A Week Away

Posted on March 25, 2021 at 5:39 pm

B
Lowest Recommended Age: 4th - 6th Grade
MPAA Rating: Not rated
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: References to offscreen deaths of parents
Diversity Issues: Christian themes, diverse cast
Date Released to Theaters: March 26, 2021
Copyright Netflix 2021

An unhappy teenager gets into trouble and is given a choice: juvie or a week at a Christian summer camp. He takes the second option, planning to run away. But, and I am pretty sure this is not a spoiler, he finds acceptance and hope there and a bit of romance, too. Plus a ton of music. Some of the people behind “High School Musical” (which I unabashedly love, don’t @ me) are behind this one, too, and the musical numbers are filled with “I could do that” accessibility and enthusiasm that makes them especially inviting.

Will (Kevin Quinn) was devastated when his parents were killed in a car accident that he survived. He has no one in his life looking out for him and no direction. The openheartedness and good spirits at the camp connect to him in a way he did not expect, and he is drawn to Avery (Bailee Madison), the daughter of the camp’s director (David Koechner).

The campers are divided into teams that will be competing throughout the week. And there is a campfire, an eating hall where campers are selected to answer questions about who their heroes and crushes are, and is “The Blob,” a huge inflated raft to jump on. I mean, the kids do about three months worth of activities and interactions in one week, but then people don’t randomly break into Broadway-style music numbers, either, so let’s not get picky.

What we do have here is something there just isn’t enough of: genuine kindness. The faith themes are presented very lightly and the primary messages are universal: acceptance, honesty, and connection. Avery, whose mother died some years earlier, talks to Will about “choosing to believe” and the help she gets from her father, making clear that faith and earthly support go together. Insiders and church camp veterans will recognize some of the songs and rhetoric and the Biblical references of the names of the four teams, but newcomers, those of other faiths, and non-believers will either miss them or ignore them. They will catch some movie references, including “Ferris Bueller’s Day Off.” And they will enjoy the exuberance and old-fashioned fun of the cast, clearly having as much fun as the teens they are portraying.

Parents should know that the story includes two teens who discuss the loss of their parents.

Family discussion: Why did Will and Avery respond to loss differently? How did each of the characters learn something about acceptance? What advice would you give George?

If you like this, try: “High School Musical,” “Camp Rock,” and “Ferris Bueller’s Day Off”

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movie review Movies -- format Movies -- Reviews Musical Romance Spiritual films Stories about Teens

Great Characters! New York Magazine’s List of Today’s Best Character Actors

Posted on March 25, 2021 at 10:38 am

I love character actors, and was delighted to see New York Magazine’s great list of today’s best,  As the terrific documentaries “That Guy…Who Was in That Thing” and “That Gal…Who Was in That Thing” show, character actors have the tough job of being perfect every take, because the star’s best take is the one they will use, and handling a lot of expositional dialog so that the star can stick to the quips and quotable lines.

NYMag’s list is excellent, with some of my favorites, including Brian Tyree Henry, Beth Grant, Jason Mantzoukas, Rob Morgan, and Fred Melamed. Honestly, every one of the 32 on the list is a favorite of mine, someone whose name in the credits makes me smile in anticipation. Here’s to character actors!

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Actors Great Characters

The Movies That Inspired Screenwriters To Write Their Own

Posted on March 23, 2021 at 11:23 am

Copyright 1997 New Line

LA Magazine has an entertaining article about the movies that inspired screenwriters to write their own. Several of them pointed to representation that communicated to them for the first time that it was possible for someone like them to work in show business. Felischa Marye of “13 Reasons Why” said it was the Black romances of the 90s like “Love Jones” and “Love and Basketball.” Some talked about the films that excited them as children, like Dustin Lance Black (“Milk”), who remembered seeing “ET” at age 8.

E.T. was centered on a single-parent home, its middle child, Elliot, in desperate need of connection, hope, friendship, love, and to my young mind’s eye: a father figure. He was my age. Like me, a middle child. And like him, I had no clue where my dad was. I had never connected with anyone in a film the way I did with Elliot that day. Because, unlike the solitary experience of watching TV at home, I wasn’t the only one laughing and gasping. Everyone in the audience was. Often in unison. For those treasured two hours, I knew I wasn’t alone. And for a shy boy who was certain he was too strange for this world, there was no better medicine than to learn that my heart beat in similar fashion to others’.

