available for free, read aloud by actors, writers, and more, including Tilda Swinton, Stephen Fry, Neil Tennant, Fiona Shaw, Will Self, Benedict Cumberbatch, China Miéville, Tony Kushner, John Waters, Simon Callow, Sir David Attenborough, former Prime Minister David Cameron, and Pulitzer Prize winning poet Mary Oliver.

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