Sydney White

Sydney White

Posted on January 20, 2008 at 3:14 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some language, sexual humor, and partying
Profanity: Some crude language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Tense confrontations, comic peril
Diversity Issues: Diverse characters, some stereotyping
Date Released to Theaters: September 21, 2007

This updated fairy tale has some clever riffs on “Snow White” but never makes use of the considerable talents of its star, Amanda Bynes.

Copyright Morgan Creek 2007
Sydney (Bynes) is a college freshman who wants to join Kappa, the most exclusive sorority on campus, though she is more comfortable on a construction site than at a cotillion. “You know how people joke about being raised by wolves? I was raised by construction workers,” she explains and we cut to her devoted father (“The Dukes of Hazzard’s” John Schneider) illustrating the facts of life for her with plumbing supplies. When she knew she was dying, Sydney’s mother wrote her a letter, telling her how much she loved being in the sorority. Now Sydney wants to fulfill her mother’s dream.

But Sydney does not meet the standards of the Kappa president, Rachel Witchburn (Sara Paxton). She is not blonde, she is not a size 2, and, worst of all, Sydney fails to recognize Rachel’s supreme domination over just about everything on campus — especially the handsome Prince Matt Long as Tyler Prince, the campus McDreamy.

Rachel boots Sydney out of the sorority in a humiliating public ceremony. There is only one place left on campus that will take her in, the ramshackle house occupied by the campus outcasts. There are seven of them. One has allergies and sneezes a lot. One is an exchange student with jet lag who sleeps all the time. One is bashful. One is grumpy. All are nerdy. And Rachel has a plot to tear their house down so her family can build a shiny new rec center for sorority and fraternity members only.
Echoes of the Snow White story provide the movie’s brightest moments. Rachel checks constantly to make she is still considered the fairest in the land, not in a magic mirror but in the campus “hot or not” website. The poisoned apple? An Apple laptop with an important homework assignment gets infected with a virus. And of course in the big moment Sydney is awakened by a kiss from the Prince.

It is less cute when a nasty trick has the seven dorks naked at a campus party and when they march past Rachel with a mean-spirited “Hi, Ho!” It makes it harder for us to stay on the side of the good guys when they descend to the terminology of the bad guys. And it goes overboard on the geek factor; drawing less from fairy tales than from “Revenge of the Nerd”-style caricatures. For a movie that is supposed to be all about inclusion and respecting the dork within each of us, it has a lot of fun at their expense.
Bynes is captivating despite a role that does not give her much to do but display tomboyish good spirit behind some really unfortunate hair and make-up. She looks trapped in a 1970 Yardley ad, all fake tan, shag haircut, and pale eye shadow. She can make a retort sound spirited, not snappish, as when she tells Rachel that she doesn’t “speak priss.” Her best moments are with Long, who has a great smile and a rare ability to listen to what other performers are saying without thinking he has to be doing something every second he is on screen. Newcomer Jack Carpenter as Sneezy/Lenny brings warmth and humanity to a thinly written role as the most sociable of the dorks.

But director Joe Nussbaum does not trust his performers, the material, or the audience. He keeps the tempo so synthetically sitcom-y you expect to hear a rim shot and a laugh track. Everything is exaggerated. Every joke is an elbow in the ribs. Like Rachel, he is checking his “hotness” every couple of minutes. And like Rachel, his score could use some improvement.
Parents should know that this movie has some vulgar humor and strong language (references to “hos,” b-word), implied nudity, and a drinking game at a party. A strength of the movie is its emphasis on inclusion and the importance of treating diverse people respectfully, and Sydney reaches out to all groups on campus, from the Hassids to the band geeks, cross-dressers, and Goths.
Families who see this movie should talk about when they most felt like outsiders or dorks and what they can do to make sure that people around them feel included and appreciated for who they are.

Families who enjoy this movie will also enjoy other takes on classic fairy tales like Ella Enchanted and Shrek. Barbara Stanwyk and Gary Cooper co-starred in an earlier update of Snow White, Ball of Fire.

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There Will Be Blood

Posted on January 4, 2008 at 8:00 am

B+
Lowest Recommended Age: High School
MPAA Rating: R for some violence
Profanity: Some strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Brutal graphic murder, industrial accidents, characters (including child) injured and killed
Diversity Issues: None
Date Released to Theaters: January 4, 2008

therewillbeblood.jpgIt opens with a scorching contrast of light and darkness. Alone at the bottom of a dark pit, Daniel Plainview (Daniel Day-Lewis) stubbornly scratches and claws in the mud. High above, a pitiless sun bleaches a remote desert landscape. Plainview goes back and forth between the dark and the light, repeatedly returning to pick away at the earth. He is as flinty and unyielding as the rocky terrain itself, a man of ferocious resolve seeking something of value deep inside the rock. For almost 15 minutes, there is no other person but the resolute miner, no other sound but his relentless attack on the wall of stone. Finally, it begins to yield tiny bits of previous metal. Plainview falls. He is badly injured. But he perseveres, dragging himself to the assay office.
When we see him again, he is just as focused, just as intense, now seeking another kind of treasure. Plainview supervises a small group of men, digging for oil. To make sure there is no doubt about the nature of the forces that have been unleashed on the earth, it all becomes powerfully clear when one of the wells ignites, creating a vivid scene from Dante’s Inferno, belching fire and brimstone into the night, killing one of the men, leaving his infant son an orphan.

