Hamilton — Original Cast!! — Coming to Disney Plus
Posted on May 13, 2020 at 5:28 pm
The original Broadway cast of Hamilton film is coming to Disney+ on July 3.
The show was filmed live on stage with the original cast at the Richard Rodgers Theatre in 2016.
The original Broadway cast appearing in the film include Tony Award® winners Lin-Manuel Miranda as Alexander Hamilton; Daveed Diggs as Marquis de Lafayette/Thomas Jefferson; Renée Elise Goldsberry as Angelica Schuyler; Leslie Odom, Jr. as Aaron Burr; Tony Award® nominees Christopher Jackson as George Washington; Jonathan Groff as King George; Phillipa Soo as Eliza Hamilton; and Jasmine Cephas Jones as Peggy Schuyler/Maria Reynolds; Okieriete Onaodowan as Hercules Mulligan/James Madison; and Anthony Ramos as John Laurens/Philip Hamilton.
The cast also includes Carleigh Bettiol, Ariana DeBose, Hope Easterbrook, Sydney James Harcourt, Sasha Hutchings, Thayne Jasperson, Elizabeth Judd, Jon Rua, Austin Smith, Seth Stewart, and Ephraim Sykes.
Rated PG-13 for some strong language including a sexual reference and racial epithets, and smoking throughout
Profanity:
Some strong and racist language
Alcohol/ Drugs:
Drinking and smoking
Violence/ Scariness:
Some peril
Diversity Issues:
A theme of the movie
Date Released to Theaters:
April 3, 2020
Copyright Apple 2020“The Banker,” now available on Apple TV+, is three movies in one, all of them vivid, engaging, and compelling.
First, it’s a heist in plain sight movie, and all, or pretty much all, strictly legal. Two black men, Bernard Garrett (Anthony Mackie) and Joe Morris (Samuel L. Jackson) start a business in the pre-Civil Rights Act era when it was not only legal but the universal practice to keep people of color not just out of the neighborhoods where white people lived and worked but out of the places that make property ownership possible, the business that sell homes and office buildings and the people who provide the financing for those purchases.
Second, it is a “My Fair Lady”-style Cinderella makeover fairy tale movie, about taking someone who has the heart to be more than he is and teaching him the language, manners, and skills necessary to have credibility in the highest levels of society, or, in this case, business and finance. Garrett and Morris need a white man to pretend to be the president of their enterprise, so they recruit Matt Steiner (Nicholas Hoult), a genial construction worker, and teach him their version of “the rain in Spain stays mainly on the plain,” how to do (or pretend to do) complex valuation computations in seconds and how to play golf, so he can display the (apparently) effortless credibility needed to do big-money deals.
Third, it is a very personal underdog story of heroes to cheer for, two very different men, both played with exquisite precision, working together against near-insurmountable odds to overturn a virulently oppressive system.
Garrett has a head for numbers even as a young boy, where he listens in on the conversations of men of business as he shines their shoes. As a young man, he understands that the ability to own property is as critical to financial stability, social parity, and equal opportunity as the kind of political organizing that is getting started at the same time. Morris is already a savvy businessman with clubs and real estate holdings. Their personalities are very different — one a quiet, devoted family man, the other a good-time guy. But they both know how things work. They know how to make themselves invisible, pretending to be limo drivers or janitors to get access to the places of power while their front-man pretends to know what he’s doing. (One problem with the film is its failure to give Nia Long more of a role than the ever-supportive wife, though this ever-talented actress lends the character some dimension.)
We know from the beginning, opening on a Senate hearing with some harsh questioning, that powerful people are going to try to stop Garrett and Morris from taking some of their power. This movie, with MCU star-power portraying real-life superheroes, gives some of it back to them.
Parents should know that this film has some strong and racist language, some sexual references, scenes in clubs and bars, and some historical depictions of racism.
Family discussion: What did Morris and Garrett have in common? Who is most like them today? What should they have done about Steiner?
All the President’s Minutes: Nell Minow Talks About All the President’s Men with Blake Howard
Posted on March 25, 2020 at 7:57 pm
All the President’s Men is one of my favorite movies of all time, so it was truly an honor and a thrill to be invited to talk about it with Blake Howard on his “All the President’s Minutes” podcast, which devotes an entire episode to each minute of the film. I got a great minute, the first meeting of Woodward (Robert Redford) and Bernstein (Dustin Hoffman) and Bernstein interviewing a source on top of what was then the Hotel Washington. I was a summer intern on Capitol Hill the summer of the Watergate hearings and got to attend twice, and have been fascinated by Watergate ever since.
Be sure to tune in to hear our conversation and then watch the film again!
If a movie is called “I Still Believe,” you can be pretty sure it is aimed at those who already believe. Based on the real-life love story of Christian musician Jeremy Camp, it is set in a world of believers and very much in the tradition of Christian testimony, where tragedy is overcome or at least understood through faith. It is also a sincere and tender love story with attractive stars, tuneful songs, and a score by John Debney.
