Monsters, Inc. 3D

Posted on December 18, 2012 at 6:00 pm

A
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Comic peril, cartoon violence
Diversity Issues: No strong female or minority characters
Date Released to Theaters: December 19, 2012
Amazon.com ASIN: B001NN4162

According to this movie by the “Toy Story” folks at Pixar, that monsters are more afraid of children than children are of monsters. But monsters need to collect the screams of children to fuel their world, and children are getting so hard to scare that the monsters are suffering from rolling blackouts. What can they do? Top scarer John “Sully” Sullivan (voice of John Goodman) and rival Randall Boggs (voice of Steve Buscemi) work as hard as they can to break the scream-collection record. But when Randall inadvertantly lets a human child into the monster world, the monsters find out what being scared is really like.

This movie is utterly delightful. It should be put in the dictionary to illustrate the word, “adorable.” It has the same delicious mixture of heart, humor, and technical wizardry that made “A Bug’s Life” and the two “Toy Story” movies into instant classics. Like Jim Henson, who decided to make his “Sesame Street” characters monsters so that children would never be afraid of monsters again, the people behind this movie have created monsters that even the shyest child will find completely unscary. In fact, kids may decide that multiple heads, removable eyes and hair made from snakes are kind of cute.

Sully and his sidekick, Mike Wazowski (voice of Billy Crystal) are just a couple of nice guys proud of their work trying to do their jobs (except for filing the paperwork, which Mike never seems to get to). When Boo (voice of Mary Gibbs) sees Sully, she runs after him, shouting “Kitty!” At first, Sully is scared of her, but then he gets to know her and they become good friends.

 

 

Parents should know that there is some mild peril. A scene in which biohazard workers in yellow jumpsuits and hoods disinfect a monster who came in contact with a child’s sock is scarier now than it would have been before the terrorist attacks and the nightly news about anthrax. Parents should be prepared for questions. There is a little bit of potty humor. All of the “scarers” are male. But overall, this is just what a G movie should be and wonderful fun for the whole family.

There are lots of terrific DVD extras, including background info, a music video, ideas that never made it onto the screen, and a game. You’ll also get a sneak peek at next summer’s animated feature. Families who enjoy this movie will also enjoy The Adventures of Elmo in Grouchland and the Toy Story movies.

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Animation For all ages Movies -- format

Life of Pi

Posted on November 20, 2012 at 6:00 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for emotional thematic content throughout and some scary action scenes and peril
Profanity: Mild language
Alcohol/ Drugs: Wine
Violence/ Scariness: Scary shipwreck, frequent peril, deaths of characters and animals, some scary images including dismembered animals
Diversity Issues: Diverse characters
Date Released to Theaters: November 22, 2012
Date Released to DVD: March 11, 2013
Amazon.com ASIN: B005LAIIHG

“Oh God, thy sea is so great and my boat is so small.”

This classic Breton fisherman’s prayer describes “Life of Pi,” Ang Lee’s exquisitely beautiful fairy tale story of an Indian boy shipwrecked with a Bengal tiger, and their journey home.

The book by Yann Martel is an award-winning national best-seller, filled with meditations on life, faith, and zoos.  Pi, played as an adult by Irrfan Kahn and as a teenager by newcomer Suraj Sharma, was named Piscine Molitor after a swimming pool in France.  He insisted on shortening it to Pi after the kids at school teased him, and showed off by memorizing pi to the hundreds of places.  Pi’s family owned a zoo in Pondicherry, India, or, rather, the community owned the zoo and his family owned the animals.  When they must leave India, his parents sell most of the animals and pack up the rest  with Pi and his older brother to travel to Canada by ship.  On a stormy night, the ship sinks and, according to the story the adult Pi tells to a visitor, the only survivors are Pi, a zebra with a broken leg, a hyena, an orangutang named Orange Juice, and a Bengal tiger improbably named Richard Parker thanks to a clerical error and always referred to by his full name.  Soon, it is just Pi and the tiger.

