Movies for the Homebound IX: Animation

Posted on May 17, 2020 at 12:17 pm

Every family is familiar with the Disney and Pixar classics, which are ideal for families who are looking for something to watch at home. Here are some outstanding animated films from other studios to add to your viewing list.

The Thief and the Cobbler There’s a bit of controversy about this wonderful movie due to creative clashes, which you can learn more about in the behind-the-scenes documentary and “recobbled” version. But the theatrical release, with voice talent by Jonathan Winters, Matthew Broderick, Vincent Price and Jennifer Beals is a visually dazzling fairy tale that is genuinely enchanting.

Kubo and the Two Strings I am the biggest fan of LAIKA Studios and their exquisite stop-motion films, and it is hard to pick a favorite. “Coraline,” “Paranorman,” “The Box Trolls,” and “The Missing Link” are all beautifully designed with wonderful stories that don’t shrink back from exploring the dark and scary. “Kubo and the Two Strings” is about the son of a depressed mother who sets off with Monkey (Charlize Theron) to find the three pieces of Hanzo’s armor that he will need to fight the evil sisters and their father, who wants Kubo’s eye. Along the way they meet a samurai who has been cursed and turned into a giant beetle (Matthew McConaughey). And they meet and fight three different monsters, a giant skeleton, an underwater garden of eyes, and an enormous, floating, reticulated moon serpent, each giving Kubo a chance to discover his courage and power.mThis is a gorgeous, epic adventure with grandeur, scope, and spectacular settings, every bit of it wonderfully imaginative.

Kung Fu Panda: Jack Black provides the voice for Po, a panda with an unlikely ambition — he wants to be a kung fu master. But he is rejected by the teacher, Shifu (Dustin Hoffman), and the Furious Five; Tigress (Angelina Jolie), Crane (David Cross), Monkey (Jackie Chan), Viper (Lucy Liu), and Mantis (Seth Rogen). Po is not a natural. He says dejectedly, “I probably sucked more than anyone in the history of kung fu…more than anyone in the history of sucking.” He admits to Shifu that he only stayed “because I thought if anyone could change me, make me not me, it was you.” But Po will learn that the source of his strength is what no one can teach him — his sincerity and humility. Po will find within himself the strength, focus, and resolve to face Tai Lung. Followed by two sequels.

Surf’s Up: This story about a penguin (think very cold weather) who wants to surf (think very warm weather) is beguiling, thanks to vibrant visuals, superb voice talent, wit without ironic air quotes or snark, a sweet storyline, and a brisk running time. Like the sport it salutes and the island where it takes place, the movie has a laid-back vibe, taking its story, its humor, and itself lightly.

Spirited Away: Studio Ghibli’s Hayao Miyazaki makes wildly imaginative, almost dreamlike films. Do not try to find a linear narrative, just enjoy the magic. A girl named Chihiro is on her way to move to a new city with her parents when they take a detour to what seems to be an abandoned amusement park. However, the park is filled with magical creatures and her parents are turned into pigs. Chihiro must grow up quickly in this exotic world not only to save her parents, but to survive. Other Studio Ghibli films to try: “Ponyo,” “Kiki’s Delivery Service,” “Princess Mononoke”

Wallace & Gromit Nick Parks’ stop-motion films are delightfully — and literally — hands-on. You can see fingerprints on the charming characters, the dim human Wallace and his ever-patient dog Gromit. All of their adventures are delightful in a slyly low-key manner, but I suggest starting with the first. Wallace is a fan of cheese, so why not go to the moon to find some?

Yellow Submarine: The Beatles have to save Pepperland from the Blue Meanies in this gorgeous musical adventure with some of the world’s best music (“Lucy in the Sky with Diamonds,” “Eleonor Rigby,” “Nowhere Man,” “All You Need is Love,” “When I’m 64”) and some of the world’s most glorious animation.