(more…)

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Persepolis

Posted on December 24, 2007 at 5:55 pm

A-
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for mature thematic material including violent images, sexual references, language and brief drug content.
Profanity: Some strong language
Alcohol/ Drugs: Drugs, drinking, smoking
Violence/ Scariness: References to wartime violence, torture and execution of prisoners, sad (offscreen) deaths, characters in peril
Diversity Issues: Gender, religious, and ethnic diversity a theme of the movie
Date Released to Theaters: December 25, 2007

pesepolis_poster.jpgMarjane Satrapi brings her award-winning graphic memoir to the screen in a powerful story of growing up in Iran as the Shah was ousted and hopes for democracy were crushed by the rise of the fundamentalists. Named for the legendary ruin Alexander the Great is believed to have burned, the frank portrayal of Satrapi’s coming of age personally and politically is a stunning achievement. Like the books, it is told almost entirely in black and white, with simple, supple, strong lines that beautifully complement and underscore the starkness of the story.

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Stardust

Posted on December 18, 2007 at 12:14 pm

This is an enchanting story that lives up to the promise of a “once upon a time beginning,” filled with romance, adventure, magic, and wit. It has witch sisters who need to find a fallen star to make the potion that gives them eternal youth, prince brothers who want to find it because the jewel that knocked it out of the sky will determine which of them will be king, cloud pirates who sail in a flying ship, and a unicorn.


stardust.jpg Tristan (Charlie Cox) promises to bring back a fallen star to win the hand of the girl he loves. To find it, he must cross the wall that divides his village from the magical land of Stormhold on the other side. It turns out that he has a connection to Stormhold that he did not know. And it turns out that the fallen star is not an it but a she — the star has a human form, a woman named Yvaine (Claire Danes). And so begins a journey that will include sword fights and transformations, captures and escapes, bickering and kisses, encounters with rascals, villains, and imprisoned princesses, and reunions with unexpected lost connections.
Director Matthew Vaughn (“Layer Cake”) blends romance, action, and comedy with brilliantly imagined visual effects, seasoning fairy tale enchantment with a splash of modern sensibility. Peter O’Toole as the dying king, Robert DeNiro as the pirate captain with a surprising hobby, and Ricky Gervais as a dealer in stolen goods, and Rupert Everett as one of a Greek chorus of murdered princes are high-spirited but never wink at the audience; the film is as sincere as its appealing lead characters. Pfeiffer has a blast as the witch, whether cooing at her restored beauty or blasting through its disintegration as she pursues the star.


Modern without being post-modern, ironic without air-quotes, romantic without apology, this is a fairy tale for our time because it takes us beyond time and reminds us that happily ever after is still a dream worth having.

Parents should know that this film includes fantasy violence, with characters injured and killed in a variety of ways, everything from having their throats cut to being thrown out of windows, poisoned, and drowned. There is some mild language and there are some mild sexual references and non-explicit sexual situations. A strength of the movie is unexpected acceptance of and support for a cross-dressing character.


Families who see this movie should talk about what drew Dunstan and Tristan to the other side of the wall. What is the difference between being a shop boy and a boy who works in a shop?

Families who enjoy this movie will also enjoy sumptuous fantasy classics The Princess Bride, Labyrinth, Time Bandits, and Ladyhawke (also featuring Pfeiffer). And they will enjoy the graphic novel by Neil Gaiman, illustrated by Charles Vess.

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The Kite Runner

Posted on December 14, 2007 at 8:00 am

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for strong thematic material including the sexual assault of a child, violence and brief strong language.
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Disturbing material including child abuse, rape of male children and attempted rape of adult woman, woman stoned to death, abuse by occupying Soviet soldiers and by Taliban
Diversity Issues: A theme of the movie
Date Released to Theaters: December 14, 2007

kite%20runner.jpg
This faithful adaptation of the worldwide best-seller puts a struggle for personal redemption and atonement in the context of devastating divides, ethnic, cultural, poltical, and moral, set in Afghanistan before, during, and after the Soviet invasion of 1979. Loyalty, betrayal, even identity itself are themes that echo and circle back on themselves in this moving story of learning what it means to “be good again.”

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