Jeremy Camp is played by K.J. Apa, who plays Archie on “Riverdale” with dark, handsome features that look like a cross between 90s-era Josh Hartnett and Wes Bentley. He is the oldest son of a loving family. As he leaves home for college, we see that he is kind and patient with his developmentally disabled youngest brother, and honorable and generous. His father offers to let Camp take his own guitar to college, saying that “for me, music is a hobby. For you it is a gift.” But there is a surprise. His parents bought him a brand new guitar, a sacrifice that will mean no Christmas presents. They knew he would be too thoughtful to leave his father without music.
Jeremy arrives at a small Christian college where Kry, a Christian musical group he admires, is performing, and he sneaks backstage to meet the lead singer, Jean-Luc La Joie. He asks for advice about “making it.” La Joie says, “It’s not about making it. It’s about what the songs give to people. What do you want to give to people.” He tells Camp to write what he cares about. La Voie writes “love songs to God.” But lately, he’s been writing one to a girl. Jeremy will learn what that means when he sees the girl for himself and is immediately drawn to her.
Melissa (Britt Robertson), and like Jeremy her life is committed to faith and to music as a way to express and strengthen her faith. This is a movie where the usual falling-in-love montage includes not just walking on the beach but service to others as a way for the couple to connect. It is difficult for her to admit her feelings for Jeremy and that creates stress in their relationship. They are on something of a break and he is back home with his family when he gets a call — she’s in the hospital with cancer.
They face it together and get married, against the advice of his family. They are very young and this is a daunting challenge at any age. But as the title tells us, their faith endures.
Those who are not believers in this particular kind of Christianity may question the unquestioning faith of these characters. There are many faith traditions that would see these incidents differently, and the movie has a closed and circular perspective some audience members will find reductive and exclusionary. But Robertson and Apa make a sweet couple and their commitment to God and each other gives their story a tenderness that even those with different beliefs will find touching.
Parents should know that this movie includes a very sad terminal illness, with scenes of medical treatment and suffering and a tragic loss.
Family discussion: What do we learn about Jeremy when he turns down his father’s guitar and gives his brother his phone? Should Melissa have told John-Luck sooner? When you can’t decide what to do, what helps you?
If you like this, try: “A Walk to Remember” and “I Can Only Imagine” and the music of Jeremy Camp
Celebrate President’s Day with some movies about our 16th President. Reportedly, Abraham Lincoln has been portrayed more on screen than any other real-life character. I was honored to be invited to participate in the 272-word project from the Abraham Lincoln Library in Springfield, Illinois. Each of us was asked to contribute an essay that was, like the Gettysburg Address, just 272 words.
Here’s mine:
Two score and six years after the death of Abraham Lincoln, he was first portrayed in the brand-new medium of film. 102 years and over 300 films later, Lincoln has appeared on screen more than any other historical figure and more than any other character except for Sherlock Holmes. In 2013 alone there were three feature films about Abraham Lincoln, one with an Oscar-winning performance by Daniel Day-Lewis, directed by Steven Spielberg. In another one, he was a vampire slayer. He has been portrayed by Henry Fonda (John Ford’s “Young Mr. Lincoln,” Raymond Massey (“Abe Lincoln in Illinois”), Walter Huston (D.W. Griffith’s “Abraham Lincoln”), and Bing Crosby – in blackface (“Holiday Inn”). The movies have shown us Lincoln defending clients, mourning Ann Rutledge, courting Mary Todd, and serving as President. We have also seen him traveling through time with a couple of California teenagers in “Bill and Ted’s Excellent Adventure” and granting amnesty to Shirley Temple’s Confederate family in “The Littlest Rebel.”
Lincoln is appealingly iconic as a movie character, instantly recognizable as a symbol of America’s most cherished notion of ourselves: unpretentious but aspiring for a better world and able to find both the humor and integrity in troubled times. In every film appearance, even the silliest and most outlandish, he reminds us, as he did in The Gettysburg Address, of what is most essential in the American character: the search for justice.
Young Mr. Lincoln Directed by John Ford and starring Henry Fonda, this is an appealing look at Lincoln’s early law practice and his tragic romance with Ann Rutledge. Particularly exciting and moving are the scenes in the courtroom as Lincoln defends two brothers charged with murder. Both have refused to talk about what happened, each thinking he is protecting the other, and Lincoln has to find a way to prove their innocence.
Abe Lincoln in Illinois Raymond Massey in his signature role plays Lincoln from his days as a rail-splitter to his law practice and his debates with Stephen Douglas. Ruth Gordon plays his wife, Mary.
Gore Vidal’s Lincoln Sam Waterston and Mary Tyler Moore star in this miniseries that focuses on Lincoln’s political strategies and personal struggles.
Sandburg’s Lincoln Hal Holbrook plays Lincoln in this miniseries based on the biography by poet Carl Sandberg.
It’s not that I’m forgetting the other President we pay tribute to this week; it’s just that George Washington has never had a movie worthy of his contributions to our country. Lincoln has had films from directors like John Ford and Steven Spielberg. Washington has television. There’s a 1984 miniseries:
And a History Channel miniseries:
Scorsese? Sorkin? Spielberg? There’s a great opportunity here.
Celebrate President’s Day with some movies about our 16th President. Reportedly, Abraham Lincoln has been portrayed more on screen than any other real-life character. I was honored to be invited to participate in the 
, based on