Alvin and the Chipmunks

Posted on April 1, 2008 at 8:00 am

Novelty songwriter Ross Bagdasarian noticed that speeding up the audio recordings creatd a high-pitched sound in 1958, and used that technique in his song “The Witch Doctor.” It was a hit. And so, he created the singing chipmunks, Simon, Theodore, and AAAAAlvin. Their record-breaking Christmas song sold four and a half million records in seven weeks — a record not broken until the Beatles — and won two Grammy awards. The high pitch of the voices was the novelty, but what made the record a hit was the relationship between Bagdasarian, who chose the stage name Dave Seville after the Spanish town he had been stationed in during the second World War, and the chipmunks, scholarly Simon, cheery Theodore, and especially mischievous Alvin. It became a franchise, with more records, an animated television series, product endorsements, and “appearances” with real-life rock stars. What was left? A feature-length movie, inspired by the origin story. But any charm in the original idea has been diluted and all that remains is packaging. It is 9/10 product placement, 1/10 filler.

Interview with Hugh Welchman of “Peter and the Wolf”

Posted on March 23, 2008 at 2:00 pm

Peter and the Wolf,” this year’s Oscar-winner for best short animated film will be shown on PBS this Wednesday from 8-9 Eastern Time. It is a brilliantly imaginative film and well worth setting aside some family time to watch it together.
“Peter and the Wolf” was originally written by Sergei Prokofiev in 1936 as a way to introduce children to the instruments of the orchestra. A brief narration tells the story of the little boy who goes into the forest with his pet duck and cat. They meet up with a little bird and have an encounter with a scary wolf. Each character in the story is represented by a different instrument.
Bird: flute
Duck: oboe
Cat: clarinet
Grandfather: bassoon
Wolf: French horns
Hunters: percussion
Peter: strings
There have been many film versions of the story. Perhaps the most famous is a Disney animated cartoon made in 1946. This latest version, produced by Hugh Welchman of Breakthru Films, dispenses with the narration, which only takes up three minutes of the half-hour-long musical composition, but creates a complex and involving story with a contemporary setting that remains very true to the themes of the original. I spoke to Welchman about the challenges of creating Peter’s world for the painstaking stop-motion animation to create the film.
How big was the set?
“We were working at a one in five ratio. That’s the normal scale for stop-motion animation. The set was truly enormous. The forest had 1700 trees, each 6 feet high. The set was 80 feet long; it was like going into Wonderland. We also did all the close-ups at 1 in 3 . The grandfather puppet was 3 1/2 feet high. With that size, you get so much more detail. The grandfather’s hands were incredibly detailed which gave it a real different quality and makes it much more real.
The set was built in Poland and they worked amazingly quickly to build it. That was one of the fastest part of the process; making the models took much, much longer. We wanted it set in modern Russia and so we went there to take photographs. On a playground somewhere they found Peter. And they were arrested by the KGB for taking photographs of a power station! The Russian police didn’t really know what to do with these two women. They thought they were eco-terrorists. So, they wiped their photos.
But the Russians are very knowledgeable about film, especially animation.
Yes, they’ve got a heritage with stop-motion.

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Enchanted

Posted on March 18, 2008 at 8:00 am

Fairy tales and modern-day Manhattan find a way to live happily ever after in this adorable Disney story about the adventures of a prince, an almost-princess, and an evil queen in New York City.

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Bee Movie

Posted on March 10, 2008 at 8:00 am

Jerry Seinfeld will always be remembered for creating a brilliant and beloved television show about…nothing. His unbreakable rule was “no learning, no hugging.” Popular sitcoms had always been about learning and hugging and “very special episodes.” But Seinfeld created four intensely self-absorbed characters and if we did not exactly care about them, we were captivated by them. Now, he and some of the “Seinfeld” show writers have created an animated movie aimed at children. There is some hugging and learning involved but it is still as close to being about nothing as it can be.

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Animation Comedy Family Issues

One Hundred and One Dalmatians

Posted on March 4, 2008 at 7:00 am

Lowest Recommended Age:	All Ages
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Characters in peril, no one hurt
Diversity Issues:	None
Date Released to Theaters:	1961
Date Released to DVD:	February 9, 2015
Amazon.com ASIN:	B00OZLF4AG

“One Hundred and One Dalmatians” is one of the best-loved Disney classics (and the first of its animated films to take place in a contemporary setting). There is nothing more irresistible than 99 frisky spotted puppies and there has never been a more deliciously scary villain than the fur-mad Cruella De Vil. It is a great family movie because it is exciting and funny and because it is all about the importance of family and community and the love parents have for their children. And just because it is a lot of fun.

Like “Lady and the Tramp,” 101 Dalmatians is told from the perspective of dogs, this time two dalmatians, Pongo and Perdita, the cherished pets of Roger and Anita. Anita’s old friend is the aptly named Cruella De Vil (Betty Lou Gerson). Her henchmen kidnap Perdita’s puppies and eighty-four others so she can make them into a dalmatian fur coat. Pongo (Rod Taylor) and Perdita (Cate Bauer), with the help of their animal friends, undertake a daring rescue. The puppies are adorable, and the movie is delightful (with a sly poke at television and the kids who watch it). 101%20dalmatians.jpg

Movieline magazine once asked actresses to name the most memorable female villain in the history of the movies — Cruella was at the top of the list. She just might be the most ruthless villain of all time and any gender. Hannibal Lecter may be “Hannibal the Cannibal” but he never tried to make darling little puppies into a fur coat.

This gorgeous new Diamond edition is a treasure. This was a transitional film between the hand-painted classical style of the fairy-tale Disney films and a looser, more modern look. It was the then-new invention of the photocopier that made this movie possible. Without that technology, the Disney artists would still be painting all those spots.

Families who enjoy this movie might also like to see the 1997 live-action version, with Glenn Close as Cruella. Close is wonderful, but the movie relies too much on slapstick and the real dogs do not have the personality and range of expression of their animated predecessors. The 2000 sequel, “102 Dalmatians,” also featuring Close, is disappointing, too much silliness and not enough sweetness. The animated original is still the best. And the book by Dodie Smith is very different, but also wonderful.