Pi is an unusually thoughtful boy who considers himself at the same time a Hindu, a Moslem, and a Christian.  (This is described in much more detail in the book, including an amusing encounter between two of his teachers.)  His parents are not religious and his father jokes that if he picks up a few more faiths every day will be a holiday.  He is a thoughtful, observant boy who considers matters deeply and wants to understand.  In the lifeboat, he considers his options carefully, making an inventory of the food and equipment and lashing together a small raft to protect himself from the hungry tiger.  As it becomes clear that they will have to sustain themselves for an indefinite time, Pi uses what he knows about animals to establish his territory and earn the tiger’s trust.  In a sense, his life has been simplified to its essence, as everything — home, family, plans, community, food, water, — is taken from him.  In another sense, these losses open him up to a depth and spiritual richness that would not be possible in a busy world of connections and obligations.

Pi and Richard Parker weather storms.  They share unexpected riches when flying fish literally jump into their laps, and soul-expanding beauty, especially a great luminous leap by a whale the size of a motor home.

When he was a young boy, Pi tried to feed a tiger.  His father arrived just in time to prevent him from being the tiger’s lunch and gave him an unforgettable lesson by making him watch as the tiger attacked a live goat.  Pi insists that he can see the tiger’s soul in his eyes.  His father insists that there is nothing behind his eyes but the law of the jungle.  Pi has a great heart and the gift of faith.  Both are tested.  And it is only when everything he thought he could not live without is taken from him that he realizes how much he has gained, and how it is the troubles he has faced that have kept him alive.

The rapturous visual beauty of the film is itself a spirit-expanding experience.  The lyrical poetry of the images and the skillfully immersive effects surround us with a powerful sense of connection to the divine.

Parents should know that the plot concerns a boy lost at sea with a Bengal tiger and it includes sad deaths of family members and animals, some graphic and disturbing images, and extended danger and peril.

Family discussion:  Why does a character say the story will make you believe in God?  Which story do you prefer?  How did Richard Parker keep Pi alive?  What do we learn about Pi from his questions about the dance?  From his reaction to the island?

If you like this, try: the book by Yann Martel

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3D Action/Adventure Based on a book Drama DVD/Blu-Ray Pick of the Week Spiritual films

Santa Paws 2: The Santa Pups

Posted on November 19, 2012 at 1:36 pm

B
Lowest Recommended Age: All Ages
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril
Diversity Issues: None
Date Released to DVD: November 18, 2012
Amazon.com ASIN: B008C0C23I

If there’s anything cuter than the Santa Buddies, it is the sequel, the new DVD/Blu-Ray pick of the week, “Santa Paws 2: The Santa Pups.”  The puppies stow away on Mrs. Claus’ trip to a Christmas-loving town and have a lot of fun granting wishes until something goes wrong and Christmas itself starts to disappear.  Who can save the day?

http://www.youtube.com/watch?v=rB8StgkqdQY

It was a lot of fun to catch up with Kaitlyn Maher, who returns for the sequel.  “Santa is at his workshop and he needs a new child ambassador and he sends Mrs. Claus to go and find one.  She meets the Reynolds family.  Their town used to have the best city with the most Christmas spirit but the Santa pups decided that they were going to come and they took something without asking.  Somebody wished for Christmas to go away and it happened.  Mrs. Claus and my character have to help save Christmas, but I’m not going to say the ending,” she told me.  The puppies were “so sweet and cuddly and cute,” she said, “and even sweeter when there was a dog treat around.”  She said the trainers used “lots and lots of treats” and little toys and breaks, too, “if a puppy was being finicky or something, they would always have a new dog waiting.  They were very professional.”  The biggest challenge was that “there was a train that would go by six times every single day.  We would have to stop recording, even if it was the best take we had done.  We would have to stop until the train circled around the whole track.”  She loved the set for Santa’s workshop.  “I asked the producer where all the toys were going to be going.”  When no one had an answer, Kaitlyn said, “Can I please donate them?  I’d love to pick a few charities in Vancouver.”  She became charity coordinator and the toys went to four different charities. “It was a great way to get the whole cast involved in sharing the joy of Christmas.”  Her favorite prop in the workshop was a big bell.  She thought it was funny when the elf fell off the bell in the first movie.  Kaitlyn is home schooled and “I love that my mom teaches me.”  She likes the American Girl books and Nancy Drew and loves to read about ancient history.  And she likes movies that have a message.  “The Sound of Music” is one of her favorites and she also likes mysteries.  She says the buddies movies are popular because “the movies are fun and have a good message.  The writers bring that message through magical and wonderful things that you could not imagine.  Everyone works together and they’re family-friendly.  People really feel blessed by them.”  She loves to sing and her favorite scene in the movie was when she got to sing “O Holy Night.”  She especially loves to write songs and will work on a new CD next year.  “I like to make songs that are inspiring and encouraging.  I like to make people smile.”  And she is looking forward to Christmas with her family and spreading the joy of Christmas to everyone.  “I think it is very, very important that people have the love they need on Christmas.”