Pandemic Watching: The Washington Post’s 25 Comfort Movies

Posted on May 17, 2020 at 8:00 am

The Washington Post has a new list of “comfort movies,” just right to cuddle up with while we wait out the virus. You know what that means: a lot of romantic comedies including Nancy Meyers’ “The Holiday” and “It’s Complicated.” Plus “Notting Hill,” “Roman Holiday,” and “That Thing You Do” (those last two really are classics everyone needs to see). But don’t think too hard; just watch.

Josh Gad Reunites Back to the Future

Posted on May 15, 2020 at 2:00 pm

Josh Gad follows his reunion with The Goonies with another 80s classic, Back to the Future!

What 80s movie should he do next?

Happy Mother’s Day! Some of My Favorite Movie Mothers

Posted on May 10, 2020 at 11:11 am

Some of the movies featured in my book, 50 Must-See Movies: Mothers.

Claudia Before they went on to co-star in the luminous romance, “The Enchanted Cottage,” Dorothy McGuire and Robert Young played a young married couple in this sweet neglected gem based on the books by Rose Franken. Claudia and David love each other very much and he finds her innocence very appealing. But her immaturity leads to many problems. A neighbor thinks Claudia is flirting with him and without consulting David she impulsively decides to sell their farm. And she is very dependent on the loving mother she adores but takes for granted. Claudia’s is about to face two of life’s most demanding challenges – her mother is dying and Claudia and David are going to become parents themselves. So Claudia’s mother has to find a way to help Claudia grow up. Watch for: a rare film appearance by the exquisite Broadway star Ina Claire as Claudia’s mother

Guess Who’s Coming for Dinner There are two great mothers in this talky, dated, but still endearing “issue movie” about inter-racial marriage from 1967. Katharine Hepburn’s real-life niece Katharine Houghton plays her daughter and what Houghton lacks in screen presence and acting experience is less important than the genuine connection and palpable affection between the two of them. The question may seem quaint now, but as filming was underway, inter-racial marriage was still illegal in 17 states. The Supreme Court ruled those laws unconstitutional that same year. Hepburn is electrifying in what she knew would be her final film with her most frequent co-star and real-life great love, Spencer Tracy. And the distinguished actress Beah Richards is brilliant as the mother of a son who says his father thinks of himself as a “colored man,” while he just thinks of himself as a man. Watch for: Hepburn’s expression as her daughter describes falling in love

Claudine Diahann Carroll was nominated for an Oscar for her performance as a single mother in this ground-breaking 1974 film, one of the first to portray a domestic employee as a real person with her own home and family, and one of the first to provide an honest look at the perverse incentives of the “Great Society” welfare programs. Claudine is the mother of six who has to keep her work as a housekeeper and her relationship with a genial garbage worker (James Earl Jones) a secret from the social worker because they put at risk the payments she needs for her children. Watch for: the very romantic bathtub scene

Dear Frankie Emily Mortimer plays Lizzie, the divorced mother of a young deaf son in this heartwarming story set in Scotland. She is devoted and very protective. She does not want him to know the truth about his abusive father (the source of his deafness), so she tells him that his father is a merchant seaman. The letters he receives from all the ports of call full of details about all the places he has been are really written by Lizzie. When the ship comes to their town, she has to find someone to pretend to be his father. Watch for: Lizzie’s explanation of the reason she writes to Frankie — “because it’s the only way I can hear his voice”

Imitation of Life This melodrama about two single mothers, one white and one black, who join forces has been filmed twice and both are worth seeing. The best remembered is the glossy, glamorous 1959 version with Lana Turner and Juanita Moore. Lora (Turner) and Annie (Moore) are brought together by their daughters, who meet at Coney Island. Lora, a struggling actress, needs someone to help look after her daughter and Annie needs a job and a place to live. Annie moves in to be the housekeeper/nanny. She and Lora have a strong, supportive friendship, though Lora and both girls take Annie for granted. As the girls grow up, Lora’s daughter is resentful of the time her mother spends on her career and Annie’s daughter resents the racism she confronts even though her skin is so light she can pass for white. Watch for: the most elaborate funeral scene ever put on film, with a sobbing apology from Annie’s daughter (Susan Kohner)