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Understanding Media and Pop Culture Writers

The Real Story: The Courier

Posted on March 18, 2021 at 6:37 pm

 

Copyright 1985 Corgi

The Courier is based on the true story of an ordinary businessman named Greville Wynne who was asked by the CIA and MI6 to deliver some materials being leaked to the west by a high-ranking Soviet official.

The movie is pretty close to the real story, with one big exception making the CIA representative be a woman, played by Rachel Brosnahan of “The Marvelous Mrs. Maisel.” It is doubly hard to figure out what really happened, first because so much of the story is still classified and second because Wynne wrote two books about his experiences which were, well, inaccurate to the point of fantasy.

The Smithsonian has the real story.

 

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The Real Story

The Courier

Posted on March 18, 2021 at 5:23 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for violence, partial nudity, brief strong language, and smoking throughout.
Profanity: Brief strong language
Alcohol/ Drugs: Drinking and alcoholism, smoking
Violence/ Scariness: Peril and some violence, murder, torture
Diversity Issues: None
Date Released to Theaters: March 19, 2021

Copyright Lionsgate 2020
“Maybe we’re only two people. But this is how things change.” In this tense, engrossing, Cold War spy drama, based on a true story, things change because of two people. The set-up is like something out of Hitchcock, an ordinary man thrust into a geopolitical heist saga with fate-of-the-world stakes. But it happened.

Oleg Penkovsky (Merab Ninidze) is one of the highest-ranking Soviet officials, a multiply-decorated WWII veteran, with access to the most sensitive secrets of the Soviet military and a growing uneasiness with the volatile, aggressive leadership of Nikita Khrushchev. Greville Wynne (Benedict Cumberbatch) is a smooth-talking British salesman, in every way an ordinary citizen, with no background or interest in espionage. But what he does have is a relatively unsuspicious reason for an Englishman to visit Moscow. Representatives from the CIA (Rachel Brosnahan as Emily Donovan) and MI6 ask Wynne to try to set up some sales meetings in Moscow as cover for bringing back files from Penovsky. “Nothing dodgy, nothing illegal,” they assure him. Not true. “We want you to act like the ordinary businessman you are…If this mission were the least bit dangerous, frankly you’re the last man we’d send.” Also not true. They do warn him that everyone he meets will be spying on him, even some who may be too far to hear what he is saying but who can see him well enough to read lips.

He agrees. Maybe he is patriotic. Maybe he is looking for something more exciting than missing an easy putt to accommodate potential customers. But his business is a good cover. “No matter what the politicians are doing, factories still need machines and machines still need parts.” Penkovsky tells Wynne that there is one important question for anyone wanting to do business in the Soviet Union. “Can you hold your alcohol?” Wynne smiles and we see why he is a good salesman. “It’s my one true gift.”

The Soviets do not intend to do business. They hope to learn enough about British products from Wynne to copy them. And MI6 gives him some hard to get but not classified information to leak to them to bolster his credibility.

“You’re — I think the word is — amateur,” Penkovsky says. But the two men form a kind of friendship. They are both devoted fathers, each with just one child. And they realize that the future for those children may depend on what they are doing.

The script is smart but it is also wise, balancing intimate personal details with the tension of tradecraft. We see the strains on Wynne’s marriage from keeping the secrets, with Jessie Buckley excellent as his wife, especially their meeting after things go badly. Wynne’s last meeting with Penkovsky is heart-rending. Cumberbatch, who also co-produced, gives one of his best performances, as we see Wynne go from almost looking at what he is doing as a bit of a lark to having to call on unimaginable stores of courage and integrity.

Parents should know that this movie includes tension, peril, and some violence, including a man executed in front of his colleagues and torture of prisoners. There is some brief strong language and non-sexual nudity.

Family discussion: Would you accept a mission like Wynne’s? What was his biggest challenge? Who was right about how he should be treated by the British government?

If you like this, try: “Bridge of Spies” and “13 Days”

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Based on a true story Drama Epic/Historical movie review Movies -- format Movies -- Reviews Spies
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