 

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Actors DVD/Blu-Ray Pick of the Week For the Whole Family Interview Series/Sequel Talking animals

Silver Linings Playbook

Posted on November 15, 2012 at 6:01 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language and some sexual content/nudity
Profanity: Constant very strong language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Assaults and fighting
Diversity Issues: Respectful treatment of mental illness
Date Released to Theaters: November 16, 2012
Date Released to DVD: April 29, 2013
Amazon.com ASIN: B00A81NFAS

When Bradley Cooper appeared on “Inside the Actors Studio,” the first graduate of the program to be featured, they showed a clip from Robert DeNiro’s appearance on the show, with then-student Cooper asking him a question about his performance in “Awakenings.”  DeNiro was clearly impressed with the perception and sincerity of his young questioner.  It was only a few years later that Cooper was acting opposite DeNiro in “Limitless.” Now they are together again as father and son, Pat Sr. and Pat Jr., in “Silver Linings Playbook,” based on the novel by Matthew Quick.

Pat Jr. has been in a mental hospital being treated for bipolar disorder, the result of a plea bargain following “the incident,” we will only learn the details of later.  His mother brings him home though it is not at all clear that he is or will ever be ready.  Pat has impulse control problems, especially when he hears a particular Stevie Wonder song or does not like the ending of a Hemingway novel.  But he is absolutely determined to get his life back.  And his wife back.  This involves a lot of physical conditioning and finding away around the restraining order that forbids him from contacting her.

He meets a troubled young widow named Tiffany (Jennifer Lawrence of “Hunger Games”), the sister-in-law of his best friend.  Pat is fighting so hard to be “normal” again that he is disturbed, annoyed, and a little scared by her outspoken, socially inappropriate behavior.  But she offers the same directness and shared experience he had with his fellow patients.  He struggles with the competing impulses to reject and accept her overtures of friendship.  Their exchange about the effects of various mood and anti-psychotic meds is a gem, the mental illness equivalent of Romeo and Juliet speaking to each other in alternate lines of a sonnet on their first meeting.  And Lawrence is sublime in her summation-to-the-court-style argument with Pat Sr. about the factors that go into an Eagles win.

They agree to help each other, and this gives Pat purpose, discipline, and direction.  And we learn more about “the incident” and about Pat’s relationship with Pat Sr., a professional gambler and bookie whose passion for the Eagles provides some context for his influence on his son.

Director David O. Russell, who adapted the novel, and his cast fill the story with engaging, believable characters, especially Jackie Weaver as Pat’s mother, John Ortiz as his stressed-out best friend, and Anupam Kuhr as his therapist.  It is a great pleasure to see Chris Tucker, who is outstanding as a mental patient, though I wish they had found him more to do than the usual “black it up” (that’s a direct quote) pep talk.  Pat is so upset by the end of Farewell to Arms (on his wife’s assigned reading list for the high school class she teaches) that he has to wake his parents in the middle of the night to tell them why stories need happy endings.  The ending here is abrupt and a bit cheesy.  But these damaged and vulnerable and anxious characters love and want to be loved and we want it for them.

Parents should know that this film includes a lot of very strong and profane language, sexual references (some explicit), family dysfunction and mental illness, drinking

Family discussion: How are Pat and his father alike? How do Tiffany, Ronnie, and Cliff help him? What makes Pat change his mind?