Please Don’t Eat the Daisies Doris Day stars in this film loosely based on Jean Kerr’s hilarious essays about life as Kate, the wife of a theater critic (David Niven) and mother of four rambunctious boys. While most of the film’s focus is on the marital strains caused by her husband’s new job and the family’s new home, the scenes of Kate’s interactions with her children are among the highlights. It is clear that while she tries to be understated about her affection and sometimes frustration, she adores them. Watch for: Kate’s affectionate interactions with her own mother, played by Spring Byington

Free For Mother’s Day! My Book About the Best Movie Mothers

Posted on May 9, 2020 at 12:01 am

In honor of Mother’s Day, my ebook 50 Must-See Movies: Mothers will be free on Amazon May 9-12, 2020.

No relationship is more primal, more fraught, more influential, more worried over, more nurturing when good and more devastating when bad than our connection to our mothers. The first eyes to look at us with love, the first arms to hold us, Mom is the one who first keeps us fed and warm, who applauds our initial steps, kisses our scrapes, and takes our temperature by kissing our forehead. She’s also the one who keeps people in endless years of psychoanalysis. Mothers inspire movies in every category, from comedy to romance to drama to crime to animation to horror, from the lowest-budget indie to the biggest-budget prestige film.

There are innumerable ways of mothering, and all of them show up in the movies. There are cookie-baking, apron-wearing mothers who always know just the right thing to say. There are stylish, sophisticated, wealthy mothers and mothers who do not have enough money to feed their children. There are mothers with PhDs and mothers who cannot read. There are mothers of every race and religion and many species on earth and in outer space (remember Alien).

There are terrifying mothers who abuse or abandon their children. There are mothers who give good advice and endless support and mothers who push their children to take the wrong jobs or marry the wrong people. There are super-strict mothers and super-lax mothers, mothers who want to know every detail of their children’s lives and mothers who barely remember that they have children at all. There are mothers of children with special needs who fight to make sure they have the fullest and most independent lives they can. There are children who love and support their mothers and children who break their mothers’ hearts.

And there are those very special souls who remind us that motherhood doesn’t require a biological connection. Stepmothers and adoptive mothers are as vitally important on screen as they are in the lives of those lucky enough to be raised by them.

“A boy’s best friend is his mother,” says a character whose mother is central to the story even though she never appears in the film. (Spoiler alert: The quote comes from Norman Bates in “Psycho.”) In “Stop or My Mom Will Shoot,” tough guy Sylvester Stallone plays a cop who mother comes along on his investigation whether he wants her to or not. In “Oedipus Wrecks,” one of three short films that make up the compilation New York Stories, Woody Allen plays a lawyer whose mother finds the ultimate way to embarrass him. And don’t get me started on Jason’s mother in the Friday the 13th movies.

I have selected 50 of my favorite movie mothers, from films as varied as The Sound of Music and Little Women along with forgotten or overlooked films like Stella Dallas, Claudia and David, and Dear Frankie. Actresses like Anne Revere and Spring Byington made careers out of wonderful performances as mothers, and I have included some of their best. I have a special affection for films and performances based on real-life mothers, especially those based on the mothers of the writers who told their stories, like Sally Field’s Oscar-winning performance in Places in the Heart. But each of the mothers in these movies is inspired by the unique joys and frustrations of the woman we love first.

A lot of women have been nominated for Oscars for playing mothers and just about every actress over age 20 has appeared as a mother in at least one movie. From beloved Marmee in “Little Women” and Mrs. Brown in “National Velvet” to mean moms in “Now Voyager” and “Mommie Dearest.” Oscar-winnng classics and neglected gems, based on real-life like Sally Fields in “Places in the Heart” or fantasy like Dumbo’s lullabye-singing elephant mom, biological mothers like Irene Dunne in “I Remember Mama” or step-mothers like Maria in “The Sound of Music,” these are all must-see movies.