Last night, a powerhouse Washington D.C. audience got an early look at one of this winter’s biggest and best movies, “Bombshell,” based on the true story of the sexual harassment complaints that caused a seismic shake-up at the most powerful media company in the world. The title is clever, referring to the “bombshell” anchors of Fox News, selected for their beauty as well as their credentials as journalists, and the “bombshell” disclosures of abuse that led to the departure of the company’s top talent, including the founder of FOX News, the late Roger Ailes and their top-rated broadcaster, Bill O’Reilly.

Following the screening at the spectacular new Washington DC office of the MPAA, CNN’s Dana Bash interviewed producer and star Charlize Theron, who plays Megyn Kelly in the film, director Jay Roach, and screenwriter Charles Randolph. Some highlights:

Randolph described himself as “the least woke man in the room,” subject to “the masculine instinct to minimize” the experiences of women, which itself causes great harm — the “refusal to acknowledge the importance of these events in women’s lives is devastating.” But “how is that helping the world? And so, he told us the the reason he wanted to tell this story: “Sexual harassment has to stop. And this has such interesting characters. They are not earnestly passive, as we see too often in “good” characters. They are filled with quirks, contradictions, internal conflicts. My parents are FOX News people. These are characters they can relate to, laugh at, laugh with, fully identify with and respect.”

Roach also comes from a “Fox News family,” he said. “This could cross over. Even my mom and my aunts could connect to this because they know them. When this story happened, we were all talking about it but I did not hear my family talking about it. The women in this film did not call themselves feminists; it is a great predicament for a story.”

Theron on taking on the role: “This film began before the Harvey Weinstein/#meetoo/Time’s Up movement. In a way, it is the origin story. But this was already a part of my life as it has been for every woman. Producing the film was easier than playing Megyn. And in some ways, playing Aileen Wuornos in ‘Monster’ was easier, because everyone knows Megyn’s face, voice, gestures so well. It took a little time for me to put my personal feelings aside. Megyn says some things I don’t agree with and some that rub me the wrong way. We have different views on a lot of stuff, but the only way to do this job is to remove yourself from those judgments and come from an empathetic place, to find the emotional arc of the story and not hide yourself away from the thorns. It’s easy to do a heroic person who does everything right and the audience immediately likes them. But it is more interesting to take a conflicted person who has a moment to do something right, not fluffy nice and cozy. We are complicated as people and the characters should be, too.” The same goes for those in the story who are not the heroes. “The harasser you most have to worry about is not the guy twirling his mustache.”

“It’s the belittling factor,” Theron said. “We’ve always been able to wrap our heads around the violent injuries. But this is also incredibly damaging. You carry this stuff, adding more weight to the luggage you never get rid of.”