If you like this, try: “Inside Moves” and “Garden State”

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Based on a book Drama DVD/Blu-Ray Pick of the Week Family Issues Romance

Lincoln

Posted on November 8, 2012 at 6:00 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for an intense scene of war violence, some images of carnage, and brief strong language
Profanity: Some strong language, one f-word
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Battle violence with some graphic images, sad deaths, assassination
Diversity Issues: A theme of the movie
Date Released to Theaters: November 9, 2012
Date Released to DVD: March 25, 2013
Amazon.com ASIN: B009AMANH4

The first question about big, prestige films like “Lincoln” is always where it falls on what I call the spinach scale.  Will I tell people to see it because it is entertaining or because it is good for them.  For all its meticulous attention to historical verisimilitude and its extended depiction of people in rooms talking about a Constitutional amendment, “Lincoln” is not an eat-your-spinach-because-it’s-good-for-you movie.  It is a robust, engrossing story that illuminates our own time as well as the era of the 16th and arguably greatest President.

Task number one for director Steven Spielberg, screenwriter Tony Kushner (Angels in America), and star Daniel Day-Lewis is to make the icon into a human being, to show us his greatness but also his humanity.  In our hearts, this almost-literally larger than life man sounds like James Earl Jones — we can almost hear that deep voice reciting the Gettysburg address.  But those who actually heard Lincoln speak described his voice as high, thin, and reedy-sounding.  It may be jarring at first, but in an exceptionally well-designed introductory scene Day-Lewis deploys that timbre with such gentleness and modesty that it quickly becomes an asset not just to his performance but to our understanding of this man.

Lincoln is sitting quietly, talking to a small group of Union soldiers, two black and two white.  We see immediately that the soldiers respect him greatly — they can recite the Gettysburg address from memory — but that they feel completely comfortable being honest with him about their experiences and their recommendations.  What we feel immediately is that he is both respected and trusted, and that he has a rare ability to listen.  He may not be a modest man — at one point he thunders, “I am the President of the United States and clothed in immense power!”  But he is a humble man, who understands that he can best lead by allowing others to move forward with him.  He loves to share stories, more than others love to hear them.  But like a great preacher, he knows that it is the stories that persuade people.  Everyone softens a little for a story, especially one with a punchline.  And a story helps the listener toward the conclusion without feeling pushed.

A century and a half later, audiences may be surprised to see how little has changed.  Indeed, even the vilest insults of the Twitterverse and the shrillest complaints of Super-PAC ads do not touch the comments made by Members of Congress, who do not hesitate to question each other’s integrity or sanity.  “Fatuous nincompoop,” for example.

Audiences may be more surprised to find that “Democrat” and “Republican” seem to have switched places.  What has not changed is the way that politics attracts people of great cowardice and even greater courage, of people who hold on and people who reach forward, of people who want to help themselves and people who want to help others at great cost to themselves, including those who can never thank them.

When Lincoln decides that his most important priority is eradicating slavery through approval of the 13th Amendment to the Constitution, his team brings in a trio of lobbyists (John Hawkes, Tim Blake Nelson, and a wonderfully puckish James Spader) who are as cheerfully cynical as anyone on K Street today.  Through a combination of bribes and threats, they work to get the votes they need.  It is clear the Civil War is about to end, and if the South is readmitted to the Union, it will never pass.  Lincoln understood that the only way to keep the country together was to take its most divisive issue off the table.  He also understood that doing so would have its own terrible costs.  Even those who supported the Amendment had to make compromises, including its most ardent defender (a scene-stealing performance by Tommy Lee Jones as Pennsylvania’s Thaddeus Stevens).

Kushner and Spielberg, like their main character, recognize the power of story-telling, and this illuminating tale would make its subject proud and perhaps to inspire all of us to aspire to that as well.

Parents should know that this film has some battle scenes, graphic images in hospital including amputated limbs, some strong language including one f-word, sad losses, drinking, and smoking.

Family discussion: There are a lot of compromises in this movie and a lot of shading of the truth – which were the most difficult?  Why was the passage of the 13th amendment so important?  What moments in the film reminded you of today’s political debates and strategies?

If you like this, try: some of the other portrayals of Lincoln on film, including “Young Mr. Lincoln” and “Abe Lincoln of Illinois” and the musical about the Declaration of Independence, “1776”

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Based on a true story Biography Drama DVD/Blu-Ray Pick of the Week Epic/Historical Politics War
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